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Caprice

  • 1967
  • Approved
  • 1 घं 38 मि
IMDb रेटिंग
5.5/10
1.9 हज़ार
आपकी रेटिंग
Caprice (1967)
An industrial designer causes chaos when she sells a secret cosmetics formula to a rival company.
trailer प्ले करें2:56
1 वीडियो
57 फ़ोटो
केपरग्लोबट्रॉटिंग एडवेंचरजासूसअपराधकॉमेडीथ्रिलर

अपनी भाषा में प्लॉट जोड़ेंAn industrial designer causes chaos when she sells a secret cosmetics formula to a rival company.An industrial designer causes chaos when she sells a secret cosmetics formula to a rival company.An industrial designer causes chaos when she sells a secret cosmetics formula to a rival company.

  • निर्देशक
    • Frank Tashlin
  • लेखक
    • John Kohn
    • Frank Tashlin
    • Martin Hale
  • स्टार
    • Doris Day
    • Richard Harris
    • Ray Walston
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.5/10
    1.9 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Frank Tashlin
    • लेखक
      • John Kohn
      • Frank Tashlin
      • Martin Hale
    • स्टार
      • Doris Day
      • Richard Harris
      • Ray Walston
    • 42यूज़र समीक्षाएं
    • 18आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • वीडियो1

    Trailer
    Trailer 2:56
    Trailer

    फ़ोटो56

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें

    टॉप कलाकार38

    बदलाव करें
    Doris Day
    Doris Day
    • Patricia Foster
    Richard Harris
    Richard Harris
    • Christopher White
    Ray Walston
    Ray Walston
    • Stuart Clancy
    Jack Kruschen
    Jack Kruschen
    • Matthew Cutter
    Edward Mulhare
    Edward Mulhare
    • Sir Jason Fox
    Lilia Skala
    Lilia Skala
    • Madame Piasco
    Irene Tsu
    Irene Tsu
    • Su Ling
    Larry D. Mann
    Larry D. Mann
    • Inspector Kapinsky
    Maurice Marsac
    Maurice Marsac
    • Auber
    Michael Romanoff
    Michael Romanoff
    • Butler
    Lisa Seagram
    Lisa Seagram
    • Mandy
    Michael J. Pollard
    Michael J. Pollard
    • Barney
    Don Anderson
    Don Anderson
    • Restaurant Patron
    • (बिना क्रेडिट के)
    John Bleifer
    John Bleifer
    • Doctor
    • (बिना क्रेडिट के)
    Madge Cleveland
    • Woman In Bra
    • (बिना क्रेडिट के)
    Kirk Crivello
    • Ski Guest
    • (बिना क्रेडिट के)
    Minta Durfee
    Minta Durfee
    • Agent
    • (बिना क्रेडिट के)
    Fritz Feld
    Fritz Feld
    • Swiss Innkeeper
    • (बिना क्रेडिट के)
    • निर्देशक
      • Frank Tashlin
    • लेखक
      • John Kohn
      • Frank Tashlin
      • Martin Hale
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं42

    5.51.8K
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    फ़ीचर्ड समीक्षाएं

    5foggyday

    It isn't boring at all

    I don't know why the most people think, that "Caprice" is a mad movie, it is no true. This one is the follow-up of "The Glass-Bottom Boat" and is in every case bigger an greater, but not better. Frank Tashlin did a very good job, when he first cooperated with Doris but he used her for his crazy and hardly understandable sense of humor. You have to laugh about the whole movie, you can't take anything in it seriously. That's the trick of it. There are very funny moments, e. g. when Doris goes to cinema to watch "Caprice" and when she strikes again a sexual attack. Perhaps a few of you really enjoy this movie as I do. Take it easy and with a little smile. For all others: Doris didn't like the movie herself.
    BrianJ101

    Great clothes, problematic plotting, God-awful eye makeup!

    For me, this movie had two strengths: 1) Doris's FABULOUS late '60s wardrobe (I would die to have a few of her coats hanging in my closet) and 2) a surprisingly sexy and appealing performance from Richard Harris as the male lead. Having experienced Hawaii and about fifteen minutes of Camelot (at which point I puked and felt it unadvisable to risk my health by watching any more), I have always thought of him as irritating and gross. For some reason, I ate him up in this role, though. The movie thankfully finds a number of opportunities for him to lose his shirt, which is a blessing.

