तेईसवीं शताब्दी में, कप्तान जेम्स टी कर्क और यू एस एस एंटरप्राइज़ आकाशगंगा का अन्वेषण करते हैं और संयुक्त संघ के ग्रहों की रक्षा करते हैं.तेईसवीं शताब्दी में, कप्तान जेम्स टी कर्क और यू एस एस एंटरप्राइज़ आकाशगंगा का अन्वेषण करते हैं और संयुक्त संघ के ग्रहों की रक्षा करते हैं.तेईसवीं शताब्दी में, कप्तान जेम्स टी कर्क और यू एस एस एंटरप्राइज़ आकाशगंगा का अन्वेषण करते हैं और संयुक्त संघ के ग्रहों की रक्षा करते हैं.
- 1 प्राइमटाइम एमी जीते
- 16 जीत और कुल 32 नामांकन
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फ़ीचर्ड समीक्षाएं
This has to be one of the greatest series in history. I really enjoy watching a lot of the episodes especially those from the second and third seasons when Chekov was on and the supporting cast really became complete. I especially loved the episodes that dealt with what happens when someone upsets the natural course that a planet goes on (eg. "A Piece of the Action"). In the case of those episodes, usually someone wants to help a planet achieve its destiny at a faster rate or leaves a form of literature or technology behind leading to disastrous results as was the case with the Ekosians who followed the Nazi model or the world that used the model of 1920's Chicago to base their societies on. This pretty much is a moral for any world including our own and how we should leave not only people follow their own path but let nature take it's own path.
Does anyone need an introduction anymore to this great series? In the beginning Desilu said yes to the budget and schedule of Roddenberry only because there were many space stories being pitched and picked up in the mid-sixties, and this was going to be theirs. NBC used Star Trek to compete with Lost in Space, which was already on CBS the year before.
NBC being the all color network made the series very high key in lighting and primary-colored in the uniforms and the instrument displays, to better sell color TV at the time.
There were so many innovations shown on the screen from Dr.McCoy's diagnostic helpers to the auto door movements to hand communicators, transporters, phased light weapons, all of which impressed viewers. Added to that, they all seemed like they really worked!
People have said that Star Trek was the first to show an alien working harmoniously on a space crew and this is not fully true. You might laugh now, but in 1950 there was a very popular, well written, well acted radio and TV series called "Tom Corbett, Space Cadet" that had that very element working for it. Nothing much was very ground breaking on that show except that the acting was a cut above other shows. Roddenberry did go a few steps farther with Star Trek, adding a multi-racial crew and women having real authority as crew members or aliens.
Prior to Star Trek, the "alien" or "other" was a concept meant to inspire fear and justify violence. However it seemed that the series delighted in reversing this. Repeatedly the aliens are shown to be less dangerous than thought: the Talosians want the best for Capt. Pike, Balok isn't so bad, the Salt Creature is meant to be pitied, and so on. However if the villain was inanimate or a Frankenstein composed of man's ignorance, say NOMAD or the Planet Killer, then all violence the Federation can muster could be justified.
For my money Roddenberry, who appeared to be a casting couch throwback producer from an "Ed Wood" era, accomplished nothing so amazingly wonderful prior to Star Trek, and certainly nothing afterward that ever surpassed this singular achievement. He fought to keep Mr. Spock in the show and oversaw all the writing for a stable consistency,(I'm not a Harlan Ellison fan), so from this perspective, you could say he was born to create Star Trek then step off the stage. His whole life after Trek seemed warped by the show's gravity, and often he was pulled back into it for the 1987 follow on series and the first round of feature films.
Some audience members may prefer TNG, or the feature films. They may look back at the 1966 debut of Star Trek as merely "the future looked a lot like the Sixties". But why is it that the pure human emotions in those 79 episodes still attracts new converts? There must be something there that's communicating beyond the show's original five year mission. Star Trek still works as an adventure; one that considers human drama primary. That is unusual for any science fiction based story, wouldn't you say?
