Boy, Did I Get a Wrong Number!

I write this review after having finished a private double feature of Bob Hope films. Being a big fan of Hope, I really wanted to like "Boy Did I Get A Wrong Number!" His 1960s films are generally considered by most cinephiles to be his weakest but I enjoyed "Bachelor in Paradise"(1961), "The Road to Hong Kong"(1962), "Critic's Choice"and "Call Me Bwana"(both 1963), none of which are regarded as among Hope's better works. Perhaps it's the fact that I watched it just after watching a vastly superior, funnier and well-written Bob Hope comedy called "Caught in the Draft"(1941), but I have to say this would-be attempt at bedroom farce/Hollywood celebrity spoof falls completely flat. What went wrong? Hope and his 2 main female co-stars(Elke Sommer and Phyllis Diller) have great comic ability, and George Marshall had previously directed top-notch Hope laughfests "Fancy Pants"(1950) and "Monsieur Beaucaire"(1950), but no amount of talent in the actors or director can make up for a leaden script which plays like a 98 minute extended rerun of "Three's Company." The comic timing which is so necessary for a film of this type to work is completely off. The funniest thing in the picture is Marjorie Lord's humongous hairdo and I don't think that was the intent of either her or the filmmakers. Even Hope's immediate predecessor film, the so-so "I'll Take Sweden"(1965) was more entertaining.

Hope fans should skip this one and watch a "Road" film or any of the above mentioned Hope films instead while Elke Sommer fans should watch "A Shot in the Dark"(1964) or "The Prize"(1963) in lieu of "Wrong Number!".

Bottom line: 3 of 10 with 1 point for each of the 3 leads only.

I saw this film twice: once when I was a pre-teen in the 60s and then about 40 years later. The first time I saw it, I thought it was one of the funniest movies I had ever seen. The second time I saw it, I wondered what I saw in it the first time. Since it was the same movie, I guess it had to be me, but what a difference 40 years makes. This movie seems to have been made as a vehicle for Bob Hope's and Phyllis Diller's comic skills. However, what seemed knee-slapping funny back then, seems dull and trite now, especially Hope's one-liners. Most of the movie revolves around Hope's character keeping his association with Didi secret. It was funny then but a little overbearing now. His "murder confession" seems just silly now. I gave the movie a 6 rating because the chase scene with Phyllis Diller still ranks high as a hilarious chase scene, just as funny now as when the film was new.

Wholesome sitcom style family comedy not as bad as critics deemed. This G-rated comedy is very Brady Bunch style with the sum better than the parts. If your family is a fan of Nick at Nite then this movie should delight them. Directed by legendary Hollywood director turned TV-director, George Marshal, this film offers wacky slapstick, a wacky car chase, wacky boyscouts and wacky Phylis Diller on a motorcycle. Bob Hope play's a happily married (to "Make Room For Daddy"'s Marjorie Lord) real estate agent with two kids and a maid (Phylis Diller). One day he gets a wrong number from a Hollywood movie star (a dazzling and very funny Elke Sommer) in hiding from her studio. Eventually Hope tries to help the starlet in her quest for privacy. Trying to keep the news out of the paper, and his association with her from his wife, the film is basically one situation after another of trying to hide Sommer from someone. Hope is a bit subdued with terrible lines but, as usual, has good chemistry with Diller and plays the part of the responsible loving husband but victim of circumstances very well. The part of the movie starlet could easily have been a dumb-blonde role, but Elke Sommer (who was great in the comedy "A Shot in the Dark") brings the role life with a very clever performance and a great flair for physical comedy. She gets a bit upstaged by Hope and Diller, but does just fine alongside the two pros. Just a nice, clean, fun show for all ages.

A real Bob Hope farce is the 1966 film, "Boy, Did I Get A Wrong Number."

A businessman (Hope) gets a wrong number and it turns out to be that of a hot-tempered actress (Ilke Sommer) who seems to have a love-hate relationship with her lover-director, a very handsome Cesare Danova. During a major spat, she runs off and is hidden by Hope.

Marjorie Lord plays the goody-goody wife and Phyllis Diller is literally along for the ride as a ditzy housekeeper, Lili. Diller is the sole of the film. She is hilarious and she aids her boss Hope.

Of course, when it appears that Sommer is dead, Hope becomes the main suspect. True to form, there is a major chase scene and an ending that we can say is appropriate for a comic "soap" opera. Silly, but the laughs are worth it. Hope and Diller were an excellent twosome together.

This movie is a campfest. Elke Sommer plays a temperamental star who ends up on the run from her studio. She inadvertently gets hooked up with married man Bobe Hope who tries to conceal her from the police and his wife Marjorie Lord. Phyllis Diller steals the show as Bobe Hope's maid. Very subtle risqué humor permeates this movie. If you listen very carefully you can hear some very suggestive dialogue between Bobe Hope and Phyllis. While Phyllis is eavesdropping on Bobe & Elke's phone call she is shown peeling a banana. When she hears a vaguely sexual remark she squeezes the bottom and the banana pops out of it's skin and onto the floor! Very subtle but VERY suggestive which is what I loved about the 60's, nothing is as blatant as today. Light fluff of a movie but lots of fun. I guess some previous viewers are so bombarded with in your face grossness these days in most movies they didn't see or appreciate the innocence of this flick.