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Nayak

  • 1966
  • U
  • 1 घं 57 मि
IMDb रेटिंग
8.3/10
5.7 हज़ार
आपकी रेटिंग
Nayak (1966)
Drama

दिल्ली में एक पुरस्कार प्राप्त करने के लिए, एक बंगाली फिल्म स्टार अपने साथी यात्रियों, सपनों और अतीत के अनुभवों के माध्यम से अपनी सफलता का पुनर्मूल्यांकन करता है.दिल्ली में एक पुरस्कार प्राप्त करने के लिए, एक बंगाली फिल्म स्टार अपने साथी यात्रियों, सपनों और अतीत के अनुभवों के माध्यम से अपनी सफलता का पुनर्मूल्यांकन करता है.दिल्ली में एक पुरस्कार प्राप्त करने के लिए, एक बंगाली फिल्म स्टार अपने साथी यात्रियों, सपनों और अतीत के अनुभवों के माध्यम से अपनी सफलता का पुनर्मूल्यांकन करता है.

  • निर्देशक
    • Satyajit Ray
  • लेखक
    • Satyajit Ray
  • स्टार
    • Uttam Kumar
    • Sharmila Tagore
    • Bireswar Sen
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    8.3/10
    5.7 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Satyajit Ray
    • लेखक
      • Satyajit Ray
    • स्टार
      • Uttam Kumar
      • Sharmila Tagore
      • Bireswar Sen
    • 39यूज़र समीक्षाएं
    • 32आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 8 जीत और कुल 1 नामांकन

    फ़ोटो31

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 26
    पोस्टर देखें

    टॉप कलाकार26

    बदलाव करें
    Uttam Kumar
    Uttam Kumar
    • Arindam Mukherjee
    Sharmila Tagore
    Sharmila Tagore
    • Aditi
    Bireswar Sen
    • Mukunda Lahiri
    Somen Bose
    • Sankar
    Nirmal Ghosh
    • Jyoti
    Premangshu Bose
    • Biresh
    Sumita Sanyal
    Sumita Sanyal
    • Promila Chatterjee
    Ranjit Sen
    • Haren Bose
    Bharati Devi
    • Manorama (Mr. Bose's wife)
    Lali Chowdhury
    • Bulbul (Mr. Bose's daughter)
    Kamu Mukherjee
    • Pritish Sarkar
    • (as Kamu Mukhopadhyay)
    Susmita Mukherjee
    • Molly (Mr. Sarkar's wife)
    • (as Susmita Mukhopadhyay)
    Subrata Sensharma
    • Ajoy
    • (as Subrata Sen)
    Jamuna Sinha
    • Sefalika (Ajoy's wife)
    Hiralal
    Hiralal
    • Kamal Misra
    Jogesh Chatterjee
    • Aghore, elderly journalist
    • (as Jogesh Chattopadhyay)
    Satya Banerjee
    • Swamiji
    • (as Satya Bandyopadhyay)
    Gopal Dey
    • Conductor
    • निर्देशक
      • Satyajit Ray
    • लेखक
      • Satyajit Ray
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं39

    8.35.6K
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    फ़ीचर्ड समीक्षाएं

    Chrysanthepop

    Another one of Ray's less known but remarkable gems.

    'Nayak' starts with two news headlines about movie star Arindham (Uttam Kumar). One headline states that Arindham got involved in a brawl and the other states his nomination for a prestigious award. While travelling to Delhi by train (in order to receive the award) he comes across various people including a young simple but modern journalist Aditi (Sharmila Tagore) to whom he confides his inner thoughts. In the process, the actor further discovers himself and his fear. Aditi too is moved as her prejudice against the cocky pompous movie star changes while she discovers the man behind the name.

    Ray cleverly tells Arindham's story about how he made it to stardom, his sacrifice of his art, loss of friends leading to isolation, fear of failure, seeking comfort in alcohol, his inner conflict...He weaves it all into a screenplay that takes place during a train trip from Calcutta to Delhi. A lot of it is shown in flashback mode. The dream sequences are another example of fine writing and execution. We're also given a brief view of the corrupt world of cinema, how art is long lost and how it's become all about money, fame and name...very relevant and applicable to today's Indian film industry.

    Uttan Kumar, being the biggest star in Bengali Cinema perfectly fits the part. One wonders how much of the character resembles Kumar in real life. Though Ray is known to cast Soumitra Chatterjee (who happened to be Kumar's arch rival) in most of his films, he made the correct decision by casting Kumar for I cannot imagine anyone else play the part. Sharmila Tagore is wonderful. The actress has an amazing presence and with her grace, simplicity and sincerity, she shines. 'Loved her scenes with Uttam.

    Like most of Ray's powerful work, 'Nayak' is a rather less known but remarkable film. One of my favorites!
    10shahbaz-2

    A true masterpiece by Satyajit

    A least seen movie of Satyajit. Satyajit is one of the very few great directors who worked outside Hollywood circle and gave a lot to the film history. He is mostly know to the movie lovers as the creator of great APU TRILOGY. I feel that Ray's works are severely under-represented in USA, although most of his works are masterpiece or near-masterpiece. Thanks to Ishmael Marchent for arranging a retrospective on Ray's works at USA in 1996, I guess. But again in that retrospective, I didn't see the names of some of his great works, like NAYAK, KUNCHENJUNGHA, SEEMABADHYA, ARANYER DIN RATRI or SONAR KELLA. Names of the films that I always see in a Satyajit Festival are the APU TRILOGY, JALSHAGHAR, CHARULATA, GHARE-BAIRE ... etc. No doubt that all of those are great works of Ray, but indeed one cannot know the power of his filmmaking unless he sees some of his other less known works (some of which I mentioned).

