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A Countess from Hong Kong

  • 1967
  • G
  • 2 घं
IMDb रेटिंग
6.1/10
7.4 हज़ार
आपकी रेटिंग
Marlon Brando and Sophia Loren in A Countess from Hong Kong (1967)
Trailer for this classic comedy
trailer प्ले करें1:22
1 वीडियो
94 फ़ोटो
कॉमेडीरोमांटिक कॉमेडीरोमांसस्क्रूबॉल कॉमेडी

हांगकांग में, अमेरिका लौट रहा राजदूत रूसी काउंटेस से मिलता है, जो बिना पासपोर्ट के शरणार्थी है, जो उसके केबिन में छिपने का फैसला करती है.हांगकांग में, अमेरिका लौट रहा राजदूत रूसी काउंटेस से मिलता है, जो बिना पासपोर्ट के शरणार्थी है, जो उसके केबिन में छिपने का फैसला करती है.हांगकांग में, अमेरिका लौट रहा राजदूत रूसी काउंटेस से मिलता है, जो बिना पासपोर्ट के शरणार्थी है, जो उसके केबिन में छिपने का फैसला करती है.

  • निर्देशक
    • Charles Chaplin
  • लेखक
    • Charles Chaplin
  • स्टार
    • Marlon Brando
    • Sophia Loren
    • Sydney Chaplin
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.1/10
    7.4 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Charles Chaplin
    • लेखक
      • Charles Chaplin
    • स्टार
      • Marlon Brando
      • Sophia Loren
      • Sydney Chaplin
    • 70यूज़र समीक्षाएं
    • 28आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 1 नामांकन

    वीडियो1

    A Countess From Hong Kong
    Trailer 1:22
    A Countess From Hong Kong

    फ़ोटो94

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    टॉप कलाकार62

    बदलाव करें
    Marlon Brando
    Marlon Brando
    • Ogden
    Sophia Loren
    Sophia Loren
    • Natascha
    Sydney Chaplin
    Sydney Chaplin
    • Harvey
    Tippi Hedren
    Tippi Hedren
    • Martha
    Patrick Cargill
    Patrick Cargill
    • Hudson
    Michael Medwin
    Michael Medwin
    • John Felix
    Oliver Johnston
    Oliver Johnston
    • Clark
    John Paul
    • The Captain
    Angela Scoular
    Angela Scoular
    • The Society Girl
    Margaret Rutherford
    Margaret Rutherford
    • Miss Gaulswallow
    Peter Bartlett
    • Steward
    Bill Nagy
    Bill Nagy
    • Crawford
    Dilys Laye
    Dilys Laye
    • Saleswoman
    Angela Pringle
    • Baroness
    Jenny Bridges
    • Countess
    Arthur Gross
    Arthur Gross
    • Immigration Officer
    Balbina
    • French Maid
    Anthony Chinn
    Anthony Chinn
    • Hawaiian
    • (as Anthony Chin)
    • निर्देशक
      • Charles Chaplin
    • लेखक
      • Charles Chaplin
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं70

    6.17.3K
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    फ़ीचर्ड समीक्षाएं

    Kathy-32

    Good movie made ten years too late. A must see for fans of Chaplin, Loren and Brando.

    This is a good movie if you like old-fashioned, 50's style, bedroom farce, romantic comedies. Unfortunately, it was made in 1967 when films for adults were much more direct about sexuality, so this one was already out of date when it was released. It's a bit of nostalgia, but fun.

    What I liked the most when I saw this on video last night was the fact that Sophia Loren, who by today's standards would be considered almost obese, was admired for her womanly shape, wit, grace and intelligence. She is absolutely stunning even when she wears Marlon Brando's character's pajamas.

