L'armata Brancaleone

"L'armata Brancaleone" was made at the time of Italian cinema's triumphs, when Italy could boast some excellent directors and well-known actors. There's one simple reason why this movie is still loved by young generations: it's a real comedy, hilarious without being trivial, and it can rely on a couple of ingenious tricks, such as the language and the setting. The characters speak a funny pseudo-ancient Italian crammed with Latin words and solemn sentences, and maybe some quotations from "La Divina Commedia" by Dante Alighieri (the name Matelda and her character played by the gorgeous Catherine Spaak). And what about the setting? A wild Medieval Italy, with uncontaminated natural sceneries, castles and towns infested by pestilences. Kudos to the actors, everybody is perfect in his/her own role, from Vittorio Gassman and Gian Maria Volonté to the supporting roles, and of course to the director Mario Monicelli, amalgamating all with his personal touch.

I take the risk of annoying most people but it must be said: in order to get the full flavour of the fun in this movie you should have a really good knowledge of the Italian language, and view the film in original. It is hard even for an Italian to understand some of the dialogues, while they rapidly switch from Gassman's impeccable proto-Italian with strong Latin influences (spoken in such a serious manner as to result irresistibly comic), to Abacuc's Jewish version thereof, to the other characters' strong rural poor-man's accent.

In this movie, and in the delectable sequel "Brancaleone alle Crociate", Gassman is at the top of his skill as an actor. This is somehow like acting the "Fifteen Minutes Hamlet" without even remotely smiling, but giving a serious, professional performance. Only someone who is truly great can do the buffoon like this without appearing histrionic, or ridiculous.

I have seen this movie when it first came out in Germany in a dubbed version. I went back several times I liked it so much, great comedy, great acting and entertainment. After all this years I started searching on the web, because nobody in America seems to have ever heard of this movie. So far I only found an old German dubbed copy, but I look forward to finally see the original version. I have seen many movies in my time, but Brancaleone seems to always come to my mind when I think of comedy and middle ages. The Monty Python can not reach this one.

Ok, the italian comedy of the `50s and `60s is one of the best in the world. I say this not only because I am italian but because it`s true. Just rent or buy the movies of directors such as Pietro Germi, Dino Risi, Steno and of course Mario Monicelli. L`Armata Brancaleone is one of the best comedies ever because of the script, the gags, the language (a very funny mix of ancient italian and latin, I don`t know how the translation could work) and the actors, first of all Gassman, the protagonist, that Monicelli `discovered` as a comic character in `I soliti ignoti` (before that Gassman played almost exclusively drama plays). Even the representation of the Middle Age seems to me (a non-expert in history) quite accurate: see for example the prophet who guides the people towards the Crusade (an incredible Gian Maria Volonte`).

Another gem of italian comedy, a must-see for everyone.

This rare film is now available on a Brazilian DVD, which the earlier comments here convinced me was worth getting. I've just watched it, and it is a joy! The earlier commentators are right on the mark in their comparisons to "Monty Python and the Holy Grail," in that it is an episodic, stylishly-realized, broad medieval comedy concerning a motley group of protagonists on a quest. Unlike the Monty Python film, however, this one never deviates from the story line and the actors never break character. It is also not quite as fully anarchic as the Python film. There is, in fact, a very touching death scene near the end of the film. Superbly paced, it seemed to me that there were no weak spots or comedic lulls. The poorly-translated English subtitles on my DVD were often very funny in their own right (unintentionally, I'm sure). But even though I don't understand Italian and missed some of the linguistic humor mentioned here, I still got a great deal of enjoyment out of it. The look of the film is fascinating, particularly some scenes in which the costuming, makeup, and set design evoke Fellini at his weirdest. Also, the use of the spectacular Italian countryside and old villages is outstanding. It's a privilege to have discovered this rare film, and I am thankful to the earlier commentators for helping bring it to my attention. That's one of the great advantages of visiting the IMDb.