The Forgotten

Take an ensemble cast of good B grade actors, give them a good script, a somewhat original premise, and unobtrusive directing, and you may end up with a film that over-achieves as much as "Don't Look in the Basement" did.

The film takes place in a large house which is home to several psychotic individuals. Before the plot even begins, the head of the hospital is chopped up by one of the patients with an axe. Then Rosie Holotik enters the hospital looking for the axe victim and finds that the hospital has a new head who is not at first willing to honor her agreement with the deceased Dr. Stephens. Soon, however, Dr. Masters reconsiders and Nurse Beale (Holotik) is hired. The rest of the film builds tension and successfully develops the individual psychoses of the in-mates. After a while it becomes very unclear who is a patient and who is a doctor.

In the end, Don't Look in the Basement is a cleverly plotted film which benefits from generally good acting and directing and not-overly-ambitious camera work. A must-see for B horror fans, and an interesting diversion for those interested in psycho-dramas and psychological thrillers. Be warned, however, this film is slightly more gory and sexy than the average horror film of its time.

This is a film that if you watch it today and you have seen a more than a couple of horror films, you are going to know exactly what is going on. By the title of the film and by the description on the box I figured out what was going to happen before I even saw a minute of the film, and if it is not obvious then it will be during the first five minutes of the film. There are no real surprises to be had here, suffice to say. It does play out somewhat interestingly in areas and there are a couple of pretty good kills, but it is simply too obvious what is going on and how it is going to play out. I see the original title of this one is apparently, "The Forgotten" and perhaps that would have made for a better title, because as I have said, you read the description for this on and you will probably figure out what is going on or if you do not, you will still know how it is all going to go after you watch about five minutes of it with its title of, "Don't Go Into the Basement". Still, there are a couple of surprises as I was not quite expecting the way it ended and there was even a rather funny scene involving a phone repair guy, so I would say while not a particularly good film, it is not terrible either.

The story has a house for those who are crazy in the middle of nowhere. At this facility, the doctor in charge allows the patients to roam free and employs some very questionable methods to help his patients. A nurse there has had enough as the only one she seems to like is Sam, a man who has the innocence of a child. The others are getting on her nerves and after she is threatened by one of the patients she is ready to leave! The doctor doesn't take this news well, and he takes what is coming to him next even less well as he is hit with an ax. A new nurse is soon seen coming to the place and a new doctor has taken over saying the previous one has been killed. Well the new nurse is quickly warned to leave the place by one of the patients, but she sticks with it, but things begin to unravel quickly as the patients start losing control!

Like I said, it has its moments, but just not enough for me to really say it was an okay film. Some things were cool in it, but at other times things going on were a bit perplexing, such as the new nurse being unable to find the exit to the house. The people being treated did okay for a low budget film my favorite being the super sexed up woman who simply wanted the love of a man and was stuck in a place where the guys all seemed to pass on her despite her being rather attractive. The one dude who would just scream and grab stuff was my least favorite as he just seemed to be doing a stereotypical crazy person. One thing that also surprised me was that during the course of the entire movie, no one told the nurse to no look in the basement...I was kind of expecting that within the first few moments she arrived.

"Don't Look in the Basement" is a very, very cheaply made film. Nothing about it seems very professional….yet, oddly, the film is quite entertaining. Is it really good? Nah—but very entertaining providing you are the type person who can appreciate such an odd film!

This movie is set in some sort of sanitarium for the mentally ill—the very, very, VERY mentally ill. No attempt is made to make these folks seem real and it has about the same level of insensitivity you'd find in "Birth of a Nation". I have worked in a psychiatric hospital many years ago, and it was NOTHING like this place! It's pretty obvious they did not film it in a real hospital and just looks like an old house was used. And, for the parts, the 'patients' were told to act very stereotypically insane—like you might expect folks to do on "Whose Line is it Anyway?"—subtle, it ain't! When the doctor (whose methods seem no saner than his patients) is killed by one of the patients, another doctor takes his place. Soon, a new nurse arrives—and she's shocked at how ineffective and stupid the treatment is for the patients. Eventually, more folks start dying and only then do you learn some very interesting secrets. I'd say more, but I really don't want to spoil the suspense.

This engaging film looks like if you were to remake "One Flew Over the Cuckoo's Nest" and had it rewritten by an actively psychotic individual! It's bloody, it's scary and, what I really like is that you really have no idea who, if anyone, is sane in this film! It's one of those ultra-low budget films with no-name casts that manages to work in spite of all the many strikes against it! Clever, strange and probably not for all tastes! If you like "Carnival of Souls", "Night of the Living Dead" (the original one) or "Spider Baby", then this film is for you!

DON'T LOOK IN THE BASEMENT may be an ordinary-looking exploitational grindhouse movie, but it's actually worth a look for fans of cult cinema. It's entirely cheap with a scuzzy look, but it's also actually a pretty interesting look at mental illness and it doesn't just rely on gore shocks and axe murders to make it work. It has more plot than that, including a fine ending which is something of a mini-classic.

The setting is a cheap, run-down old asylum populated by a group of distinctive characters: there's a the girl who cradles a doll and thinks of it as her child, the former judge who goes around dispensing law, alongside a handful of sympathetic characters. Soon enough a series of gore murders are taking place, and it's up to the pretty young heroine to solve the crimes before she herself becomes the next victim. Director S. F. Brownrigg gets the most out of a clearly non-existent budget, and the film becomes most impressive at the Grand Guignol-style climax, which has something of FREAKS about it.

Some can call it cheap, others can call it stupid and some may even call it pointless, but these are all adjectives once attributed to classics such as Night of the Living Dead, The Texas Chainsaw Massacre and The Last House on the Left. As the latter was also distributed by Hallmark, they obliged to reproduced the same tag line here - `To avoid fainting keep repeating: ‘It's only a movie…only a movie…only a movie'.'

Don't Look in the Basement tells the story of Charlotte Beale (heartstoppingly gorgeous Rosie Holotik and Playboy covergirl, April, 1972), a young nurse whose arrival at her new position coincides with a dramatic change within the Stephen's Sanatarium for the mentally insane. The unusual treatment here involves allowing patients to roam free around the hospital, allowing them to express their repressed inhibitions to cure their madness. The patients are a truly frightening gathering. One girl shuffles around with a doll she believes is her baby and if you offend her you'll die; A chap believes himself to be a judge, constantly preaching courtroom jargon; A nymphomaniac wanting love from anyone who lunges at all men; An ex-Vietnam vet watches over the premises, assuring nobody escapes…etc. Soon, poor Charlotte realizes that all is not as it should be and '...a sense of unease creeps over her...' Will she solve the mystery of the Sanitarium before she too is driven insane?

If you allow yourself to get with the flow of this low budget horror film, then you might even see the twist in the tail. I won't spoil it for you here