    This is Charles Chaplin's last film and I enjoyed his characteristic soundtrack music. It's filmed as a play with only a few sets.
    7fcasnette

    not as bad as critics made out

    an interesting curio as Chaplin's last film. Loren is ravishingly beautiful and carries the whole film well on her shoulders. Brando badly miscast, he shows some great timing in the madcap farce rushing around scenes, but try to imagine how Rex Harrison could have done this type of slamming doors and hiding farce as the uptight diplomat exasperated with his stowaway - think My Fair Lady. Brando's mumbling performance just does not gel. Apparently he had disagreements with Chaplin and maybe was sulking.

    Very nice cameos from Margaret Rutherford (British films of the 50s Miss Marple) and Angelar Scoular (batty girl like in her performance in On Her Majesty's Secret Service), also great comedy performance from Patrick Cargill (British TV comedy and a memorable No 2 in the Prisoner) as the butler. Excellent acting going on here.

    It is dull to start with, static camera like silent films, stagy, and obvious studio sets, but by the time the sea sickness scene came along I was laughing and drawn in. The post marriage bedroom scene is funny.

    There is a scene at the bar with Sydney Chaplin (Charlie's son) where he tries to distract Michael Medwin, where Sydney looks amazingly like Charlie in attitude and timing - but this is probably due to diligent direction by his father.

    A really nice theme music from Charlie again. Yes, it is old fashioned, a filmed play, was absolutely released in the wrong decade, with the wrong leading man, but does show some of the Chaplin traits and even perhaps genius, certainly his humanist philosophy in the treatment of homeless or stateless persons.

    A real shame it was so savaged by critics at the time and disappointed him in his old age. He deserved better for his lifetime contribution to the art of film.
    6planktonrules

    This could have been a much better movie--as it is, it's still an interesting film

    This film has a pretty poor reputation and in some ways it is deserved, but I also wonder if maybe the reason critics were so hard on the film was because they expected too much from director, Charlie Chaplin. It was the last film he directed and in this sense, it is a disappointment that he made such an ordinary film. But, if they had thought that the director was Homer Noodleman or Myron Lipschitz, would they have been so hostile towards THE COUNTESS FROM HONG KONG?

    The biggest problem about the film is probably the choice of stars for the film. While Marlon Brando was brilliant in some films, he also often acted well outside his range--this film is a great example. He just isn't a funny actor no matter how much he tries in the film. The part appears to have been written for someone like Cary Grant or David Niven--but not Brando. And Sophia Loren, while not as badly miscast, also really isn't in her element. Also, Chaplin himself only appears for a few seconds, and I am sure many were disappointed at only seeing this ever so brief cameo.

    Now as for the plot, I read one review that said this film was made in the wrong decade, and I agree wholeheartedly. The movie looks much like a romantic-comedy from the late 1930s. This isn't really a criticism--more that this film would have played better and been embraced more in this decade instead of the more jaded and "hip" 1960s. I'm sure than many potential viewers were turned off by it being a movie "for their parents".

    Unfortunately, the film apart from these minor criticisms wasn't really a bad film. While not the perfect culmination to his career like it would have been if LIMELIGHT had been his final film, Chaplin had nothing to be ashamed of other than miscasting.
    nicholas.rhodes

    Pleasant surprise - and what music !!!

    I finally got round to seeing this one recently though it has often appeared on French TV and is noted above all for being Chaplin's last film and first and last colour film. I was enchanted by it ; the music is fantastic and the physique and voice of Sophia Loren (especially in pyjamas) is just.........so loveable gorrrrrrgeous and erotic ! Marlon Brando seems a little out of it all at times was perhaps not the right actor for the Role ; Margaret Rutherford in the personage of " Mrs Gaulswallow " ( just where to God's name did they think up a name like that ?? ) had me in total fits of laughter during her short appearance. The film is strange as it is in modern colour with good picture quality but the sound and dialogues as well as being poor acoustically are reminiscent of the 40s or 50s but obviously in keeping with Chaplin's style. I have always liked most of Chaplin's (talking) films but it is the quality of his musical scores that really get me. The score from Limelight and "This is My Song" which comes from A Countess in N.Y. are absolute masterpieces of Romanticism. Lovely !!!
    7claudio_carvalho