    The plot, however, is a mess. Not only does it become impossible to follow who the characters are working for and what they are trying to do, it even becomes difficult to discern what city we are in at any given time (the action veers back and forth between Paris and L.A., with some scenes in Switzerland thrown in and certain sequences on a plane flying God knows where). It mainly held my interest until the stupid ending, which is like a kick in the face to anyone who has devoted an hour-and-a-half of their life to this movie. Halfway through it becomes a whodunit, except with no suspects, and the "resolution" is even less satisfying than you fear it's going to be.

    I would also like to have a few serious words with Doris's hair and makeup designers... She looks like a 45-year-old who thinks she's still 20, and it's not a pretty sight. Her wigs are way too light, and her dark eye makeup and layers of false eyelashes border on the grotesque. It's almost astonishing to see her in the shower scene because she looks so natural and charming, and it's quite a contrast to the borderline-Mae-West-in-Myra-Breckinridge look she is going for during the rest of the picture.

    I don't know whose idea it was to have Doris go see the movie Caprice starring Doris Day and Richard Harris, and then to have her voice singing the film's title song when she gets in the movie theatre. But it wasn't funny, it was just disconcerting and bizarre. For a minute when they first showed the marquee I thought it was going to turn all meta and reveal that everything up to then had just been scenes from the movie and we would now commence with a story of the "real" Doris Day and Richard Harris. But no such luck. The scene in the movie theatre did at least provide the film with its best performance, by Michael J. Pollard.

    Final note... I now have the first two notes of the title song stuck in my head. I can't remember any other parts of it, but I am sure Doris will be singing "Ca-price" in her coy annoying way inside my brain for many days to come.
    Ralph McKnight

    A "Mod" Doris Day Thriller

    "Caprice" was made near the end of Doris Day's spectacular film career. It was met with mixed reviews by the New York critics. But, when I saw the film at Radio City Music Hall, the audience seemed to enjoy it.

    The opening credits were very clever and there was a spectacular beginning to the film, a ski chase with the villain in black and the victim in white getting shot to death.

    Doris Day was dressed in mod attire and gave her usual professional performance. The plot was the film's biggest problem. It was very complicated and it takes two or three viewings to grasp everything.

    Richard Harris was a good choice to play opposite Miss Day. He later said that, even though he didn't like "Caprice", he was delighted to work with Miss Day, a true expert in the comedy field. He stated that he learned more from her about comedy than he could have learned in years at the Royal Academy. Nice words.

    This picture could have been good, if they had cut several scenes. I liked the rapport that Miss Day had with Edward Mulhare in their scenes together. She also worked well with Lilia Skala, Ray Walston and Jack Kruschen. There was a funny bit, which Doris played with Michael J. Pollard in a movie theatre, that was showing Doris Day and Richard Harris in "Caprice".

    Doris Day is a "natural" actress. She uses props well and approaches her material from a realistic standpoint. You believe her, even when she is thrusted in the most unbelievable situations. Miss Day was very good near the end of the picture when she confronted Ray Walson, in drag, and then Edward Mulhare who sent her on an unexpected helicopter ride.

    There were some exciting scenes, especially the one when Doris is being chased down the slopes by the man who killed her father in the beginning of the film. The resulting "rescue" was directly out of the old '40s cliffhangers.

    It has become fashionable to dismiss "Caprice", but if you are a Doris Day fan, you might enjoy it if you can ignore some of the "cuteness" director Frank Tashlin threw into the plot.
    5Uriah43

