Dragnet 1967

Visionary television Renaissance Man, Jack Webb, succeeded in bringing to the small screen a police drama of unprecedented power and stunning realism. Webb broke new ground continually with his use of cameras and his scripts were both timely and cutting edge. During the incredibly turbulent and chaotic years of revolt, immorality, and rampant drug use, Dragnet served as an anchor, a cultural bulwark for a society under siege. A society threatened by lawlessness and vulgarity was centered by what Jack Webb offered in the format of a half-hour of sanity during insane times. With this production, the 1960's can now be viewed with a solid perspective that brings viewers the viewpoint of that Silent Majority who trusted the police to protect their way of life from drug crazed criminals masquerading as cultural revolutionaries. Dragnet and Adam-12 are more than television shows. They were important contributions to the American republic and moral compasses for a populace teetering on the edge of madness.

Viewers used to series today such as Law & Order and CSI probably won't enjoy this classic show from the 1960s, but if you need a break from gritty realism and hard-boiled dramas this is a great show to watch. The 60s version of Dragnet was somewhat like the original show in the 1950s, but dealt with the topics of the day like drug use, race relations, student unrest, etc. Jack Webb plays Joe Friday to the hilt again, maybe a little less authoritarian that back in the 1950s version but still quite a memorable character nonetheless. By contrast, Harry Morgan plays Friday's partner, Officer Bill Gannon, as just a regular guy who happens to be a cop. You get the feeling that Gannon could easily move to some other career if he wanted to without much difficulty, while Friday seems to be interested only in police work; it's hard to imagine Joe Friday taking a day off, let alone do anything like go to the movies, visit a museum, etc. The supporting characters come and go regularly, as others have mentioned, but do a good job with their limited roles. Also, the crimes that Friday and Gannon investigate are quite interesting, and most episodes are well written. There will always probably be a debate as to whether the 50s or 60s version of Dragnet was best, but either way this series has held up well and is still a lot of fun to watch today.

This was a great show. Unfortunately, it does appear a little dated today--almost 40 years later. Also, too many people have discounted this show because they have been warped by seeing crap like the DRAGNET movie starring Dan Aykroyd. For the time it was made, this was one of the very best cop shows on TV--if not the very best.

Unlike the earlier incarnation of the TV show that Jack Webb produced and starred in from the 1950s, this version is less violent and more subdued--showing a lot of the more mundane aspects of police work. And, the show was meant to be more entertainment AND public service work to build support for our cops. The earlier show was more important just for entertainment. Plus, in this series, Detective Smith has been replaced by Detective Gannon (played by Harry Morgan).

So why did I like it so much? Well, aside from its realism, I think that Jack Webb's interpretation of Joe Friday was probably the coolest square guy I have ever seen. Yes, he was rigid and by-the-book, but he had the absolute best lines in TV history. For every scumbag he had the greatest snappy comebacks--sometimes making the entire episode worth while.

While not every episode clicked (some were too preachy or dull), there were so many great episodes. For example, the several episodes starring Burt Mustin, the Blue Boy episode, the white supremacist (with perhaps the greatest Friday one-liner), the guy who stole superhero memorabilia and thought HE was a superhero, etc. are all wonderful examples of fantastic TV. If you see one episode and it doesn't win you over, try a few more--I can guarantee if you give it a fair try you'll be hooked.

By the way, the best of the four seasons is the first. Part-way through season 2 and continuing into the series the shows often were more desk-bound and often concerned more mundane things like public relations and the like. While not bad, these later episodes were a bit claustrophobic and lacked the zip of the earlier ones.

PS--while the style is VERY different, try to find a copy of the DRAGNET movie Jack Webb made in the 1950s. It's one of the best Film Noir movies and is a very tough and gritty film--and VERY different from DRAGNET 1967.

*****Five out of Ten Stars*****

Producer Jack Webb was known as an extremely economical TV producer: His Mark VII productions routinely used minimal sets, even more minimal wardrobes (Friday and Gannon seem to wear the same suits over entire seasons, which minimized continuity issues) and maintained a relatively tight-knit stock company that consisted of scale-paid regulars who routinely appeared as irate crime victims, policewomen, miscreants and clueless parents of misguided youth. Which is pretty evident if you follow the show consistently. In fact I find it comical, in an annoying way, that some actors clearly play good characters in some episodes and criminals in other episodes.

In real life Jack Webb was a hard worker that had a great sense of humor, loved to drink, and smoke cigarettes. That being said, "Dragnet" is over-rated. PLEASE let me explain: Webb's decision to have actors read off cue cards and read their lines monotone isn't my idea of a method in making a TV show more realistic; which was Webb's reasoning behind this production decision. Also, the whole idea of these stories being real life depictions of actual events is somewhat misleading. These stories were BASED on real cases. Liberties were clearly taken in the writing department in an effort to make the stories more palatable to Webb's goals and the main TV viewing audience.

So, don't' get me wrong; I like watching Dragnet. Webb's introductory history lessons about Los Angeles are really quite enjoyable at the beginning of each episode. It's also great to see the location shots filmed in the Los Angeles area at that time in the late 60s: It's classic America before LA turned into the sess-pit it is now. Putting it into perspective, "Dragnet" has some endearing qualities, but Jack Webb's cue card production style gets an F from me.

OK, maybe this isn't the best show in television history, but it is a good one to watch. Even though I have seen every episode many times, I never get tired of watching it. After viewing the show all these years, it is fun to try and spot which of the many recurring actors and actresses appear in that episode--like the late Virginia Gregg!! She was a hoot to watch in many of the episodes.

It is also fun to see someone portray a cop or good guy in one episode and then play a villian in another episode. Now, even though this doesn't have anything to deal directly with any episode of Dragnet, I think that it was really nice how Jack Webb hired his ex-wife's husband in a few episodes and later was the producer of "Emergency" with his ex-wife Julie London and her husband Bobby Troup. I doubt very seriously that many people in Hollywood would be so mature and do that today.