A Funny Thing Happened on the Way to the Forum

"Forum" is one film adaptation of a Broadway musical that is a half-glass of water. On the half-full side we get to see Zero Mostel and Jack Gilford reprising their Broadway roles, and they're joined by a fine supporting cast including Phil Silvers as Lycus (ironically, he would star as Pseudolus in the 1972 Broadway revival) and Buster Keaton in his last film. But even though the film delivers the laughs and opens itself up well from its stage origins (let's face it. That climactic chase in the Broadway version is wonderful but it just wouldn't work on film at all). But what I can't forgive is how nearly three-quarters of Sondheim's outstanding score (his best I think) has been jettisoned to give us a too short running time of barely an hour and a half. And on top of that, why do *both* of Milos Gloriosus's numbers get kept, while Mostel's two best numbers from Broadway, "Pretty Little Picture" and "Free" (which is supposed to be the heart of the show) are gone (along with Gilford's "I'm Calm")? That, I do not understand at all. It's gotten to a point where I purposefully stop the film after Psuedolus falls out of the tree so I can then play Mostel's version of "Free" from the Broadway cast CD (which is where it would have belonged in the film). And it's too bad this wasn't a roadshow movie with an intermission because Mostel's funny Act One closer would have worked great there as well.

All in all it's worth having, but be prepared for your mood to shift from seeing the film as a half-full glass or a half-empty one.

I saw this film when I was a young girl (seven or so) and I adored it. When I was about fourteen, I finally got to see the stage production. When I saw the film again, I realized there were some bad choices made. I think the film has many excellent points and some bad points:

Good:

-For starters, you couldn't have asked for a better cast. I don't just mean Zero Mostel and Jack Gilford (though both are incredible) but casting Buster Keaton was inspired.

-Very accurate portrayal of ancient Rome (up to a point, of course). The only reason I bring it up is because when I took Latin in high school, we studied ancient Rome and I like the research that went into that for the film.

-The chase scene at the end. That's what I remember laughing at the most as a child.

Bad:

-Cutting so many songs, specifically "Free" and Hysterium's number (I must say, Jack Gilford was highly underused in this film).

-The direction of most remaining musical numbers and some scenes.

-Changing the character of Dominia. I don't mind it too much (she does get some good lines in there) but I liked having another strong female character aside from Philia.

Now I have nothing against Richard Lester. In fact, I enjoyed his work in A Hard Day's Night and Help! and I think when it comes to those types of films, he does well. I'm just not completely sure if he was right for this film. He treated the songs like music videos, kind of forgetting that in this case, the songs are being used to tell a story, not just for entertainment. We recently watched parts of the film in my Musical Theater History class, and that was one of the point brought up. He tended toward the fast pace/quick edit direction, which I think worked for "Comedy Tonight", but not much else (especially not "Everybody Ought to Have a Maid"). While I disliked some of his direction on "Lovely", I did like that he repeated (more or less) the same direction in the reprise of the song.

I will say, though, when he's good in the film, he's really good. I can't deny there are parts in the film that are incredibly funny, most notably the chariot chase. I am a bit torn about the film. In the long run, I will probably always love the film and watch it when I get the chance, despite its shortcomings. Still, I wouldn't mind a remake of it. And I think we can safely say this isn't the worst film version of a Sondheim show (A Little Night Music anyone?).

Very funny film version of the smash Broadway musical, but minus most of the music. Sort of a bawdy tribute to slapstick comedy and vaudeville, the film is uniformly wonderful, the pace fast, and the jokes funny. This show was a major success on Broadway for Zero Mostel and decades later for Nathan Lane.

The plot is zany and convoluted and the style of comedy is similar to 60s slapstick used in everything from Tom Jones to Lock Up Your Daughters. Director Richard Lester uses film technique to keep the few musical numbers from stopping the pace of the film, and it works surprisingly well. And the fond look at slapstick (speeded up film, drag, pratfalls, etc.) is especially apt here considering the great Buster Keaton is in the cast.

Mostel reprises here as the wily slave who drives the manic action. He wants to be free. Mostel is just wonderful and gets to use his full bag of tricks as a comedian as well as sing "Comedy Tonight." Equally good is Phil Silvers, who sells slave girls next door to the snooty matron (Patricia Jessel) her husband (Michael Hordern), and their innocent son Hero (Michael Crawford---yes THAT Michael Crawford).

The great Buster Keaton (in his final film) plays Erronius, an old man seeking his long-lost children. Jack Gilford plays a fellow slave, Leon Greene plays the pompous Roman general looking for his bride. Then there are all those slave girls — Annette Andre as the virgin; Inga Neilsen as the mute. Michael Hordern is a surprise as the old lecher and gets to sing, "Everybody Ought to Have a Maid." Jessel is a scream as the hag wife. Lots of scantily clad girls and horny old men.

Hilarious jokes (Mostel as the soothsayer) and sight gags abound. Mostel, Silvers, and Gilford are masters of this sort of broad comedy, and Silvers and Gilford make truly ugly women. Crawford (decades later The Phantom of the Opera) is really funny as the dopey Hero and does most of his own stunts. Greene is also very funny as the overblown general.

Lots of other good performances in small parts: Beatrix Lehman as the 104- year-old with no working organs, Peter Butterworth as the Roman soldier, Frank Thornton (Are You Being Served?) as a Roman citizen, the grunting Janet Webb as Fertilla, Roy Kinnear as the trainer, Alfie Bass as the sentry, Ronnie Brody as the short soldier.

There's so much action here you have to watch this several times to catch all the background jokes. The final madcap chariot race is hilarious. Great fun. And flies everywhere!

I never saw this in the 60's though I was of an age to...just saw it the other night on television and only watched it for Buster Keaton, whom I have recently developed a great joy in seeing. I enjoyed the whole thing...silly, (sexest,yes, a movie of the 60's), funny stuff. My kids aged 10 and 12 really enjoyed it, too.

Despite having some mistakes, I think this film is overall great, specially in comedy terms. Crazy, dynamic and modern spirit of Lester's direction fits more or less well into "A funny thing happened on the way to the forum"(not as well as it did in "The Knack" or "A Hard Day's Night, but very well anyway). Zero Mostel seems to be a little-bit repressed by Lester, but he does a great job, as the rest of the cast. The beautiful colour photography, some funny songs and a funny storyline with a lot of hilarious visual and verbal jokes makes this a really funny picture. The chariot scene, and with it, all the end of the movie is memorable. Don't miss it.