Carry on Screaming!

The Carry On films were at their best in the early days when they offered more than just saucy double entendres. Don't get me wrong, there *are* plenty of great double entendres here, but they're set against the backdrop of a horror spoof. The unusual setting gives it a freshness that the other Carry Ons lack.

A changed cast helps too. Harry Corbett shines in the sort of role which normally goes to Sid James. He makes the part his own, only failing in the scenes where he argues with his wife. There's just no chemistry between him and Joan Sims to show why these people were once in love with each other.

But there's chemistry between Corbett and Fenella Fielding, the other guest star. She makes a wonderful evil seductress. Of the regulars, Williams is best. His usual eccentric, camp performance takes on an edge of madness that grows as the film progresses.

Recommended.

I have to admit that this is the best Carry on Film of the series. It had me laughing throughout.

There were great performances throughout and I particularly liked the late Harry H. Corbett's role as Detective Sergeant Bung in it.

The plot was mad. The late Kenneth Williams played Dr. Watt who was the fiendish brains behind an evil plot. He had a huge Frankenstein-like henchman called Oddbod who would kidnap women for him. He would then turn the women into dummies and sell them to a local shop. Crazy eh?

I won't spoil any of the scenes for you but they are all funny and there's some great dialogue throughout. As for the ending, it had me in stitches.

I really believe this is the best Carry on Film in the series so I recommend checking it out.

The chemistry between Fenella Fielding and Harry H Corbett is outstanding. They just sparkle on screen together. She was a remarkable performer and added class to every movie she did. I love her sexy sultry voice. Harry H Cobett is as he always was perfect. he looks as though he had been doing these movies for years. He was a brilliant performer. I had to good fortune of seeing him on stage when he came here to Australia to star in the JCW production of Neil Simons LAST OF THE RED HOT LOVERS. He was brilliant. Intentional or other wise it was a great idea to change the cast and introduce guests and new faces every now and then. I must say I prefer Harry to Sid James, even though Sid was a fine performer in his own right.The rest of the cast are great. I had not taken much notice of Amanda Douglas in previous movies but her performance in this is quite delightful. Jim Dale of course is as sexy as ever and a fine performer. His physical comedy is quite brilliant. Its the first one for Peter Butterworth. I really liked him in this and his drag is pretty good.Joan Sims is the wife from hell and gives a suitably nasty performance. Its rather funny to note that British people slept wit potties under their beds. I wonder if they still do? I guess so. The film looks great. I love the opening credits. We don't see much of Charles Hawtry in this but he gives a much straighter performance in this and its fun. It looks rather like a Hammer film. Kenneth Williams hams it up superbly as always. Its a bright clever film. I gave it an eight.

This delightful spoof on the contemporaneous – and equally popular – Hammer Horror style is undeniably a highlight of the "Carry On" series: the film is remarkably evocative with respect to color scheme, sets, lighting, even the score (though the rock'n'roll title track is somewhat unwarranted)...but, then, it's regrettably neglected whenever genre parodies are discussed (in my opinion, it's a must for any Hammer devotee)!

The presence of series stalwarts Sidney James and Kenneth Connor is missed here; however, atypical 'recruits' Harry H. Corbett (in his one and only "Carry On") and Fenella Fielding (as a Morticia Addams-type nymphomaniac – she had appeared in CARRY ON REGARDLESS [1961] as well as Hammer's own spoof, THE OLD DARK HOUSE [1963]) more than make up for this. Among the typical horror elements we find here are Kenneth Williams as Mad Scientist, Zombie and Invisible Man all rolled into one, two Frankenstein Monsters named Oddbod and Oddbod Jr. (a nod, no doubt, to Oddjob from the James Bond adventure GOLDFINGER [1964] – it's interesting that the second creature is generated when electricity is applied merely to the missing finger of the first), two separate Hydes, a Mummy, plenty of wax figures, a sinister-looking butler, etc. Incidentally, the police investigation is redolent of a Holmes/Watson mystery (after all, Hammer themselves had filmed a version of THE HOUND OF THE BASKERVILLES [1959]) – with Corbett and Peter Butterworth making for a great bumbling pair of sleuths.

Series regular Charles Hawtrey only has a bit part here as a tell-tale lavatory attendant/gardener, but his messy death is hilarious; ditto future Dr. Who Jon Pertwee as an eccentric police-lab technician – ironically, there's a "Who's On First?"-type routine concerning Williams' character (called Dr. Watt)! Jim Dale and Angela Douglas are again the young lovers, while Joan Sims' role is practically a repeat of her nagging wife from CARRY ON CLEO (1964). By the way, the flustered mannequin shop owner is played by Frank Thornton, later of the ARE YOU BEING SERVED? (1972) TV series. As expected, Talbot Rothwell's script contains a lot of unsubtle puns – but the film itself is capped by quite a terrific (if hysterical) climax to rival Hammer's best efforts.

Possibly the finest of the Carry On series, this film benefits hugely from the acting talents of the late, great Harry H. Corbett and the fabulously sexy Fenella Fielding. These two provide the usual Sid James / Barbara Windsor roles but play them with far more subtlety and aplomb than usual. Talbot Rothwell delivers a fine screenplay that beautifully lampoons Hammer Horror films while Kenneth Williams, Jim Dale and Peter Butterworth serve up great supporting performances. Jim Dale is worth a special mention here as a great physical comedian who never really received the recognition he deserved for his 'full body' comedy – he could teach the over rated Jim Carey a thing or two. 'Screaming', along with 'Khyber' and 'Cleo' remain great British comedies that have outlived the contempt and snobbery that was initially hurled against them to emerge as fine examples British cinema and humour. 7/10.