La campana del infierno

I don't't know what to make of this film at all, but it certainly had me hooked all the way to the end. The story is pretty unique, and the turns of events are all surprising and unexpected.

The central character is John, a dashing but rather unpredictable man whose behaviour is impossible to interpret for the entire running time of the film. He starts off the story by being released from a criminal asylum on probation, but it is not clear whether he is still dangerous and/or insane. I don't know if this is down to the script or just his indifferent acting. Sadly, as is the case with a lot of 70's and 80's Euro horror films, the English dubbing takes away most of the nuances of any acting performances. Anyway, he immediately revs up his motorbike and sets off for the nearest cattle slaughterhouse where he takes a job and learns the art of killing. Let me say first off that any animal lovers should switch off right now, as what follows is about 5 minutes of the most upsetting slaughterhouse footage I have ever seen. I flinched when I saw a live pig knifed in "Blue Eyes of the Broken Doll" (a Spanish horror flick from around the same era as this one), but this is far worse as we get to see live cows strung up, knifed, bled, dismembered and disembowelled. All the time, their harrowing death screams are recorded on the soundtrack. To my disbelief, the actor playing the part of John is clearly seen carrying out these tasks for real on camera. I guess this must have been par for the course in 1970's Spain, but you certainly wouldn't get any of today's Hollywood stars doing anything remotely similar! As thoroughly unpleasant as this is, it does have the desired effect of making you dread the possibilities that may lie ahead in the film.

With this nasty business is out of the way, John returns to his former home which is an ornate mansion. Soon after this he meets up with his aunt and her three daughters, and it transpires that the two sides of the family have some kind of feud over to whom the estate and its accompanying riches should legally belong to. The aunt has been paying to keep John incarcerated, and at the same time taken control of the family fortune. From here on, the rest of the story charts Juan's warped plot to terrorise and generally have his revenge on the aunt and the three girls for keeping him in the asylum, alongside their plots to try and stop his demented behaviour and claim the inheritance for themselves. It's quite hard to work out who is the innocent party in this war-zone, but it's made pretty clear that Juan is one sick individual. He plays bizarre pranks of all and sundry, often taking great pains to gross people out or otherwise terrify them. But he also saves an innocent girl from a gang of would be rapists, albeit in a scene which seems unconnected with any other events of the plot. However any sympathy the viewer has for Juan soon fades when he actually starts to carry out his designs on the rest of his family, which involve some quite fiendish ideas, culminating in the climax of the film, as Juan takes all three daughters prisoner in a private fully functioning slaughterhouse that he has created by using his experience in the real thing as training. This is the most powerful scene of the movie, and it creates a sense of dread almost on a par with parts of "The Texas Chainsaw Massacre". The slaughterhouse footage makes a brief re-appearance here and I guarantee that a lot of viewers will be watching through their fingers as the terrified girls await their gruesome fate. Be aware, though, that the film has more twists and turns to play out before the final credits roll, and it's well worth seeing through to the end.

The atmosphere throughout is superb. The locations and camera work are wonderful, and there are many unusual camera angles along with some creative editing and montage sequences. Although Renaud Verley makes a thoroughly indecipherable leading man, Viveca Lindfors is superb as the aunt, and her character is a masterpiece of understatement. I think the actress probably dubbed her own voice, and it is the only really effective vocal performance on the soundtrack. The three daughters are typical mid 70's Euro starlets, including the lovely Maribel Martin as the youngest.

I have read that the Pathfinder DVD edition misses out a scene involving John and the youngest daughter exploring grounds as well as some important lines from the aunt. The version of the movie I have seen retains this short sequence and although not vital to the plot, it is a nice sequence to watch. The DVD is also apparently framed incorrectly, and this I would find a major issue as it would undoubtedly mar the entire viewing experience. However as it is nigh on impossible to seek out the full version, which appears to only be available on the incredibly rare Duplivision pre-cert video from the 1980's, then at least the film can be seen in this better-than-nothing DVD version. It's a good enough movie to put up with a few framing issues and cuts (be assured that none of the violence or slaughterhouse footage has been cut), but a properly remastered version would be worth adding to any collection of the greats among European horror cinema. Comment

