Un homme et une femme

It is so refreshing to watch a movie like this one. Those comparing it with Hollywood standards such as the density of the plot, the stunts or 'the sex scene' would be wise to take another look. Such standards cannot be applied here. Lelouch plays with colors, objects, and our natural capacity for associative memory to tell us what is neither written nor spoken. The main actors, Jean-Louis Trintignant and Anouk Aimée master the art of expressing the message. Dialogs are far from poor, but the meaning sometimes has to be found in their tone, their breaks, their pace or, again, the characters' play. What would be cinema for if these were useless ?

This film moved me as a 21-year-old college student with almost no experience in romance, relationships, etc. It has remained a favorite for 34 years now. I think as highly of it with many experiences in life and love as I did with none. It is simply excellent.

Sometimes you do not need to hear anyone in order to understand what he/she is saying, and this is the merit of this Claude Lelouch's film. The main actress and actor, i.e. Anouk Aimée and Jean Louis Trintignant, respectively, were able to act in a way that feelings, desires, sadness well were expressed by both without the need of spoken dialogues. The plot is quite simple, but the merit again is here the way to make it coherent. Another interesting characteristic was the successful use of nice soundtrack in several scenes. Similarly the story of each were said with several mute scenes. According to Lelouch the film gained its intensity because of its fast way of realization. It was made in less than three months, and the scenes were taken in three weeks keeping all actors and actresses working tense. Lelouch never expected to have the success and awards the film had and obtained.

After so many decades, Claude Lelouch's poetic and romantic 'Un Homme et Une Femme' feels exceptionally refreshing. More so than most romantic films that have released in recent years. Lelouch's execution is very simple. The director had intended to make it an all-colour feature but due to financial constraints, some of the scenes in black and white. Lelouch not only managed to make this work but this itself brings out a certain quality and gives it a unique touch. The cinematography, editing and score are remarkable. 'Un Homme et Une Femme' has a very European, more specifically French (obviously) look that is authentic, pure and certainly adds to the charm of the film. Lelouch and his co-writer Uytterhoeven's writing breathes poetry. The dialogues are of a few words and yet they feel so real, like any normal conversation between a man and a woman. The casting is terrific. A charismatic Jean-Louis Trintignant and a gorgeous Anouk Aimée have a natural chemistry and their sincere performances shine. Even the child actors have done a very good job.

Pure, genuine, lyrical, visually dazzling and charming, 'Un Homme et Une Femme' is a fine example of romantic cinema at its best.

`A Man and A Woman (Un homme et une femme)'. ****. (1966, France, Not Rated 102 min. Directed by Claude Lelouch with Anouk Aimée, Jean-Louis Trintignant). I recently watched `Lumière and Company' which celebrates the 100th Anniversary of the movie industry. Forty directors from around the world produced 52-second films using the Lumière camera. The fifty-two second time limit and other constraints follow the construct of the first Lumière movie. Of the 40 films, the by-far-and-away best is the one of two lovers kissing. The man and woman are on a rotating stage so we get a 360-degree view of their kiss. In the background we see photographers each with progressively more modern cameras. The love or passion of the man and the woman don't change only the way we are able to view them now and then.

So what does this have to do with Claude Lelouch's 1996 movie, `A Man and A Woman'? Well he's the director that made the above mentioned film and it reminded me that it has been years since I last watched `A Man and A Woman.' I rented and watched it again.

Jean-Louis Duroc (Trintignant) and Anne Gauthier (Aimée) are a man and woman. They meet incidentally at the boarding school where they visit their children each weekend. He visits his son, she her daughter. She misses her train and he offers her ride back to ride back to Paris in his car. Slowly and cautiously we learn about them as they learn about one another. We learn about their jobs, their former spouses, and other details of their lives that have the movie viewer hoping this man and woman can become a couple.

Lelouch's technique in telling the story is wonderful. The film switches from black and white to color. The switch usually comes on the change from person-to-person conversation to personal thoughts or a recounting of the past. It's like Lelouch is using this change as quotation marks or thought balloons on the screen. We see/hear Jean-Louis' and Anne's thoughts as they question their feelings about beginning a new personnel relationship. I first saw this movie as a college student in 1966. I really liked it then. I wondered if I'd liked it now. The movie hasn't changed but I can assure you I have. `A Man and A Woman' proves that a good story, well told can be appreciated now and then. I highly recommend that you rent and watch `A Man and A Woman.'