तीसरी कसम

When Basu Bhattacharya directed this movie he was a new comer whereas Raj Kapoor was already a successful and well established director. Waheeda Rehman, in one of her interviews, narrated how Raj Kapoor would fret and confide in Waheeda "what is this guy doing, he should do this scene in this way" etc. and Waheeda would tell him to forget it and let the director do it as per his vision. I wonder how the movie would have shaped if Basu had heard all of Raj Kapoor's suggestions. No idea, but this is my favorite Basu Bhattacharya and Raj Kapoor movie. It moves at a leisurely pace establishing the ambiance and characters very firmly. Although color was available in those days but the movie was made in black and white for the right effect. Raj Kapoor as a innocent and simple minded bullock cart driver and Waheeda as a village nautanki dancer are amazing at best and their relationship which was doomed from the beginning is the stuff that classics are made of. The movie was crowned with the president's award that year and remains one of the great classics of our times.

"Teesri Kasam" is a classic Indian film directed by Basu Bhattacharya and released in 1966. It is based on a story by renowned Hindi writer Phanishwar Nath Renu. The film stars Raj Kapoor and Waheeda Rehman in the lead roles and revolves around the themes of love, sacrifice, and the complexities of rural life.

Set in the backdrop of rural Bihar, "Teesri Kasam" tells the story of Heeraman, a bullock cart driver, and Hiraman, a nautanki dancer. Heeraman (Raj Kapoor) falls in love with Hiraman (Waheeda Rehman) during one of her performances and makes a promise to never let her perform on the streets again. Heeraman believes that Hiraman's talent should be appreciated on bigger platforms.

The film beautifully captures the rustic charm of rural India and explores the struggles and aspirations of its characters. Raj Kapoor delivers a heartfelt performance as Heeraman, portraying his innocence and undying love for Hiraman with utmost sincerity. Waheeda Rehman, on the other hand, shines in her role as the talented and spirited Hiraman, effortlessly capturing the audience's attention with her grace and emotive expressions.

One of the highlights of "Teesri Kasam" is its soulful music composed by Shankar-Jaikishan. The film features memorable songs like "Sajan Re Jhoot Mat Bolo" and "Chalat Musafir Moh Liya Re," which have become timeless classics in the history of Hindi cinema. These songs not only enhance the narrative but also serve as a means of expressing the characters' emotions.

The film's narrative delves into the complexities of societal norms, the exploitation of artists, and the sacrifices made for love. It raises questions about the limitations of societal expectations and the price one pays for following their heart. The screenplay, adapted from Phanishwar Nath Renu's story, beautifully captures the essence of rural India, portraying the struggles and hopes of its characters with authenticity.

"Teesri Kasam" received critical acclaim upon its release and won several awards, including the National Film Award for Best Feature Film. The film's performances, storytelling, and music were widely praised by both critics and audiences alike.

In conclusion, "Teesri Kasam" is a classic Indian film that combines powerful performances, soulful music, and an engaging narrative to explore themes of love, sacrifice, and societal expectations. It remains a significant contribution to Hindi cinema and continues to be celebrated for its timeless appeal.

After going through two incidents which nearly put his life into danger, a simple rustic bullock cart driver named Heeraman takes two vows - to never carry again illegal goods and to never carry again bamboo on his cart. Then he is asked to transport a young nautanki dancer named Heerabai as a passenger to a distant village fair. Travelling together for over forty hours, a true bond of friendship is formed between the two. They share some life experiences together and sing some wonderful songs to each other. She is charmed by his simplicity, innocence and his unsophisticated perception of life, and he is mesmerised by her beauty and honesty. This sequence is the film's most interesting and beautiful, but what follows next is what carries the narrative forward and leads the story towards Heeraman's third vow, and the viewers clearly can predict it.

A wonderful and musical drama, Teesri Kasam tells a simple story of cultural clashes and unrealised love. It is a rather captivating watch, well directed and narrated, and is aided by fantastic performances. Raj Kapoor and Waheeda Rehman are absolutely outstanding in their roles. Kapoor's character in this film is not an unusual one in his career given he often played roles of this sort (the overly innocent romantic fool) but his performance definitely is. The way he displays Heeraman's sincerity, fear, love and ultimately his realisation is terrific. Rehman is unsurprisingly excellent as Heerabai - the strong, dignified and talented dancer. Her dance numbers were well done, but it is the depth with which she conveys Heera's feelings and her inner devastation that marks this performance. Needless to say, she is as beautiful and graceful as always.