Back before cable killed late night television horror on local broadcast channels (its all infomercials now), this movie ran a few times on a Southern-California station. It has been some time since I've seen it, but this is the kind of movie that sticks with you: it has incest, mystery, a bee swarm, twisted family revenge, good-looking actors and cool cinematography in an intriguing mix of religious imagery, repressed sexuality and seventies rock'n'roll glamour. The story revolves around a young man's vengeful return home, and a parallel plot following the arrival of a new bell for the town's church tower. The result is a surreal, gothic, darkly humorous horror film - made during Franco's reign, no less! (The first time I saw an Almodover film - "Dark Habits" - I thought of "A Bell From Hell".) This film is also vaguely reminiscent of "High Plains Drifter": lone figure rides into town - this time on a motorcycle - and mayhem ensues in the reckoning. Morricone's influence might be why, at times, the gothic style seems to break wide open into heat and sunlight; think too, of Jagger, Richards, Brian Jones in Morrocco... And there's a big debt to the Hammer Studios style of horror, in that most of the terror is psychological (there is some interesting violence, but I don't remember any full-throttle gore) and the plot relies on a creepy, pervasive atmosphere of threat and sexuality to build the suspense. It would be great to see this re-released on video!

This mythical film "La Campana del Infierno" (The Bell Of Hell) is a psychological thriller more than a Spanish Fantaterror film. Brilliantly directed by Claudio Guerin , resulted to be a damned picture , specially when turned out to be his untimely swan song since he died by mysteriously fall or jumped to his death from the central bell tower constructed for the movie and being eventually completed by distinguished fellow Juan Antonio Bardem . This near-legendary Euro-Cult item deals with an insane inmate of an asylum (Renaud Verley) is released and returns home for vengeance on his aunt (Viveca Lindfors) and her three daughters (Maribel Martín, Nuria Gimeno, Christina Von Blanc) who had him declared crazy in order to take his inheritance . The young man punishes his aunt and three daughters , with bees and hooks . Who will escape the terror ? . The most shocking horror of all time is finally here ¡

Thrilling as well as elegant film that contains suspense , intrigue ,cutting-edge set pieces and some terror elements . In 1973 Guerin produced and directed this French-Spanish film titled Bell from Hell (La cloche de l'enfer in France), a horror story , highly valued in its period . Guerin in a penetrating style makes a highly appropriate and bright filmmaking , he invite us into an active participation of a cruel game in which the protagonist seeks a peculiar vendetta . A few elements well developed he manages to create a mysterious atmosphere , a mixture among magical dreamlike scene of three sisters entry through the fog, and, of course without giving up a certain amount of cruelty and eroticism ; adding a touch fantasy . Interesting , suspenseful story and screenplay well written by prolific Santiago Moncada . Atmospheric as well as evocative cinematography by Manuel Rojas , filmed on location in Noia, Padrón,Betanzos ,Coruña, Galicia, and Estudios Roma, Madrid, Spain (interiors) . Very good support cast such as Viveca Lindfors , Tito Garcia , Erasmo Pascual as a priest and the extraordinary participation of Alfredo Mayo as a lewd old man , among others. Strange as well as adequate musical score by Adolfo Waitzman .

This very hard to find motion picture was stunningly directed by Claudio Guerin , realizing a personal staging . He had previously directed shorts , documentaries and his first film titled ¨House of the Doves¨ with Carmen Sevilla and Ornella Muti . However his sad and mysterious death cut his promising career . As he died in an accident during the filming of his second movie . In Noya church had built a second bell tower attached to a passage of real wood . Preparing a complicated plan, Guerin wanted to jump from the catwalk to a cantilever of the church, but lost his balance and fell into the void from twenty meters high ; died before reaching the hospital . Distinguished director Juan Antonio Bardem completed filming the last sequence about 7 minutes .

I saw this movie when I was about 10 years old on an episode of Shock Theater that aired in Georgia. That would have been in the late 70's. I was at an all-girl slumber party, and the last one awake when it came on TV. Talk about a creepy mix of midnight horror at the age of pre-teen sexual awakening. This movie has stuck with me all these years, and has to be one of the more oddly erotic horror movies that I've encountered. I remember John's bedroom being painted red and having a very erotic, yet unhinged feel to it. And the parts with the girls tied up; I was mesmerized. Maybe it just touched the deranged part of myself. ;o)

This fascinating and completely off-the-wall horror/art film is full of memorable imagery and surprising shocks. It's about a man who is released from a mental hospital into the care of his aunt and her daughters. They want to drive him mad again to inherit his vast estate, but he turns the tables on them in a series of surreal and sometimes disturbing "tricks". One of the best scenes takes place in a dungeon. The film is original and you never know where it's going. Worth seeking out.