Deux hommes dans la ville

Curiously enough, the central plot of this one is quite similar to that of ONCE A THIEF (1965; also starring Alain Delon and which I watched on the very same day) – though here it's even gloomier (ultimately taking the form of a plea against capital punishment)! Incidentally, co-writer/director Giovanni had been a convict in real-life, and even wrote the novel which inspired Jacques Becker's marvelous prison-escape drama LE TROU (1960).

Anyway, Delon and Jean Gabin are well-teamed here (this was the last of three films in which they appeared together, following ANY NUMBER CAN WIN [1963] and THE SICILIAN CLAN [1969]): the latter isn't particularly exerted by his role – being, after all, among his last – but the former is unusually committed and, in fact, he also served as the film's producer! Mimsy Farmer appears as Delon's new lover following the tragic death of his wife in a road accident; Michel Bouquet is memorable as the Javert-like police inspector who won't let Delon go (a slinky but nastier version of the Van Heflin part in ONCE A THIEF); Gerard Depardieu has a brief role at the beginning as a wannabe criminal associate of Delon's.

Exceptionally realistic and brooding film in which Jean Gabin as an honorable social worker is awesome , as well as Delon playing a paroled delinquent . It is an above average flick with thoughtful events and top-drawer perforances. So Alain Delon as a cold and two-fisted ex-delinquent is top notch and Jean Gavin as a serious and clever social worker is magnificent . It deals with Gino (Alain Delon) , a previous bank robber who's released after 10 years in prison thanks to advises from a social worker called Germain Cazeneuve (Jean Gabin) . Gino's determined to go straight, gets a steady job and returns with his wife Sophie Strabliggi (Ilaria Occhini). Unaware that it is only a matter of time before he's forced to confront destiny. As soon as a stubborn , rude police inspector Goitreau (Michel Bouquet) from his past to be aware his freedom , he goes after him . Meantime, his old partners-in-crime (Victor Lanoux, Gerard Depardieu..) also begging him to pick up where they left off long time ago . Along the way , Gino is relentlessly pursued and harassed by the obstinate inspector and eventually Gino seeks vengeance .

Classic French Polar film with two greatest stars of the seventies dealing with an account of the influence and support of a social worker on a paroled ex-inmate . This is a suspense ¨Polar¨ or French Noir film in which tesion , drama , intrigue and thriller are continuous . From the beginning to the end it turns out to be interestibg , dramatic and suspenseful , including well developing of interesting characters , and that's why it is entertaining . The movie has great loads of emotion , dark-edged drama , tension and intriguing events . Exciting and thought-provoking screenplay by director Jose Giovanni himself , in fact he film was part of a campaign against death penalty (by means of guillotine , the ordinary tool used for carrying out the execution) in France that took place in the 1970's that was eventually abolished in France in 1981. Concerning a character studio about unsettling roles damned to inevitable tragedies , a powerful finale , as well as stylized set pieces heightens the suspense and tension having place in all Jose Giovanni's film-making . One of his favourite actors was Alain Delon , whom Jose directed many times . Actors' interpretation is excellent as Jean Gavin playing a warm and compassionate social worker . And Alain Delon as a serious as well as tough ex-delinquent , former safe-cracker with dark past is magnificent .This is the best of Giovanni 's thrillers with Alain Delon as the expressionless delinquent . Delon's most successful film was ¨Le Samouraï ¨, Delon has striven in vain to repeat this success in numerous subsequent movies at the same genre , similar others known actors as Lino Ventura , Jean Paul Belmondo and generally directed by Henri Verneuil , Jose Giovanni and Jacques Deray . Delon went on to appear with Gabin in several of the star's subsequent movies , often playing a gangster , including the classic ¨The Clan of Sicilians" , and going on the criminal genre with Jean Gabin in "The Big Snatch" (1963) , this work, a classic example of the genre, was distinguished not only by a soundly worked-out screenplay, but also by the careful production and the awesome performances of both Delon and Gabin. It was only in the late 1960s that the sleek and lethal Delon came to epitomize the calm, psychopathic hoodlum, staring into the camera like a cat assessing a mouse. Support cast is pretty good , such as : Mimsy Farmer, Victor Lanoux, Ilaria Occhini , Bernard Giradeau , Guido Alberti , Christine Fabréga and brief apperance of a young Gérard Depardieu. Special mention for Michael Bouquet as the malevolent , stubborn Police Inspector Goitreau .

