La tumba de la isla maldita

Atmospheric, eerie little Spanish thriller starring Andrew Prine as a man who travels to a remote island off Turkey after his archaeologist father dies in an apparent accident after discovering an ancient tomb. Writer (Damon) and his sister (Shepard) who have also recently inhabited the island try to facilitate Prine's attempts to raise the heavy sarcophagus that covers his father's remains to affect a proper burial. But the locals are reluctant to assist, fearing that the crypt's occupant - Hannah (Gimpera) - will be resurrected to raise hell on the island.

Surprisingly effective, though it appears to be un-liked judging from other reviews, I found the English translation conversion by Ray Danton to be a genuinely scary and compelling tale beautifully shot in black & white, with a talented cast. Prine has the right pitch as the polite outsider who can't be convinced that his actions will awaken a dormant vampire, his attentions straying to the plight of Shepard, concerned for the welfare of her brother. Both the exotic Shepard and durable Damon are assured in their roles, enhancing the production and its overall quality. For her part, Gimpera as Hannah is a beguiling beauty, even if only appearing prominently toward the end of the picture and without any intelligible dialogue. Film buffs should also applaud Danton's assembly of B-movie talent - Edward Walsh and John Alderman in minor roles (Walsh has a great scene after an encounter with Hannah), while prolific Spanish actor Frank Brana has a key supporting role as the blind foreteller of doom.

The lighting and sound is exceptionally refined and the film overall is stylish; the beach and cliff-top scenery bathed in black & white is visually stunning, though admittedly some of the night scenes are obscure in the darkness. I read that Danton shot additional English-language footage which was conjoined with Julio Salvador's Spanish version; with no visible seams, it's a rare example of where footage grafts actually enhance the overall result. Builds the suspense gradually (potentially irksome for viewers with a need for constant gratification), the rousing finale is a tense encounter that elevates the pulse, while a curtain-dropping post script is a satisfying epitaph. Worth the effort.

Quite ridiculous yet somewhat engaging story about a young archaeologist, played with one dimension by Andrew Prine, coming to Vampire Island to see/investigate the death of his father. Somehow a huge crypt carrying the remains of a 700 year-old vampire woman has fallen on him and his son must convince the locals that vampires are absurd superstitions. Of course what might have been a mystery is destroyed in the opening sequence as we see who has killed the father, just leaving the not-too-hard-to-figure why out. The film doesn't have much of a budget but the bleak desolation of the island is convincing, the vampire queen is impressive(and beautiful), and some of the shots are very atmospheric. Prine is bland and Spanish horror queen Patty Shepard displays some histrionics. She looks subtle when compared to some of the so-called "quiet" locals who fear the return of the killing palindrome. Frank Brana, playing the crusty, old, sagacious blind sailor steals his scenes with no shame being not just a slice of ham but a whole butt roast! Listen to his dialog, it is so bad that it is so fun and easily for me at least the best part of this film. "She is smart...700 years smart" and other quotes about Hannah sticking her fangs into necks and the power of superstitions cascade from his lips in an almost monosyllabic manner which only accentuates his strange looks as he might be a cross between Bela Lugosi's Ygor in Son of Frankenstein and Carmen Ghia from The Producers(okay, I know it's an obscure reference). Nobody else in the film comes too close to being just plain eye-catching. Teresa Gimpera as Hannah comes close; however, for different reasons. She looks great after so long and can still turn into fog and a wolf with the best of them. Her death scene is something to behold unintentionally. While Crypt of the Living Dead is indeed a bad film, it is a very watchable one once things get going.

Crypt of the Living Dead was filmed in colour, but my copy—part of a dirt-cheap Mill Creek box-set of vampire movies—was presented in black and white (despite the packaging stating otherwise); amazingly, the lack of colour might actually work in the film's favour, lending a touch of much needed Gothic atmosphere to an otherwise rather tedious tale of vampirism in a remote island community.

The film sees archaeologist Chris Bolton (Andrew Prine) visiting the island to claim the body of his father, who was crushed to death under a stone sarcophagus while investigating an ancient burial site; when Chris attempts to lift the marble tomb, he accidentally releases 700-year-old vampire Hannah (Barbara Steele lookalike Teresa Gimpera) who begins to feed on the locals, aided in her task by a wild-man in a furry waistcoat and a member of the village who seeks immortality.

Slow moving and devoid of action for much of the time, the film will definitely prove hard going for many, but director Julio Salvador achieves just about enough effectively haunting moments to make it a worthwhile watch for vampire movie completists: the local fishermen's hostility towards Chris's arrival on the island immediately provokes an unsettling 'Wicker Man' vibe; Hannah's ability to turn into a cloud of mist or a wolf makes her all the more menacing; and the finalé manages to pick up the pace a tad (albeit a little late, perhaps) providing a few reasonable chills in the process.

4.5 out of 10, rounded up to 5 for IMDb.

"Crypt of the Living Dead" is an extremely low-budgeted Spanish production that centers on the resurrection of a malicious vampire queen after being asleep on an island for nearly 7 whole centuries. Directors Julio Salvador and Ray Danton sure as hell did their best to make Hannah (quite a modern name for an ancient vampire) look like a 700-year-old! This supposedly "evil" lady walks around her territory even slower than my grandmother would walk down a flight of stairs, and she suffers from a severe hernia! On the other hand, Hannah sure has a prettier face than my grandma and I wouldn't mind her sinking her teeth into my neck... Hannah's resurrection is the fault of a young archaeologist who opened the tomb after his own father (accidentally?) got crushed in the tomb. Initially she's still too weak to kill by herself and so she sends out her pet werewolf to do the nasty and bring back the blood of superstitious villagers. Once she has a little more strength, she endangers the island-population herself, and the sexy school teacher in particular. Hannah's walking pace sort of illustrates the entire film: slow, boring and truly annoying. "Crypt of the Living Dead" isn't at all scary or atmospheric, and this despite all the potentially great decors and locations. The events take place on an island, yet you never experience that inescapable feeling. There's no sleaze or gore (or what did you think?), the acting performances are weak and the ending is lame. Most definitely one to skip.

Cinematographer Juan Gelpi gave this otherwise mediocre production a fittingly creepy "look". He also did two other productions where he worked as DP that I remember from my youth: "That Man in Istanbul" and "They Came to Rob Las Vegas". Interestingly, they were both directed by the same man: Antonio Isasi-Isasmendi.

I remember these European productions as totally entertaining to my young sensibilities. Those movies, as myself then, were of those times so such movies have to be taken in the context of the zeitgeist then. Audiences then had no problem with "slow going" narratives or sparsely placed action sequences which, now, have to be liberally strewn all over the screen to sustain viewers' attention.