    Nayak is a simple story of the most popular Film Actor of India, acted with all perfection by great Indian Actor Uttam Kumar, who goes to the capital city Delhi to receive an award of his achievement via a train. On the train he meets Shormila Tagore (Another favorite actress of Satyajit whom he casted in several other movies like, Apur Sansar, Devi, Aranyer Din Ratri, Seemabadhya ... etc.) and some other characters of the story. The story progresses when Uttam discusses with different aspects of his life and career with others (especially with Shormila). In depth thoughts and feelings of UTTAM sprung out as time goes by and Shormila discovers the very lonely man in Uttam hidden behind his day to day charismatic lifestyle.

    On my judgement, NAYAK is the greatest creation of RAY. UTTAM's acting can challenge anyone in the motion picture history. The high abstratness and philosophical bent of the movie is comparable to that of CITIZEN KANE (according to me, better than CITIZEN KANE) and the mutual conversations among the characters or the screenplay in other words, can beat those of MINDWALK, VANYA ON 42nD STREET, RED or CASABLANCA. A must see film for all great movie lovers. A 10+ out of 10.
    9chakrabortyabhishek07

    Consortium of Greatness in 2 hours

    I was around 14 years old when I first saw this masterpiece of Satayajit Ray. One very common thing between Ray and Kurosawa I noticed was introspection of perception.

    A train journey allows a superstar to introspect his life and career which leaves him in shattered pieces. Uttam Kumar as Arindam was simply unbelievable and so was Shartmila Tagore as the reporter who was acting as a mirror (much needed) for Arindam to reflect.

    This movie will give everyone a glimpse of the price paid to succeed. Success here is the Devil and greed here is the devil's advocate.... the price..........."SOUL"

    A must watch if you are a movie lover....My Vote - 9/10
    7crappydoo

    Great undiscovered film (I'm so glad)

    I have never seen an Indian movie quite like Nayak. Ray has forayed into parallel story telling, like Kurasawa's Rashomon and into dream logic like Bunuel's The Discreet Charm of the Bourgeoisie. I would personally rate it above Bergman's The Magician which also dealt with a similar theme of an actor's reality and people's acceptance of him as a super human and their reluctance of considering him as a human being. Between the two of them, Nayak is more easy to understand whereas The Magician puts its characters in various shades of good and evil throughout its running time.

    No such dramatics here and this movie is as good as it gets. I would rate it as one of his best movies amongst Pather Panchali and Charulata. The dream sequences were very well produced and were relevant to the storyline on a sub-conscious level.

    The subtitling on the Angel DVD wasn't very well done and the dialogues sometimes whizz by without us being able to read them in time. For people who are familiar with Indian languages, it may not be such a big deal since several of the Bengali words can be understood by them; however for non-Indian speakers this may come across as irritating.

    On a personal note, I am sometimes glad that not many people know about Ray because then I am able of recommending him to people who are in the know of the movie industry.
    10sbaindia

    A Perfect Ten

    A movie at par with Citizen Kane and Rashomon and IMO even better than them in some ways. Impeccable direction and superb acting. Makes you wonder why these two - the actor and director not get together more often in Satyajit Roy films. The angst was so real it seems the guy is not acting any more - just telling his story as it is. The dream sequencewas outstanding as was the ending. The characterisation had on occasion skirted around the burlesque with the older actor in his first interaction with the protagonist but that made the scene all the more poignant. The underlying philosophy is not too deep but something that one can deeply empathise with. The greatness of this movie is how perfectly the story is told. There is an aura of dramatic tension throughout, not between the characters but within the protagonist himself. I would sincerely recommend this movie to anyone who loves what cinema is all about.

    इस तरह के और

    Charulata
    8.1
    Charulata
    Mahanagar
    8.3
    Mahanagar
    आगंतुक
    8.0
    आगंतुक
    Jana Aranya
    8.3
    Jana Aranya
    अपराजितो
    8.2
    अपराजितो
    Teen Kanya
    7.9
    Teen Kanya
    Pratidwandi
    8.1
    Pratidwandi
    Kapurush
    7.6
    Kapurush
    Days and Nights in the Forest
    8.1
    Days and Nights in the Forest
    Devi
    7.7
    Devi
    Seemabaddha
    7.8
    Seemabaddha
    Apur Sansar
    8.4
    Apur Sansar

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Director Satyajit Ray had written the script of this movie considering only Uttam Kumar in the lead role. He had confessed that if Uttam Kumar had refused it, he would've abandoned the project altogether.
    • भाव

      Arindam Mukherjee: There's no scope of overacting in front of camera; if you overact a little, then it will magnify tenfold in the camera.

    • कनेक्शन
      Referenced in ऑटोग्राफ (2010)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल16

    • How long is The Hero?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 6 मई 1966 (भारत)
    • कंट्री ऑफ़ ओरिजिन
      • भारत
    • भाषा
      • बंगाली
    • इस रूप में भी जाना जाता है
      • The Hero
    • उत्पादन कंपनी
      • R.D.Banshal & Co.
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 57 मिनट
    • रंग
      • Black and White
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.37 : 1

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    Nayak (1966)
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