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Io la conoscevo bene

  • 1965
  • Not Rated
  • 1 घं 55 मि
IMDb रेटिंग
7.6/10
3.5 हज़ार
आपकी रेटिंग
Io la conoscevo bene (1965)
Adriana, a naive Italian country girl, moves to Rome to become a movie star and experiences the dark side of the business.
trailer प्ले करें3:22
1 वीडियो
16 फ़ोटो
Drama

अपनी भाषा में प्लॉट जोड़ेंAdriana, a naive Italian country girl, moves to Rome to become a movie star and experiences the dark side of the business.Adriana, a naive Italian country girl, moves to Rome to become a movie star and experiences the dark side of the business.Adriana, a naive Italian country girl, moves to Rome to become a movie star and experiences the dark side of the business.

  • निर्देशक
    • Antonio Pietrangeli
  • लेखक
    • Antonio Pietrangeli
    • Ruggero Maccari
    • Ettore Scola
  • स्टार
    • Stefania Sandrelli
    • Mario Adorf
    • Jean-Claude Brialy
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.6/10
    3.5 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Antonio Pietrangeli
    • लेखक
      • Antonio Pietrangeli
      • Ruggero Maccari
      • Ettore Scola
    • स्टार
      • Stefania Sandrelli
      • Mario Adorf
      • Jean-Claude Brialy
    • 22यूज़र समीक्षाएं
    • 38आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 6 जीत और कुल 2 नामांकन

    वीडियो1

    Official Trailer
    Trailer 3:22
    Official Trailer

    फ़ोटो15

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 9
    पोस्टर देखें

    टॉप कलाकार27

    बदलाव करें
    Stefania Sandrelli
    Stefania Sandrelli
    • Adriana Astarelli
    Mario Adorf
    Mario Adorf
    • Emilio Ricci aka Bietolone
    Jean-Claude Brialy
    Jean-Claude Brialy
    • Dario Marchionni
    Joachim Fuchsberger
    Joachim Fuchsberger
    • The Writer
    Nino Manfredi
    Nino Manfredi
    • Cianfanna
    Enrico Maria Salerno
    Enrico Maria Salerno
    • Roberto
    Ugo Tognazzi
    Ugo Tognazzi
    • Gigi Baggini
    Karin Dor
    Karin Dor
    • Barbara - the Lady Friend of Adriana
    Franco Fabrizi
    Franco Fabrizi
    • Paganelli
    Turi Ferro
    Turi Ferro
    • Il commissario
    Robert Hoffmann
    Robert Hoffmann
    • Antonio Marais
    Franco Nero
    Franco Nero
    • Italo - The Garage Attendant
    Véronique Vendell
    Véronique Vendell
    • Alice Stendhal
    • (as Veronique Vendell)
    Franca Polesello
    • Maria - The Usherette
    Renato Terra
    Renato Terra
    • Man in the Caravan
    • (as Renato Terra Caizzi)
    Claudio Camaso
    Claudio Camaso
    • Adriana's First Boyfriend
    Barbara Nelli
    • Usherette
    Cesarino Miceli Picardi
    • The Owner of Hairdresser's
    • (as Cesare Miceli Picardi)
    • निर्देशक
      • Antonio Pietrangeli
    • लेखक
      • Antonio Pietrangeli
      • Ruggero Maccari
      • Ettore Scola
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं22

    7.63.4K
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    फ़ीचर्ड समीक्षाएं

    9zetes

    Tremendous, with a wonderful lead performance

    Kind of a smaller version of La Dolce Vita with a female lead, this slice of 1960s Roman life is great in its own right. Stefania Sandrelli (probably best remembered as the woman who shared a sexy dance with Dominque Sanda in The Conformist) plays an aspiring actress and model who spends her nights partying her ass off and her mornings alone. The plot is pretty simple and pretty predictable, but director Pietrangeli shoots the film in a very experiential style - it feels like you're partying alongside Sandrelli, and it's just a really wonderful experience. Sandrelli herself is outstanding. It's a character that could come off as a cliché, but she plays her so knowingly and passionately. It's very, very easy to fall in love. The film is stuffed full of wonderful '60s pop songs (the only ones I recognized were by Millie Small, a Jamaican ska artist best known for her hit "My Boy Lollipop"), tremendous clothes and hairdos, and that crisp 1960s black and white. A must-see for anyone who loves the Italian films of this era.
    8AlsExGal

    Character study and critique on the exploitation of women

    Italian drama from director Antonio Pietrangeli. Stefania Sandrelli stars as a young woman working in a seaside beauty salon with dreams of becoming a movie star. Her efforts in that direction have mixed results.