Evocative and atmospheric cinematography by Jean-Jacques Tarbès is simply riveting . Adding enjoyable musical score by Philippe Sarde, it's sensitive and agreeable , including a feeling leitmotif . The motion picture was well produced by Pierre Caro, André Mucchielli and Alain Delon himself. Being compellingly written/directed by Jose Giovanni , making a memorable work , though sometimes results to be slow-moving . Giovanni participated in the French Resistance during World War II . Worked as a lumberjack , diver , mountain guide and coal miner . Jose wrote 20 novels, 2 memories' books , 33 scripts , and directed 15 movies and 5 TV movies . His novel, "Le Trou," ("The hole", slang for prison) , which became a classic film , was based on his own escape attempt from a Paris prison . Director Jacques Becker bought the rights of the book and directed it in 1959 , considered to be the best prison movie . That's how José Giovanni entered the cinema world . He became a well-known dialoguist , scenarist too, working many times with Jacques Becker . Then he directed his first movie in 1966 , "La Loi Des Survivants" , while he was still writing novels about gangsters , cops , prison and manly friendship . He was a purveyor of a certain kind of noir movie , creating his own company and a tiny studio . Some of his films , many are based from his own novels , include Le Rapace (1968), La Scoumoune (1972) , The gypsy (1975) , Boomerang (1976) , and Le Ruffian (1983). Giovanni directed some great French actors as Alain Delon , Jean Gabin , Jean-Paul Belmondo , and , of course , Lino Ventura .

I love Alain Delon and Jean Gabin and french cinema. So I was high on expectations when i began this film. It's good. It's a simple story, that moves organically and is well photographed and acted....it is not a typical film....and hence needs a bit of time to get into the mood of the film. But it's a stirring story and gradually you understand and get emotionally involved in the characters. And you feel Oh my God....this is dangerous, tragic. I hate comments that reveal the complete story....no...but i loved the character of the vindictive cop. A guy i hated... The end of the film reminded me of Kieslowski's A short film about killing. For those seeking entertainment, watch the Alain Delon thrillers featured in the DVD extras. This is a serious film but it's eminently watchable and has a powerful underplayed drama.

The actors are a treat to watch. I love Jean Gabin, though i must confess, i've only seen him play the old man.

He'd have been as stupendous when young. His face is a landscape of stories.

The ideal double bill would be this film, followed by Henri Vernuil's Any number can win...with the same principle cast.

Since i'm from India, I must add here that we have our own Alain Delon here....Saif Ali Khan. A handsome intense actor who is right now very happening.

Not a date movie for sure but a good film nevertheless.

I never cried watching Alain Delon's film before, but this one is an exception.

However, despite the differences between Alain Delon and Jean Gabin, their acting styles share melancholy and barely repressed violence. In Two Men in Town (1973), the final of their collaborations together, the stars share enough iconic chemistry for their scenes to reflect the intergenerational passing of a torch.

This is such a touching film. It's so sad when I see the ratings and review while this film should be more have recognition.

Good job, Alain! Also my crush.

It represents the ash after its final credits. last meet between Gabin and Delon on screen, it is a film inspiring, for an old man like me, nostalgia. because it seems a puzzle with familiar pieces. simple. but seductive. dramatic. for the nuances. a story about second chance, justice and sins. one of films for a precise target. because it is one of keys to an universe of cinema who seems, for many reasons, lost today.