    Industrial Espionage, Double Agents, Secret Formulas and Murder

    While skiing, an Interpol agent is shot and killed in the Alps of Switzerland. Not long afterward, "Patricia Foster" (Doris Day) is caught red-handed trying to sell industrial secrets from the cosmetics firm she is employed with to a rival company. She is immediately terminated and subsequently hired by the rival American firm to become an industrial designer for them. This results in her working with a man named "Christopher White" (Richard Harris) who is actually a secret agent employed by the same firm that initially fired Patricia. Or so it all seems. What follows is a complicated story involving industrial espionage, double agents, secret formulas and murder. Anyway, as I said before, this is a complicated story and in order to fully understand it a person has to see this movie all the way to the end. Along with that, I think a person needs to take into consideration the fact that this movie was filmed in 1967 and as a result some of the action may seem rather basic by today's standards. Likewise, some of the humor may seem a bit tame as well. Even so, although some of it seems quite mild, it was still an enjoyable movie for the most part. Additionally, as far as the actors are concerned, both Doris Day and Richard Harris performed reasonably well together and, along with that, Irene Tsu (as "Su Ling") also looked quite nice--even if her role was somewhat limited. Be that as it may, while certainly not a great spy film by any means, it still managed to pass the time, and I have rated it accordingly. Average.
    gregcouture

    A rather sad farewell for Twentieth's famous CinemaScope logo.

    The talents of Frank Tashlin and Doris Day would seem to be a Hollywood combination made in heaven but, with "The Glass Bottom Boat" (made at M-G-M a year earlier than "Caprice') and this one, their fans were doomed to a certain degree of disappointment. The main trouble with this film is its impossibly convoluted and ridiculous script, giving little opportunity for anyone to shine, except, perhaps, the set and clothes designers, though one must appreciate that their efforts look very, VERY much of the dreaded "Mod" period when this one was conceived.

    Technical credits are, for the most part, top-notch, especially that old pro Leon Shamroy's lush cinematography (although I do recall that the back projections were very obvious when I saw this on a 40-foot wide CinemaScope screen when it was first released).

    I've never been a particular fan of Richard Harris and he was most definitely miscast opposite Doris. His too-clipped delivery of some of his lines can be attributed, I suspect, to Mr. Tashlin's rather slack direction (unusual for that comic master).

    All in all, when one considers that producer Martin Melcher, Doris's husband, was, at the time, squandering her hefty paychecks in unwise investments, it's easy to understand why Ms. Day has since been content to retire form the screen and allow us to remember her better, earlier efforts.

    इस तरह के और

    Do Not Disturb
    5.8
    Do Not Disturb
    The Glass Bottom Boat
    6.4
    The Glass Bottom Boat
    The Ballad of Josie
    5.7
    The Ballad of Josie
    Move Over, Darling
    6.9
    Move Over, Darling
    It Happened to Jane
    6.5
    It Happened to Jane
    Where Were You When the Lights Went Out?
    5.8
    Where Were You When the Lights Went Out?
    Midnight Lace
    6.8
    Midnight Lace
    The Thrill of It All
    6.9
    The Thrill of It All
    The Tunnel of Love
    5.8
    The Tunnel of Love
    Lover Come Back
    7.1
    Lover Come Back
    Send Me No Flowers
    6.9
    Send Me No Flowers
    The Pajama Game
    6.6
    The Pajama Game

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      In her autobiography, Doris Day wrote that this was one of her least-favorite films, also citing The Ballad of Josie (1967), Do Not Disturb (1965), and Where Were You When the Lights Went Out? (1968)--all films to which her husband/manager Martin Melcher signed her without her consent.
    • गूफ़
      When Patricia addresses Chris (Richard Harris) as "Richard" during the William Shakespeare scene, she is referring to his impression of Richard Burton.
    • भाव

      Patricia Foster: That phone is making me very nervous.

      Christopher White: It is making me nervous too. Let me take you away from all this. I also have a room with no phone.

    • क्रेज़ी क्रेडिट
      Each screen of the opening credits is presented uniquely. The names of the leads appear in speech/thought bubbles of an extra. One page appears gradually as a walkie-talkie's antenna extends. Others fade in, slide in, are pulled from behind walls, appear with different clipart, etc.
    • कनेक्शन
      Featured in Biography: Doris Day: It's Magic (1998)
    • साउंडट्रैक
      Caprice
      by Larry Marks

      Performed by Doris Day (uncredited)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल16

    • How long is Caprice?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 12 मई 1967 (फिनलैंड)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Son oyun
    • फ़िल्माने की जगहें
      • पेरिस, फ़्रांस
    • उत्पादन कंपनियां
      • Twentieth Century Fox
      • Melcher-Arcola Productions
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $45,95,000(अनुमानित)
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 38 मि(98 min)
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      • Color
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      • 2.35 : 1

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