    This is more of a character study than a plot-driven narrative. It's also a critique on the exploitation of women. Sandrelli is very good as the beautiful Adriana, who's not so much ambitious as bored with her life. She's shallow in that way that beautiful young women can be when they don't have to exert much effort to move in social circles. However, she's also used by virtually everyone she meets, either for profit or pleasure, and Adriana is usually left alone and in the same place as where she started. Adriana's desire for change is also exhibited in her hairstyles - she sports more than a half dozen throughout the film.

    Director Pietrangeli also makes the audience complicit in the exploitation of Adriana, with camera "ogling" like her much as her many suitors do. From what I've read, this film is also well-liked in Italy for the many mid-60's pop music hits heard on the soundtrack. Recommended.
    8lasttimeisaw

    an unalloyed Italian hidden gem exhumed from near obscurity

    A definite highlight of Italian filmmaker Antonio Pietrangeli's career, on which would be tragically put a kibosh by his untimely death in 1968, in reality, people do die of drowning after falling off a cliff.

    I KNEW HER WELL continues his streak of strong female presentation, first and foremost, it is a story about a prelapsarian countryside Italian girl Adriana (a 19-year-old Sandrelli uncannily likens a luscious Taylor Swift), who jauntily pursues her star-making dream in the capital city.

    Pietrangeli and his co-writers configure a loosely chronological and episodic narrative detailing the interactions between Adriana and a smorgasbord of male characters, from boyfriends, bedfellows, exploiters to sympathetic have-nots, scathingly refracts the sprawling turpitude infesting the showbiz, that a young and unsophisticated Adriana is always given the short end of the stick, can never fall in love with the right guy, and occasional sparkling of kindness dims quickly since it is just not the right time, and the film's ostensibly disengaged observation gives way to an abrupt kicker in the end, where a dysphoria-stricken Adriana takes a radical step to purge her profound disillusion out of her existence.

    Wonderfully concatenating manifold vignettes into a cogent case study pertaining to the disintegration of a starlet-to-be's pipe dream (often meld perfectly with era-specific tuneage and dancing routines), Pietrangeli enlists a swell group of multi-national supporting actors, natives Manfredi (unscrupulous), Salerno (pompous), Fabrizi (smarmy), Nero (four-square), joined by a French (Brialy), a German (Fuchsberger), an Austrian (Hoffman) and a Swiss (Adorf) to bolster the mainstay, among whom, Ugo Tagnazzi brilliantly steals the limelight with his backbreaking tap dance and abjectly obsequious attitude as a struggling has-been.

    As our leading lady, Sandrelli is de facto a phenomenal wet-behind-the-ears ingénue, but also excels in bringing about a palpable strength of integrity and defiance that is well beyond her age, yet, more often than not, emanates a ghost of melancholia even when hijinks are in full swing. Unequivocally evokes a young girl's version of Fellini's LA DOLCE VITA, I KNEW HER WELL is an unalloyed Italian hidden gem exhumed from near obscurity with its shimmering amalgamation of vintage style, unaffected poignancy and incisive self-mockery.
    7dierregi

    The other side of the Sixties

    This movie is very well know in Italy and certainly not a "hidden" masterpiece. Stefania Sandrelli gives a star-making performance as Adriana, the silly country girl who tries to navigate waters much too deep and dangerous for her intellectual level.

    Adriana is rather ignorant and shallow, but pretty, outgoing and sensual and tries to climb the ladder of success "helped" by several men. Along the way, she has lots of flirts with despicable guys, among which one with Dario. The two spend a weekend at the beach and then Dario leaves her with the bill to pay, for which Adriana must use a bracelet Dario gave her.

