Operazione paura

This colour-drenched Gothic horror film from Italian master Mario Bava is full to the brim with atmosphere and style. A doctor travels to a remote village to perform an autopsy on a woman who has died in mysterious circumstances. He immediately finds himself in the midst of a series of similar unexplained deaths. Everything seems to be connected to an ominous nearby house, the Villa Graps. While the malevolent ghost of little girl terrorises the vicinity...

Kill, Baby...Kill! May sport a title that makes it sound like it should be a Russ Meyer sexploitation flick but to all intents and purposes this is pure Bava. It contains most of the elements that are associated with the great man's work: terrific fluid cinematography, beautiful use of colour and light, and strong atmospherics. It benefits too from a pretty good cast. Giacomo Rossi-Stuart is solid as the doctor while there is strong support from the beautiful and very Gothic Fabienne Dali as the local sorceress. Carlo Rustichelli pipes in too with a good score that sounds very like his soundtrack to Blood and Black Lace. But it also has an eerie section that accompanies the ghostly girl. This latter presence is well used throughout the picture. She appears in the night looking through windows, while her bouncing ball follows her around and adds splendid macabre detail - the ball led to the girl's death in the first place.

Like all Bava films, this one is an exercise in cinematic style. Mostly, visual style. Many of the compositions are beautifully conceived and lit. Bava's camera gracefully captures it all and the sets are awash with striking colour and lit to perfection. In a couple of standout scenes the director puts together sequences of surreal splendour. One features a spiral staircase and the other has a man chase a figure through a maze of identical rooms until he finally catches him only to discover it is himself he has been chasing.

Like many of Bava's films the story isn't really very great. Its serviceable and no more. But this is ultimately only a minor point as it's the style in which the story is told that is the main draw. And this is a great film from a master of visual cinematic style.

A doctor (Giacomo Rossi-Stuart) goes to a small town in the Carpathian mountains some time around 1910 in order to perform an autopsy. The villagers are generally not pleased with this, but he presses on. At the same time, there is rumor of a ghost that appears just prior to death... and somehow these two events are connected.

I had not much experience with the work of Mario Bava, having been more familiar with the splatter subgenre of his son Lamberto. But I had always heard great things of Mario, and knew this film was considered by many to be a strong, memorable piece... most notably for a scene where the doctor chases himself or a doppelganger through a series of identical rooms. This scene is pretty great and pulled off very well for the time, no special effects needed. The Gothic atmosphere is also well captured, on par with Hammer films or the Poe works of Roger Corman.

I find this film to be something of a tightrope between Fritz Lang's "M" and Peter Medak's "Changeling". Like "M", there is a leitmotif connected to the evil force -- in "M", the whistled tune. Here, a bouncing ball. Likewise, the ball here is somewhat replicated in "Changeling", though no longer as a forewarning to the killer. Also, the colorful imagery here really anticipates the later Italian directors, particularly Argento.

Although Luca Palmerini calls the film overrated, he does say the "to the devil a daughter" theme started here and was taken up by Fellini in Toby Dammitt in "Spirits of the Dead" and later in Friedkin's "The Exorcist". I think this is a bit of stretch to connect this film to "Exorcist". Again, the white, bouncing ball symbolizing a dead child, as would later be done to great effect in "The Changeling", is the real key here to future film.

To really understand and appreciate Bava, I feel one would have to watch "Black Sabbath" or "Planet of the Vampires", but this film shall be considered my introduction to the man, and I loved him from the first camera shot. I would strongly urge others to meet him in a similar way. Different releases exist, some probably better than others. I watched two different DVDs, the better one being produced by Diamond Entertainment, but I assume a still better print exists.

the movie starts off wonderfully, a woman gets chased through the grounds of a villa, and jumps to her doom. Then a doctor shows up to do the controversial new medical procedure, the autopsy. The film pace suffers at this point, where the film is introducing characters. Once the film moves into the baroness's mansion, the film runs at full speed. The film gets insanely bizarre, with wonderful creepy imagery, such as graps' ghostly daughter, the repeating room, and the disturbing portrait of the daughter with a skull. The movie is gloomy, and downbeat, but the pace is wonderful at this point. This is one of the best movies bava made.

I wonder was Mario Bava ever head-hunted by Hammer? This film is so gorgeously shot, the set-designs so perfect, that the film has the look of a fairy-tale nightmare. The gorgeous art-direction serves the story, pacing and director's style very well. This is a very moody piece, that demands your patience and attention. It gave me goose-bumps and in one scene towards the end, made my blood turn cold.

The ghost of a dead child is doing the rounds in a small Carpathian village, killing the inhabitants, who are reluctant to speak about it when a coroner turns up to investigate. He ends running foul of the one in control of the ghost.

I really can't praise the cinematography, set-design and directing enough. This was my first time meeting Mario Bava, and I look forward to watching more of his work, and even watching this one again. The gothic horror is exceptionally done, finely complemented by the set-designs and imagery, that give a nightmare quality to it all.

In a small town in Transylvanian, police detective Kruger calls upon Doctor Paul Eswai to perform an autopsy on a woman who died a violent death, but the unusual thing is that a coin was embedded in her heart. When Dr Eswai arrives in town he discovers that the town is paralysed by fear of a dreaded curse of a spirit of a young girl who died 20 years earlier and the towns folk aren't all to happy about doctor interfering in their business.

Breathtaking! Yes, breathtaking indeed. It's only my third viewing of a Mario Bava film and what a talented and versatile director he is. This film breathes Gothic atmosphere and chills, with air of mystery to keep you glued to this subtle nightmare. The remote nature of the film adds to the spooky sets with dark shadowy pathways, creepy graveyard, a misty town with its eerie ruins and a downright unnerving Villa Graps, where the locals fear to tread! The whole surroundings come across as rather forbiddingly stark and very alienating. With a colour scheme that jumps out at you and that only Bava can create. What compensates the visual flair is the horrifyingly tense, but mystical score and effectively jittery sound effects. Damn that hissing wind! Also profound camera work that's incredibly vivid and swirling panning all over the place helps convey such a brood mood. There always seemed to be lurking danger even if it wasn't evident on screen. With all that, we are put into a whirlwind of such unease, which bleeds with a high amount of tension and frights.

The odd plot builds on the superstition and the dialogue was rather interesting. Performances were so-so, no one really stood out, but they fit the buck. Really, Bava was the real star here and it shows. Even the special effects were well used, but the make-up of child spirit was damn freaky. Especially those scenes with those hands going pitta padder at the window seal. Shivers ran down my spine! Although, saying that it does have some weak spots in the continuity of the plot and I thought ending was all a bit too convenient. Anyhow, this didn't damaged my experience of this menacing chiller that grows on atmosphere, not violence. The story might be your standard run of the mill, but it's Bava's direction that makes it visually impressive and immensely spooky. Also, what a great title!

Highly recommended!