NBC being the all color network made the series very high key in lighting and primary-colored in the uniforms and the instrument displays, to better sell color TV at the time.
There were so many innovations shown on the screen from Dr.McCoy's diagnostic helpers to the auto door movements to hand communicators, transporters, phased light weapons, all of which impressed viewers. Added to that, they all seemed like they really worked!
People have said that Star Trek was the first to show an alien working harmoniously on a space crew and this is not fully true. You might laugh now, but in 1950 there was a very popular, well written, well acted radio and TV series called "Tom Corbett, Space Cadet" that had that very element working for it. Nothing much was very ground breaking on that show except that the acting was a cut above other shows. Roddenberry did go a few steps farther with Star Trek, adding a multi-racial crew and women having real authority as crew members or aliens.
Prior to Star Trek, the "alien" or "other" was a concept meant to inspire fear and justify violence. However it seemed that the series delighted in reversing this. Repeatedly the aliens are shown to be less dangerous than thought: the Talosians want the best for Capt. Pike, Balok isn't so bad, the Salt Creature is meant to be pitied, and so on. However if the villain was inanimate or a Frankenstein composed of man's ignorance, say NOMAD or the Planet Killer, then all violence the Federation can muster could be justified.
For my money Roddenberry, who appeared to be a casting couch throwback producer from an "Ed Wood" era, accomplished nothing so amazingly wonderful prior to Star Trek, and certainly nothing afterward that ever surpassed this singular achievement. He fought to keep Mr. Spock in the show and oversaw all the writing for a stable consistency,(I'm not a Harlan Ellison fan), so from this perspective, you could say he was born to create Star Trek then step off the stage. His whole life after Trek seemed warped by the show's gravity, and often he was pulled back into it for the 1987 follow on series and the first round of feature films.
Some audience members may prefer TNG, or the feature films. They may look back at the 1966 debut of Star Trek as merely "the future looked a lot like the Sixties". But why is it that the pure human emotions in those 79 episodes still attracts new converts? There must be something there that's communicating beyond the show's original five year mission. Star Trek still works as an adventure; one that considers human drama primary. That is unusual for any science fiction based story, wouldn't you say?
10macbug
One must remember that Star Trek was made as a for profit network TV. The amount of money and total lack of any computer aided special effects. Was the norm, it a call for innovation, creativity, thinking outside the box, in fact they did not even have a box. So remember 10 years before Star Wars, Ten years before the the first Apple Computer, during the Civil Rights movement, during the peak of the Viet Nam War, Before man had set foot on the surface of the moon, a man name Roddenberry had a vision to " Go where no man went before". Exploring social issues, with appearances by some of the days leading actors, and actresses. Star Trek in a way is a time warp of the mid 1960's. The styles and culture are mixed in series. Indian mysticism, invaded the series just like the white album. I believe the most diverse cast and characters in the history of TV. The one high tech aspect of the show is and was it was filmed in color when few people owned color TV's. Live long and prosper.
10roghache
In our household we are all Trekkies, so the ongoing adventures of the Federation Star Ship Enterprise constantly enthrall us. My husband will stubbornly watch only TOS, while my teenage son feels nostalgic about TOS, but secretly prefers Voyager. As for myself, while I find some of the Next Generation plots compelling and enjoy the dangerous drama of Voyager stranded in the Delta Quadrant, there's nothing quite like the characters from TOS. The series has an innocence about it unmatched in the later ones. My compliments to the late Gene Roddenberry, Star Trek's creator.
Captain James T. Kirk is the audacious, impulsive, and womanizing Enterprise commander. In almost every episode he has some gorgeous new love interest, seldom exhibiting much restraint! Kirk frequently engages in physical hand to hand combat with his opponents, torn shirt & sweat being common. Yet he does manage to come up with some bold and brilliant moves such as his legendary ruse, the Corbomite Manouever. Perhaps his primary task is serving as referee between the constantly sparring First Officer Spock and ship's doctor, Bones McCoy.
