Arrivederci, Baby!

As a boy, he got from an orphanage to an extraordinary adoptive mother and lived from there on an happy life. But then his peace is desturbed by an elderly captain, who wants to Marty and live from the rich widows money too. This competitor has to leave the scene fast, he knows and so he did.

The boy becomes a man and is rich now, but keeps its habits of 'loosing' his wifes. Of course, he used to check the wealth before marriage!

Tony Curtis marries women for their money then kills them. But then he marries a beautiful Italian woman who does the same for her husband. Who will wind up on top?

Most negative reviews focus on how the man kills his wives but neglect the culpability of the woman. Figures. It's the sort of sexual discrimination we've been fighting all these years. Ignore the bigots who have one standard for men and another for women and have a blast.

The movie is actually hilarious. And Curtis has no shame. Early on, describing his life, he plays a little boy in short trousers. He's a delight.

His victims include Anna Quayle and Fenella Fielding, both known for their comedy work; and Zsa Zsa Gabor, who is eventually the funniest.

The primary scene-stealer, of course, as usual, is Curtis's manservant, played by Lionel Jeffries.

Lots of taboo subjects were being explored at the time this movie was made, particularly respect for death. "The Assassination Bureau" with Oliver Reed and Diana Rigg, and Sid Caesar's "The Busy Body" also fall into this territory. And, what may be my favorite movie of all time, "The Wrong Box" with Michael Caine.

The fact is, for the open-minded, who can laugh heartily at death, this movie is hilarious right up to the final scene, which leaves a bad taste in the mouth. Every time I watch it I skip that part

It's one of Tony Curtis' most successful comedies, counting laughs per capita.

I remember seeing this movie on afternoon on TV in the early 80's. It took a while to figure out what was going on as the plot goes from present to past.

I must admit as much as the movie was light hearted and had it's funny moments, I found it quite disturbing as the main character goes around killing beautiful woman for no better reason then to get their money.

The most disturbing to me was the demise of Lady Fenella. She did nothing annoying to her new spouse, outside of being an active woman. As she would come on to her new man He seemed to become more and more annoyed and angry until his plot to kill her.

A few good lines in the movie were from Zsa Zsa, actually one of her best roles as she made fun of herself. She was asked why she divorced her last husband for which she replied "I needed the closet space" and the other one, after her constant talking said, "if you don't get me out of her I'll never speak to you again"

So all in all not a bad pic, but still disturbing

Saw 'Drop Dead Darling' as part of my Tony Curtis completest quest after being recommended many of his films here in the recommended for you section. It was not something that was intended initially but actually it has proven to be a generally worthwhile experience, even with a couple of missteps.

While there were and are better actors about and he didn't always look comfortable in his early films, Curtis was always immensely likeable and had a charming charisma with many good and more performances under his belt. The cover and premise (haven't admittedly read the source material) were great and the cast is a talented one, have always liked Lionel Jeffries in particular.

'Drop Dead Darling' turned out to be watchable with enough strengths to keep it afloat, but it did disappoint and could have been much better.

The cast is its main selling point and the best thing about it. Curtis exudes both charm and creepiness in a despicable "Bluebeard" sort of role, with enough to him to make it easy to see what others see in him, one doesn't associate with him. Rosanna Schiaffino is an alluring presence and is no slouch in the acting stakes. Jeffries could have had more to do but makes much of what he has. Zsa Zsa Gabor, in briefly but one of her better performances actually, and Anna Quayle bring some welcome very funny light-heartedness, especially Quayle.

Other than those two's scenes, the other highlight is the tense chemistry between Curtis and Schiaffino, followed by the croquet match. There are enough moments of amusement, especially in the first half. 'Drop Dead Darling' looks good, with beauty and atmosphere in the way it's shot.

However, 'Drop Dead Darling' fares less good in the darker elements, where there is not enough tension or suspense let alone creepiness or surprises. It feels bland and sometimes tasteless, and some of the final act is aimless. Tonally the film feels muddled, mixing light hearted comedy with a dark undercurrent that jars too much and makes it all rather mean-spirited. The comedic scenes fare better but are similarly uneven and could have been more. While the cast are more than game, Nancy Kwan has practically nothing to do and makes no impression at all.

Found the script weak in spots, with some clumsy attempts at breaking the fourth wall. The direction is workmanlike at best with no real distinction or inspiration. The music does its job alright on its own, but it's also somewhat forgettable and didn't seem to fit particularly well or be harmonious with the film's tone. The pace can be dreary in the latter stages.

In summation, not bad but nothing special. The cast and some good scenes make it watchable, it's just let down by most of everything else. 5/10 Bethany Cox

My goodness, this movie is silly! I sat through it because I was hoping to see Nancy Kwan given a decent role, and I thought the premise had a neat twist to it. But the script didn't really live up to the "what if" in the screenwriters' boardroom, and the ninety minutes it took to unfold the thin plot made me roll my eyes more than laugh. Still, if you're a Tony Curtis fan and want to see him in something lighthearted before he goes against type in The Boston Strangler, you can check it out.

Tony plays a womanizing con artist, go figure. I guess he never got past the typecast of Some Like It Hot, poor guy. In this movie, he and his faithful sidekick, Lionel Jeffries, scheme up ways to marry rich women and then kill them to inherit their fortunes. So while Tony has a steady girl, Nancy Kwan, he leaves her side on a moment's notice to pursue a rich widow, Rosanna Schiaffino, in Italy. Some of the gags are funny, like when Lionel creates a croquet explosive ball for Rosanna to hit, and he and Tony cower in fear when Rosanna starts tossing the ball around. But most of it is pretty silly and drags on a little too long. The beginning has some ridiculous flashback sequences that are very tongue-in-cheek, as an adult Tony pretends to be a child in an orphanage. These also go on too long, so watch with these warnings in mind.