Way... Way Out

Mid 60's sex comedy in space. 2 rocket scientists (Jerry Lewis and incredibly cute Connie Stevens) rushed by the air force into marriage to be the first husband and wife on the moon, There they meet an unmarried couple of Russian cosmonauts (a stunningly statuesque Anita Ekberg's the girl), drink a lot of vodka and get stupid. Unfortunately apart from the couple of guys (Howard Morris and Dennis Weaver) Lewis and Stevens are sent to relieve, after 3 years of isolation together. going crazy and at each others throats for lack of female companionship, the rest of the tepidly "sexy" shenanigans that happen "Way Out" aren't as much fun as what goes on back on earth, Bob Morley gets the best lines and makes the most of them--who cares how a distinguished English gentleman ended up head of the American space program? :-) Brian Keith is hilarious as military brass stereotype Gen. "Howling Wolf" Hallenby, and there's the brief appearance of a ridiculous southern senator Deuce Hawkins (Alex D'arcy} who manages to get in a complaint, topical then, but apropos of nothing else here, that the civil rights movement was going "too fast", a sentiment that seems still to be held by a great number of senators and their constituents to this day. You laugh while you cry when you see something like that all these years later With the advantages of home viewing these days, I'd FF once they arrived on the moon, pausing only to admire the lovely ladies, at home in their spacepod, lounging around in their negligees..

"Austin Powers" spoofed spy films of the sixties and this film is somewhat in that vein except "Way... Way Out" was made from a sixties perspective, not a nineties perspective. Also, this film spoofed a sacred cow, the space program (Disney's "Moon Pilot" in 1962 covered much of this territory already and if you like one you'll probably like the other...though very few people have heard of either). Any fan of the sixties will recognize likeable Brian Keith (he also starred in "Moon Pilot"), sophisticated Robert Morley, leggy bombshell Anita Ekberg, frumpy character actor Milton Frome, studly James Brolin, wacky Howard Morris, even wackier Dick Shawn, and forever Chester, Dennis Weaver. Jerry Lewis of course is the star and delicious Connie Stevens (who Jerry introduced in the must superior "Rock-a-Bye Baby") is the eye candy. By today's standards one might consider the casting of the actresses for their physical attributes a bit sexist (like that doesn't happen today) but this is a physical comedy and placing Connie Stevens among a group of men (men always have sex on their mind don't you know) is not really all that sexist (at least not for the women). Connie Stevens success has been that she's a good comedian too. Some of the comedy is Benny Hill style (or "Austin Powers") but not crude like contemporary films "Something About Mary" or "Scary Movie."

Arguably despite having Jerry Lewis, Dick Shawn and Howard Morris (3 great comedic actors) in the cast this was the most unfunny Jerry Lewis movie I have ever seen. The cold war/space race humor is indeed dated but despite being an attempt at political satire it failed as comedy and probably didn't get lots of laughs even back in 1966. I'm used to Jerry Lewis as a great comedic actor but in this movie he was playing it straight and totally lacking the kind of outrageous antics and physical comedy that made his earlier movies great comedy. I'm inclined to believe that even in France this Jerry Lewis effort would have been a great disappointment. Not only was it lame comedy but it wasn't even good science fiction. Absolutely thumbs down.

A few parts had me howling, even though the rest of the room was dead quiet. But I've always been a fan of Jerry's more subtle "deadpan" humour and surrealistic, wordless scenes where the comedy seeps into you rather than the bang-pow punchline type of laugh.

For example in CINDERFELLA there's that scene where he's trying to light his stepbrother's cigarette. No music, no dialogue, no camera motion at all. Just 120 seconds of pure disaster. Or in NUTTY PROFESSOR there's the hilarious scene where he timidly enters the dean's office--again, no sound, no words, just a thick, hilarious atmosphere.

WAY... WAY OUT has a few of those types of gags, and they were brilliantly done, including one of the funniest gags I've ever seen ("If I'm not mistaken, that's Stella Mary right there"). Unfortunately the film seemed to switch gears halfway through, once they're on the moon, and it became more of a silly sitcom. Still, I enjoyed it until the end.

A word about the visual presentation: magnificent! Sure, we don't generally go to Jerry Lewis movies to see artistic cinematography, but it's there. The sets are surreal (futuristic in a cool retro-60s way). Everything was large and colourful. Shots are framed wonderfully (be sure to see it in widescreen). The camera moves smoothly and brilliantly throughout the action. But then, as I said above, everything changes once they're on the moon. The sets become smaller, more claustrophobic and less grandiose. This returns us to the silly sitcom feel.

Overall it was wacky & entertaining. I think it's best watched by people who are familiar with Jerry's subtle style, rather than his slapstick skits. For that reason I'm afraid most people will be disappointed. But a few of you may really enjoy it.

Although Jerry Lewis is the star of this mid 60's spoof of the space program he gets plenty of help in providing the comedy. A good supporting cast make this an enjoyable comedy film.

Howard Morris's character Schmidlapp a sex starved American astronaut who's been stationed on the moon far too long is perhaps the best of all. When he sees the gorgeously cute Connie Stevens he loses it. "Maybe she's one of those girls who soaps herself all over..and...then ...gets...into the tub" he tells fellow astronauts Lewis and Dennis Weaver who are wondering how Stevens takes a bath. The late Dick Shawn and Brian Keith are also featured. Like Gilligans Island "Your sure to get a smile" when you see this movie.