The heart of the series is Mr. Spock, the half Vulcan First Officer and ship's Science Officer. Actually however, Spock would maintain that he is the HEAD of the series, since he prides himself on his unfailing logic and lack of emotion. The inner conflict between his logic driven paternal Vulcan half and his emotional maternal human half form an ongoing theme. Spock possesses two useful Vulcan abilities, the neck pinch and the mind meld. The most engaging character interaction is between the logic motivated Spock versus the highly emotional ship's physician, Dr. Leonard (Bones) McCoy, who is basically a country doctor in space, a humanitarian leery of all this newfangled gadgetry. McCoy is famous in the Trek world for his expression, 'I'm a doctor, not a ----' (many phrases have been used here).
Chief Engineer Montgomery Scott is a hot tempered Scotsman with a fondness for his native country's whiskey. Scotty constantly bemoans that he 'cannae change the laws of physics' all the while working assorted engineering miracles with the warp core and anti matter this or that. As for Communications Officer Uhura, she is most notable for her regular phrase, 'Hailing frequencies open, Sir.'
To be sure, some of the episodes have less than brilliant plots, notably Spock's Brain, though the character interactions always compensate for any inadequacies. However, some ideas were masterful, including The Enterprise Incident, The Menagerie, and City on the Edge of Forever. The series took on issues of overpopulation (The Mark of Gideon), social class disparity (The Cloud Minders, with its clever cloud city, Stratos), and racism (Let That Be Your Last Battlefield), which involves laughable hatred between two races, one black on the left side & white on the right, the other race vice versa. I personally enjoyed The Naked Time (Nurse Chappel admits her love for Spock), A Taste of Armageddon (computer war), This Side of Paradise (Spock frolics), and Is There in Truth No Beauty? (the Medusan ambassador's incredible ugliness causes madness in the hapless onlooker). However, my absolute favourite is unquestionably the absurd Amok Time, with Spock's ridiculous pon farr mating strife.
The Enterprise crew consists of a racially diverse group, with its black Communications Officer Uhura and Oriental helmsman Sulu. The ship's navigator, Chekov, is Russian...quite a revolutionary idea for that Cold War era. The cast are perfect in their roles, including William Shatner (Kirk), Leonard Nimoy (Spock), and all the others. Special tribute to the late Deforest Kelly (McCoy) and James Doohan (Scotty), who are sadly missed.
This is the series that gave us such technologies as the transporter, tricorder, and cloaking device...high tech weaponry including phasers and photon torpedoes...futuristic games like three dimensional chess...miracle drugs such as cordrazine...and gourmet delicacies like Saurian brandy & Romulan ale. Some of the gadgetry gave a sneak preview of such later real life technology as computer floppy discs.
In addition to the highly logical Vulcans, Star Trek gave us glimpses of such alien species as the honour driven Klingons and the sneaky Romulans (the Federation's two primary enemies), also the xenophobic Tholians, the reptilian Gorn, and many others. It treated us to the endearing rock like, silicon based Horta and the cute & fuzzy but all too prolific Tribbles (which caused no end of Trouble). And it acquainted us with such planets as Sarpeidon, Eminiar & Vendikar.
In the episode Metamorphosis, we were all introduced to the heroic Zephram Cochrane who invented the warp drive way back in 2063. In constant demand is the dilithium vital to the warp engine's functioning. Star Trek also acquainted us with the United Federation of Planets, Starfleet & Starfleet Academy, and the Federation's much vaunted strict rule called the Prime Directive, which is frequently mentioned but universally ignored!
Star Trek is simply an incredibly fun and entertaining science fiction series, though it was hardly appreciated back in the 1960's when it originally aired. Fortunately, it lives on today in re runs, giving Trekkies the ongoing excitement of regularly 'boldly going where no man has gone before'. Live long and prosper, everyone!
