Night Train to Mundo Fine

As far as I'm concerned this flick resets the bar for terrible movies.I have never been subjected to so much pain in such a short span of time since my last root canal.in fact, I think I would rather Laurence Olivier give me a root canal than to ever have to watch this piece of celluloid schitzen again.It had no discernible plot,the filming was horrible,and the acting nonexistent.The editing looked like it been done by Leatherface.The director(who was also the leading man)spent way too much time trying to play the tired antihero to really do any directing.If there was any kind of storyline,then it was beyond my grasp.It seemed to me like some sort of psychotic flight-of-ideas tale.The characters just amble on from one disastrous screw-up to another(which could have made a good story if you could have followed it).In the final analysis,it was just a painfully unwatchable waste of time.But,if you like,cinema terrible', then this is the one for you.rp

As far as I can tell, Coleman Francis and two other losers, escape from the cops hook up with "Cherokee" Jack and hightail it to some para military camp that's training for a invasion of Cuba. After their failed attempt to capture Cuba from a very fake Castro, our heroic trio steals a plane, make it back to the states and then throw some old guy down a well while his blind piano playing daughter goes about her music. Then they start searching for tungsten and decide to go legit.(?) This movie makes absolutely no sense. Coleman Francis cuts and cuts and those cuts hurt. There are also scenes of Coleman strangling other characters and sitting in his cell in a very provacative manner. Watch this with Mike, Tom and Crow and try to keep a straight face when John Carradine sings the haunting title track, you'll shake for weeks to come.

It staggers me that people would put money - however little - into something this awful. Who in their right mind could ever think this garbage even approaches the quality of a B movie? One viewing and you'll see what I'm talking about. There is basically no plot. Three men sort of wander around a little, take a plane to Cuba for whatever reason (maybe money, though that point is not made clear), train for one day, lie around on some cots, and take part in an 8-man invasion of the island where a Castro "look-a-like" in a ridiculous fake beard awaits. The rest of the plot is so absurd I won't bore you with it. Suffice to say it is a colossal mountain of pointless celluloid. But it's fun to watch with the bots. In my opinion this and MANOS are tied for worst film ever.

This would be true if it were a different movie. Red Zone Cuba is not a movie, yes movie film (black & white) was used and shot through a camera lens. It featured people who spoke words in English and they physically moved around. And then it ends. What you, the viewer need to do is try to comprehend and make sense of everything that you had witnessed. Is it difficult for you to do this? OK, I understand. After several viewings myself of Red Zone Cuba I am not sure if it was an actual film or not. Why? Well most film makers try to have things like plot, story, acting and continuity. Coleman Francis decided to go against the grain and not have any of listed ingredients to make what we refer to as a film. If RZC was made today it would not even be released as a direct to video product. In the decades to follow this may be viewed as a piece of abstract art. But let not hold our breaths.

This is a truly awful movie. Keeping your attention on the dialogue is harder than holding a bar of wet soap. Sitting through that endless scene in the bunkhouse is like having a fifteen-minute continuous blackout; the moment it's over, you immediately forget what just happened. It is physically impossible to stay focused on this movie for more than about three words-- it's that painful.

That's not the only reason why this movie is impossible to comprehend. No scene in this movie seems to follow from anything else. Many scenes end with a shot of the main characters (who seem to appear in one shot, then vanish in the next, then reappear again as if nothing had happened) in a stationary plane; however, since the plane is never shown flying, it's impossible to tell if they have actually left or arrived. It doesn't help that every shot in the movie (including those supposedly in Cuba) was taken in the same small American town.

The movie begins with what is apparently a runaway convict, played by the flabby Mr. Francis himself. He gets together with about seven other people and they decide to invade Cuba (???), which actually doesn't seem like such a bad idea since as far as the movie's concerned the total population of Cuba is three soldiers and a man with a really fake beard (Castro.) This somehow gets around to a tungsten mine (back in America? who knows or cares?) and a man thrown into a well for no apparent reason.

This movie hurts. After you see this movie, you'll want to hurt it too. It's actually worth seeing just to experience the sheer awfulness of it; if you like bad movies, you'll get a laugh out of watching the line flubs, scene goofs, continuity jumps and gaping plot holes. But this movie is not funny so much as just pathetic.