Las Vegas Hillbillys

I'm a huge fan of both country music and Jayne Mansfield, so I really looked forward to seeing this one. And yet I really wasn't all that impressed with it. The main criticism is that there was WAY too much of the music, and way too little of Jayne, if that's possible. For the most part the music was decent enough, with a couple of clunkers thrown in for good measure. After a few songs this starts playing like a kind of American Idol of the mid-60s country music scene. I got the feeling they were trying to pad the length of the film, because if you cut the music sequences it would run about 17 minutes. The whole thing looks improvised because there probably wasn't much of a script. The pie fight sequence at the end is just plain lame. The performers do an 0k job, and can't really be faulted. All are well-cast. I'm neither hot nor cold on Mamie VanDoren but I liked her in this. The biggest let-down is Jayne, who for all her star billing doesn't really do a lot here. She only has a handful of scenes and could easily have phoned her part in. If she were edited out completely it would have changed nothing of the overall story. Not her fault tho, it's not like she had much help from the script. Her performance in the Big Bopper spoof is a hoot and easily the movie's bright spot. Too bad she couldn't have had a couple more numbers, or maybe even been in a couple more scenes. I don't dislike this movie, but I'd only recommend it for country music fanatics, and fans of Jayne and Mamie. 0therwise beware!

Hilarious and lovable this is the real bumpkin deal from the mid 60s....and the DVD I have here in Australia is just perfect, folks! LAS VEGAS HILLBILLIES is exactly the type of fun the movie industry forgot how to make (the big ol' cinemas were demolished and the drive ins went broke after video came in). The color is fantastic and the extras look like the real Tennessee dentists and supermarket managers and real estate agents who financed this film. No doubt a big fat money spinner in drive ins and lovely old small town cinemas (like the ones we see re created in Back To the Future streetscapes) LAS VEGAS HILLBILLIES hails from the days when someone with a few local business contacts (like Arch Hall's dad) could make a movie, show it in a few states (and in a few States) and make some money back....and there was still a few lovable Hollywood has beens willing to appear in spangled caftans to earn a few bucks to fend off the sheriff from their rented fibro home in Malibu. The reason why this was made and the way it was made is as honest on the screen as the story here. Just love it and show it to your friends. I did and they came back for more. This is Pettycoat Junction Big Time. Maybe we here in Oz still have a sense of humor. You should too. If all else fails, shock some 21st Century teenagers with it. ha-ha.

One of the worst movies ever made and released. The best redeeming quality of this movie is Mamie Van Doren who has admitted she only did it for the money which was well earned for having to play the love interest to Ferlin Husky (I think I'm about to lose my lunch). Speaking of Ferlin, having to watch him croaking out the same song from the side of his contorted mouth and for no reason kicking his leg up while performing is just unwatchable. Jayne Mansfield looks like a bloated drag queen who raided Mae Wests' boudoir. I also wonder who let her behind the wheel of a car even to operate for 10 or so feet. She was already a trainwreck looking for a place to happen, fortunately that wreck was confined to her performance. Billie Bird, What an immediately endearing character NOT. She looks like a pot belly pig and squeals like one. The sets, sound, scenery and songs also start with "s". The country songs and performers are alright except for Del Reeves who with all his mugging and pseudo yodeling comes in second to Ferlin Husky in the unwatchable category. Oh, and that biker gang. I guess they left their Bigwheels at home. The taxi that drops Aunt Clem off turned in a good performance, I believed it was a taxi. Does this review contain any spoilers? No. You can't spoil something that is already rotten.

This film begins in the backwoods of Tennessee with a hillbilly by the name of "Woody Wetherby" (Ferlin Husky) receiving word that his uncle in Las Vegas has passed away and has bequeathed him full ownership of a local casino. Considering that Woody aspires to make it big as a country-western singer, he quickly decides to drive to Las Vegas in his beat-up pickup truck to lay claim to it. Also riding with him is his friend "Jeepers" (Don Bowman) who considers himself to be Woody's manager. What neither of them realize is that the casino has fallen upon hard times and that some debts have accumulated rather quickly--and one of these debts belongs to a gangster who wants to be repaid immediately. Now, rather than reveal any more, I will just say that this film was basically an early version of the musical-comedy show "Hee Haw" which appeared on American television screens about 3 or 4 years later. The problem with this particular film, however, is that the comedy was almost negligible compared to the musical numbers--which crowded everything else out. Throw in an extremely thin plot and some rather weak acting, and the end result wasn't something that was all that entertaining. At least, I didn't think so. As a matter of fact, about the only thing that caught my eye was the performance of Mamie Van Doren (as "Bootsy Malone") who, along with Jayne Mansfield ("Tawny") and Arlene Charles ("Julie May"), at least added some nice scenery to what turned out to be an otherwise drab picture.

Las Vegas Hillbillys is a low-budget B-minus movie in all respects. Of importance to film buffs is the fact that Jayne Mansfield and Mamie Van Doren, two rival big blonde bombshells, both star in this movie. Reportedly, the gals disliked each other so much that scenes in which they were both to appear together were shot with doubles so that they would not have to meet on the set.

The plot, if one could call it that, centers around a country-western singer (Ferlin Husky) from Tennessee who inherits a run-down Las Vegas nightclub. Mamie plays Boots Malone, the club manager and Jayne plays Tawny Downs, a Las Vegas entertainer and the dead uncle's "protege", a term used in 1950's movies for a mistress.

My sole intent in watching this battle-of-the-bosoms was to judge for myself, in head-to-head competition, which of the two blonde bombshells was 1.) the better actress, and 2.) the sexier on screen. My task was complicated by the fact that neither of the goddesses were showcased in particularly steamy roles, despite their reputations as among the hottest female stars of their era.

The results of my admittedly unscientific experiment: Jayne sweeps both categories. She wins the better actress category largely by default because Ms Van Doren is so horribly, horribly bad in this film. And in the sex appeal category, Jayne wins by a narrower margin not because of greater attributes, but rather because she simply struts her stuff more effectively. Even us gals who are not blessed with movie star quality looks can learn a lot from Jayne.

A word of warning - I bought this cheapo video as part of a two-pack set of Mamie Van Doren films distributed by Entertainment Programs International (EPI) in Marina Del Ray, California. The video quality was so poor as to almost make the movie unwatchable. They even misspell the film title on the box, which gives you an idea of their dedication to producing a quality product. You get what you pay for.

Claudia's Bottom Line: Painful to watch, but worth it if you care to catch a glimpse of two of Hollywood's biggest sex symbols of the 1950's and 1960's.