Captain James T. Kirk is the audacious, impulsive, and womanizing Enterprise commander. In almost every episode he has some gorgeous new love interest, seldom exhibiting much restraint! Kirk frequently engages in physical hand to hand combat with his opponents, torn shirt & sweat being common. Yet he does manage to come up with some bold and brilliant moves such as his legendary ruse, the Corbomite Manouever. Perhaps his primary task is serving as referee between the constantly sparring First Officer Spock and ship's doctor, Bones McCoy.
The heart of the series is Mr. Spock, the half Vulcan First Officer and ship's Science Officer. Actually however, Spock would maintain that he is the HEAD of the series, since he prides himself on his unfailing logic and lack of emotion. The inner conflict between his logic driven paternal Vulcan half and his emotional maternal human half form an ongoing theme. Spock possesses two useful Vulcan abilities, the neck pinch and the mind meld. The most engaging character interaction is between the logic motivated Spock versus the highly emotional ship's physician, Dr. Leonard (Bones) McCoy, who is basically a country doctor in space, a humanitarian leery of all this newfangled gadgetry. McCoy is famous in the Trek world for his expression, 'I'm a doctor, not a ----' (many phrases have been used here).
Chief Engineer Montgomery Scott is a hot tempered Scotsman with a fondness for his native country's whiskey. Scotty constantly bemoans that he 'cannae change the laws of physics' all the while working assorted engineering miracles with the warp core and anti matter this or that. As for Communications Officer Uhura, she is most notable for her regular phrase, 'Hailing frequencies open, Sir.'
To be sure, some of the episodes have less than brilliant plots, notably Spock's Brain, though the character interactions always compensate for any inadequacies. However, some ideas were masterful, including The Enterprise Incident, The Menagerie, and City on the Edge of Forever. The series took on issues of overpopulation (The Mark of Gideon), social class disparity (The Cloud Minders, with its clever cloud city, Stratos), and racism (Let That Be Your Last Battlefield), which involves laughable hatred between two races, one black on the left side & white on the right, the other race vice versa. I personally enjoyed The Naked Time (Nurse Chappel admits her love for Spock), A Taste of Armageddon (computer war), This Side of Paradise (Spock frolics), and Is There in Truth No Beauty? (the Medusan ambassador's incredible ugliness causes madness in the hapless onlooker). However, my absolute favourite is unquestionably the absurd Amok Time, with Spock's ridiculous pon farr mating strife.
The Enterprise crew consists of a racially diverse group, with its black Communications Officer Uhura and Oriental helmsman Sulu. The ship's navigator, Chekov, is Russian...quite a revolutionary idea for that Cold War era. The cast are perfect in their roles, including William Shatner (Kirk), Leonard Nimoy (Spock), and all the others. Special tribute to the late Deforest Kelly (McCoy) and James Doohan (Scotty), who are sadly missed.
This is the series that gave us such technologies as the transporter, tricorder, and cloaking device...high tech weaponry including phasers and photon torpedoes...futuristic games like three dimensional chess...miracle drugs such as cordrazine...and gourmet delicacies like Saurian brandy & Romulan ale. Some of the gadgetry gave a sneak preview of such later real life technology as computer floppy discs.
In addition to the highly logical Vulcans, Star Trek gave us glimpses of such alien species as the honour driven Klingons and the sneaky Romulans (the Federation's two primary enemies), also the xenophobic Tholians, the reptilian Gorn, and many others. It treated us to the endearing rock like, silicon based Horta and the cute & fuzzy but all too prolific Tribbles (which caused no end of Trouble). And it acquainted us with such planets as Sarpeidon, Eminiar & Vendikar.
In the episode Metamorphosis, we were all introduced to the heroic Zephram Cochrane who invented the warp drive way back in 2063. In constant demand is the dilithium vital to the warp engine's functioning. Star Trek also acquainted us with the United Federation of Planets, Starfleet & Starfleet Academy, and the Federation's much vaunted strict rule called the Prime Directive, which is frequently mentioned but universally ignored!