For this film, Shankar-Jaikishen composed another winning soundtrack. "Duniya Banane Wale" is my favourite song and is soulfully performed by Mukesh. This is also the number that makes Heera call Heeraman her Guru, one of the top moments showing their spiritual connection. The film's final scene is unquestionably the most haunting and memorable in Teesri Kasam, and it is the one which brings the third vow to its ironic fulfillment. Heerabai's honest confession and Heeraman's silent reaction create a melancholic ending that tugs at the heartstrings. I was surprised by how moved I was by the conclusion of the story. This is actually the moment that marks this film and bears the stamp of its greatness. I highly recommend you to watch this classic picture. Take a bow, Kapoor, Rehman, and Basu Bhattacharya.

When I look at the past I really feel sorry for Indian cinema. A sensitive and poetic film of this class sank at the box office, leading to the death of its producer Shailendra due to financial crisis. This film is today recognized as one of the best movie by all critics and actors. Film is based on a story of the Phanishwer Nath Renu, one of renowned Hindi writers.

This film portrays story of Hiraman, a bullock cart driver and a dancer Hirabai. Hirabai is attracted to Hiraman due to his simplicity. She is going to a fair by Hiraman's bullock cart to perform in drama. The bond between two grows stronger as the day passes at fair. But finally as the fair comes closer to end, the parting seems imminent due to external factors. Finally when fair is over, Hirabai has to go and two separates.

To quote Star and Style's review of the film, "The way the cart driver and nautanki dancer meet, talk and discover each other and themselves at the same time and the manner in which they part are like a poem on celluloid with a thread of pain running through it." Raj Kapoor and Vaheeda Rehamn has given the best performances of their career. Songs are worth listening for hours. A must watch.

Teesri Kasam (1966) : Brief Review -

A significant Love Story with Classic Bleak Ending, perhaps the Best in the Genre. Basu Bhattacharya delivers an entertaining love story but with meaningful, stunning and irreplaceable scrappy ending. Teesri Kasam is not a much known film because of commercial failure except for the National Award Honour but this film deserves to be known because we are not going to see something like this in Love Story+Sacrifice category. It is a story of a naive and hardworking cart driver Hiraman who meets a courtesan Hira Bai and treats her like a goddess. Hira bai adores him from the first meeting but never tells him about her lousy facts but problem appears when Hiraman also falls in love with her. What sacrifices Hira Bai has to do just to keep her clean image alive in Hiraman's heart and memory and how it turns out to be his Third Vow is all about this Classic story. Raj Kapoor adds another powerful character and a Classic film in his legendary filmography. The way he says, "Issshhh"... He is so cute.. His north Indian accent is fabulous. Waheeda Rehman delivers one of the finest act of her career and also impresses with her dancing skills. What a Chartbuster and Timeless Music Teesri Kasam has got from Shankar Jaikishan. Four Superhit songs appears in the first hour only which was already entertaining, just imagine how engaging it had been. 'Chalat Musafir', 'Paan Khayo Saiyya Hamar', 'Sajanwa Bairi Ho Gayo', 'Sajan Re Jhooth Mat Bolo' are superb and Evergreen indeed but 'Duniya Bananewale' is so deep and works with enthralling impact, and when it appers in The End with completely different meaning from it's first appearance, it just Stays in Mind. Basu Bhattacharya's Direction is worthy if you really understand the meaning and nuances of the pain and sacrifice done in the film. I don't know why this film flooped at Box Office, didn't the audience understand it? Couldn't they feel the pain and profound thoughts? It's a shame for the audience not for the film's team if this film couldn't generate box office numbers. Thanks to National Award juries otherwise this underrated Classic would have remained unknown even for movie buffs. I am thankful to them and to the makers of Teesri Kasam for making such a high quality Love saga and traditionally poignant film for the society in the 60s. Despite the painful and deep thoughts Teesri Kasam is a an Entertaining Rom-com and is far far better than any overrated Rom-com of 80s and 90s. Teesri Kasam got both Entertainment and powerful Bleak Ending, please inform me if you ever find a high quality product in this combination.

RATING - 8/10*

By - #samthebestest