    This episode underlines not only Adriana's naivety, but also her lack of self-respect. After having been informed by the police that Dario is a gigolo and a thief and the bracelet he gave her stolen, she laughs and takes his defence.

    The despicable male characters include famous actor Roberto and "talent scout" Cianfanna. It's most depressing to see the level of moral bankruptcy shared by all the show-biz characters. Only a boxer and a mechanic lack the cynicism of those working in the entertainment industry.

    Adriana herself is just a pretty face with an empty head, devoid of self-awareness and pursuing a vague idea of 'success". She listens non-stop to silly pop music, loves dancing and doesn't mind having casual sex, but cannot even make a career out of prostitution, lacking the necessary cunning.

    Unrooted from her country background, without any stable relations, without even the awareness of her loneliness, Adriana is just one of the million youngsters pursuing a sterile rebellion without a cause, which eventually will lead to her demise.
    7boblipton

    Life Is (A) A Circus; (B) A Cabaret; or (C)....

    If life is a circus if you're Fellini, that's all well and good. There was only one Fellini, and he's dead. For most of us, life is a struggle. For a young woman trying to make her way, it's filled with rude men and the fear of rape if you hear a stranger's foot steps at night.

    Don't get me wrong. I love Fellini, but Antonio Petrangeli offers a different view of la dolce vita here. Stefania Sandrelli tries to make a go of it in a cynical and greedy world.

    इस तरह के और

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    4.5
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    8.5
    La Grande Guerra del Salento
    Sedotta e abbandonata
    7.9
    Sedotta e abbandonata
    Adua e le compagne
    7.6
    Adua e le compagne
    La grande guerra
    8.1
    La grande guerra

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Adriana's flat in Rome: Lungotevere Portuense, 158, 00153 Roma, Italy.
    • भाव

      The Writer: She was like a lot of other girls.

      Adriana Astarelli: I bet you slept with her.

      The Writer: It's not that hard with girls like that.

      Adriana Astarelli: I can tell she liked you.

      The Writer: Liked me? Trouble is, she likes everything. She's always happy. She desires nothing, envies no one, is curious about nothing. You can't surprise her. She doesn't notice the humiliations, though they happen to her every day. It all rolls off her back like some waterproof material. Zero ambition. No moral code. Not even a whore's love of money.

      Adriana Astarelli: Such language!

      The Writer: Yesterday and tomorrow don't exist for her. Even living for today would mean too much planning, so she lives for the moment. Sunbathing, listening to records, and dancing are her sole activities. The rest of the time she's mercurial and capricious, always needing brief new encounters with anyone at all... just never with herself.

      Adriana Astarelli: I'm Milena, right? Is that what I'm like? Some sort of dimwit?

      The Writer: On the contrary. You may be the wisest of all.

    • कनेक्शन
      Featured in Ridendo e scherzando - Ritratto di un regista all'italiana (2015)
    • साउंडट्रैक
      Eclisse Twist
      Written by Giovanni Fusco and Michelangelo Antonioni (as Ammonio)

      Performed by Mina

      Courtesy of Edizioni Musicali C.A.M.

    टॉप पसंद

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    साइन इन करें

    अक्सर पूछे जाने वाला सवाल19

    • How long is I Knew Her Well?Alexa द्वारा संचालित
    • What are the differences between the German Version and the Italian Version?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 2 दिसंबर 1965 (इटली)
    • कंट्री ऑफ़ ओरिजिन
      • इटली
      • फ़्रांस
      • पश्चिम जर्मनी
    • भाषाएं
      • इतालवी
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Io La Conoscevo Bene
    • फ़िल्माने की जगहें
      • Piazza del Duomo, Orvieto, Terni, Umbria, इटली(Orvieto Cathedral)
    • उत्पादन कंपनियां
      • Ultra Film
      • Les Films du Siècle
      • Roxy Film
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    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $18,010
    • US और कनाडा में पहले सप्ताह में कुल कमाई
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      • 7 फ़र॰ 2016
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    बदलाव करें
    • चलने की अवधि
      1 घंटा 55 मिनट
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    • ध्वनि मिश्रण
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    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Io la conoscevo bene (1965)
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    What is the Spanish language plot outline for Io la conoscevo bene (1965)?
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