    Naive and Funny

    In Hong Kong, the wealthy Ogden Mears (Marlon Brando) is traveling in a transatlantic and is near to be assigned Saudi Arabia Ambassador and is divorcing from his wife Martha (Tippi Hedren). His friend Harvey (Sydney Chaplin) and he are invited by their old friend Clark (Oliver Johnston) to go to a nightclub with three aristocratic Russian refugees on their last night. Ogden drinks too much and spends the night with Countess Natascha (Sophia Loren). On the next morning, while sailing back home, Ogdeb finds Natascha hidden in his cabin wearing a ball gown and with no documents. The stowaway explains that she wants to go to the United States and Ogden is worried with his career. But Harvey convinces him to help Natascha. Ogden falls in love with Natascha and together with Harvey, they plot a fake marriage of Natascha with his valet Hudson (Patrick Cargill). But things get complicated when immigration requests her documents and Martha arrives on board.

    "A Countess of Hong Kong" is a naive movie by Charles Chaplin but also very funny and with a great soundtrack. The romance between Ogden and Natascha is unnecessarily hard to believe since Ogden is the son of the richest oil tycoon and Natascha is a prostitute; therefore he would be the target of any gold-digger. Ogden could be a simpler character to give more credibility for his crush on Natascha. But the last movie directed by Charles Chaplin is worthwhile watching and may be considered a classic. My vote is seven.

    Title (Brazil): "A Condessa de Hong Kong" ("The Countess of Hong Kong")

    इस तरह के और

    A King in New York
    7.0
    A King in New York
    Limelight
    8.0
    Limelight
    Monsieur Verdoux
    7.8
    Monsieur Verdoux
    The Chaplin Revue
    7.7
    The Chaplin Revue
    A Woman of Paris: A Drama of Fate
    6.9
    A Woman of Paris: A Drama of Fate
    Reflections in a Golden Eye
    6.7
    Reflections in a Golden Eye
    The Adding Machine
    6.0
    The Adding Machine
    Arabesque
    6.4
    Arabesque
    The Pilgrim
    7.2
    The Pilgrim
    The Ugly American
    6.6
    The Ugly American
    The Appaloosa
    6.3
    The Appaloosa
    The Chaplin Cavalcade
    7.4
    The Chaplin Cavalcade

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      While Marlon Brando had always greatly admired Sir Charles Chaplin's work and looked upon him as "probably the most talented man the [movie] medium has ever produced," the two superstars did not get along during the shooting of this movie. In his autobiography, Brando described Chaplin as "probably the most sadistic man I'd ever met." Chaplin, on his side, said that working with Brando simply was "impossible."
    • गूफ़
      During "everybody is getting sea-sick" scene Ogden, Natascha and Harvey push an ashtray around the table until Ogden angrily swipes it off the table. Shortly after it's back on the table in front of Natascha's chair and in the next shot it moves over to be in front of Ogden's chair, although nobody is at the table at that time.
    • भाव

      Baroness: No, no, don't turn it off. Music complements champagne.

    • कनेक्शन
      Featured in Charles Chaplin at Work (1967)
    • साउंडट्रैक
      This is my Song
      Music by Charles Chaplin

      Lyrics by Charles Chaplin

      Performed by Petula Clark

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
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    अक्सर पूछे जाने वाला सवाल

    • How long is A Countess from Hong Kong?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 13 जनवरी 1967 (फ़्रांस)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड किंगडम
    • भाषाएं
      • अंग्रेज़ी
      • फ्रेंच
    • इस रूप में भी जाना जाता है
      • Die Gräfin von Hongkong
    • फ़िल्माने की जगहें
      • Pinewood Studios, Iver Heath, Buckinghamshire, इंग्लैंड, यूनाइटेड किंगडम(Studio)
    • उत्पादन कंपनियां
      • Chaplin Film Productions Ltd.
      • Universal Pictures
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