Star Trek is simply an incredibly fun and entertaining science fiction series, though it was hardly appreciated back in the 1960's when it originally aired. Fortunately, it lives on today in re runs, giving Trekkies the ongoing excitement of regularly 'boldly going where no man has gone before'. Live long and prosper, everyone!
I am 58 and never was a big fan of science fiction. Had seen episodes from Star Trek decades ago, but never was a huge fan.
Well...recently have been watching reruns on a free TV channel. And I am amazed at how good and unique this show was....and is...especially for a show from the 1960s. Much credit is due to William Shatner. He's a good, versatile actor and was able to "sell" the script with a sense of seriousness and reality that it made up for the low budget sets, costumes and sometimes silly plots. He should have won an emmy for his acting.
Also, loved the vibrant simple colors used on the sets and in wardrobe. The thinly adorned sets were visually enhanced by all these primary colors.
The topics, scientific lingo and gadgets were also far beyond what most people were thinking of before this period. Look at all those cell phones they used in the series. And the flat screen TV monitors. Just way ahead of their time.
Of course, Spock and the doc were great supporting cast members. But without Kirk, William Shatner, the show probably would not have worked.
Well...recently have been watching reruns on a free TV channel. And I am amazed at how good and unique this show was....and is...especially for a show from the 1960s. Much credit is due to William Shatner. He's a good, versatile actor and was able to "sell" the script with a sense of seriousness and reality that it made up for the low budget sets, costumes and sometimes silly plots. He should have won an emmy for his acting.
Also, loved the vibrant simple colors used on the sets and in wardrobe. The thinly adorned sets were visually enhanced by all these primary colors.
The topics, scientific lingo and gadgets were also far beyond what most people were thinking of before this period. Look at all those cell phones they used in the series. And the flat screen TV monitors. Just way ahead of their time.
Of course, Spock and the doc were great supporting cast members. But without Kirk, William Shatner, the show probably would not have worked.
Stellar Photos From the "Star Trek" TV Universe
Stellar Photos From the "Star Trek" TV Universe
We've rounded up some of our favorite photos from across the "Star Trek" TV universe. Take a look at memorable moments from red carpet premieres and classic episodes.
क्या आपको पता है
- ट्रिवियाWhen NBC was promoting Star Trek in magazines, all shots of Spock's pointed eyebrows and ears were airbrushed out of the pictures because NBC thought that no one would watch the show due to Spock's resemblance to the Devil. However, this concern was quickly invalidated upon the series' airing with Spock becoming not only one of the most popular characters, but also a sex symbol with young female viewers, an audience reaction no one in the cast or crew anticipated. Spock's resemblance to the devil is subtly hinted at at the end of Catspaw (1967)(#2.7) when McCoy & Kirk say "I wonder if there are any demons on board this ship" while looking at Spock.
- गूफ़The deck locations for Kirk's Quarters, Sickbay and Transporter Room vary (usually between decks 4-7) throughout the series.
- क्रेज़ी क्रेडिटOn some episodes, the closing credits show a still that is actually from the Star Trek blooper reel. It is a close-up of stunt man Bill Blackburn who played an android in Return to Tomorrow (1968), removing his latex make up. In the reel, He is shown taking it off, while an off-screen voice says "You wanted show business, you got it!"
- इसके अलावा अन्य वर्जनIn 2006, CBS went back to the archives and created HD prints of every episode of the show. In addition to the new video transfer, they re-did all of the model shots and some matte paintings using CGI effects, and re-recorded the original theme song to clean it up. These "Enhanced" versions of the episodes aired on syndication and have been released on DVD and Blu-Ray.
- कनेक्शनEdited into बेन 10: Secrets (2006)
- साउंडट्रैकStar Trek
Music by Alexander Courage
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Star Trek: The Original Series
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें