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Badlands

  • 1973
  • U
  • 1 घं 34 मि
IMDb रेटिंग
7.7/10
82 हज़ार
आपकी रेटिंग
लोकप्रियता
3,361
108
Badlands (1973)
An impressionable teenage girl from a dead-end town, and her older greaser boyfriend, embark on a killing spree in the South Dakota Badlands.
trailer प्ले करें2:56
4 वीडियो
95 फ़ोटो
True CrimeActionCrimeDrama

एक मृत अंत शहर से एक प्रभावशाली किशोर लड़की, और उसके पुराने ग्रीजर प्रेमी, दक्षिण डकोटा बैडलैंड्स में एक हत्या की होड़ शुरू करते हैं।एक मृत अंत शहर से एक प्रभावशाली किशोर लड़की, और उसके पुराने ग्रीजर प्रेमी, दक्षिण डकोटा बैडलैंड्स में एक हत्या की होड़ शुरू करते हैं।एक मृत अंत शहर से एक प्रभावशाली किशोर लड़की, और उसके पुराने ग्रीजर प्रेमी, दक्षिण डकोटा बैडलैंड्स में एक हत्या की होड़ शुरू करते हैं।

  • निर्देशक
    • Terrence Malick
  • लेखक
    • Terrence Malick
  • स्टार
    • Martin Sheen
    • Sissy Spacek
    • Warren Oates
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.7/10
    82 हज़ार
    आपकी रेटिंग
    लोकप्रियता
    3,361
    108
    • निर्देशक
      • Terrence Malick
    • लेखक
      • Terrence Malick
    • स्टार
      • Martin Sheen
      • Sissy Spacek
      • Warren Oates
    • 292यूज़र समीक्षाएं
    • 102आलोचक समीक्षाएं
    • 94मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 1 BAFTA अवार्ड के लिए नामांकित
      • 4 जीत और कुल 1 नामांकन

    वीडियो4

    Trailer
    Trailer 2:56
    Trailer
    Badlands: The Criterion Collection
    Trailer 1:37
    Badlands: The Criterion Collection
    Badlands: The Criterion Collection
    Trailer 1:37
    Badlands: The Criterion Collection
    A Guide to the Films of Terrence Malick
    Clip 2:31
    A Guide to the Films of Terrence Malick
    'Badlands' Anniversary Mashup
    Clip 1:47
    'Badlands' Anniversary Mashup

    फ़ोटो95

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
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    + 89
    पोस्टर देखें

    टॉप कलाकार18

    बदलाव करें
    Martin Sheen
    Martin Sheen
    • Kit
    Sissy Spacek
    Sissy Spacek
    • Holly
    Warren Oates
    Warren Oates
    • Father
    Ramon Bieri
    Ramon Bieri
    • Cato
    Alan Vint
    Alan Vint
    • Deputy
    Gary Littlejohn
    • Sheriff
    John Carter
    John Carter
    • Rich Man
    Bryan Montgomery
    • Boy
    Gail Threlkeld
    • Girl
    Charles Fitzpatrick
    • Clerk
    Howard Ragsdale
    • Boss
    John Womack Jr.
    • Trooper
    Dona Baldwin
    • Maid
    Ben Bravo
    • Gas Attendant
    Emilio Estevez
    Emilio Estevez
    • Boy Under Lamppost
    • (बिना क्रेडिट के)
    Li Po Lung
    • Chinese Kid
    • (बिना क्रेडिट के)
    Terrence Malick
    Terrence Malick
    • Caller at Rich Man's House
    • (बिना क्रेडिट के)
    Charlie Sheen
    Charlie Sheen
    • Boy Under Lamppost
    • (बिना क्रेडिट के)
    • निर्देशक
      • Terrence Malick
    • लेखक
      • Terrence Malick
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं292

    7.781.8K
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    फ़ीचर्ड समीक्षाएं

    10Balthazar-5

    The voice of innocence whispers in our ears...

    Is it really possible that this luminous masterpiece is a first feature film? It is as though Mozart had started his career in composition with one of his mature symphonies. What is totally special about 'Badlands' is the visual control that Terrence Malick applies to the story, and his use of fabulous music to embed his amazing images in our mind. The 'Bonnie & Clyde'-ish story could have been turgid, but Malick turns it into a mythic journey.

    At the heart of Malick's method is the fabulous interior monologue by Holly explaining and ironically commenting on the story. "Kit made me take my schoolbooks so I wouldn't fall behind with my studies...". This has been characteristic of each of Malick's films - Linda in 'Days of Heaven' and Witt in 'The Thin Red Line' have somewhat similar monologues - and 'New World' is monumentalised by the haunting monologue/montage with which it ends. Here it totally sucks the viewer into the story and makes the montages that it accompanies into, just about, the high-point of seventies cinema.

    Alongside this, Malick uses some of the most haunting music in existence. Whether it is Carl Orff or Nat King Cole, Malick transports us with fabulous romantic imagery that perfectly balances it.

    I started on this comment determined not to use the word 'poetry', but I just can't avoid it. With nearly all filmmakers, including very great ones, the style that they present is very much prose - great prose, perhaps, but firmly rooted on the ground. With Malick, we are taken, emotionally, to the stars by the lyric magnificence of the totality of his vision.

    It is said that Welles learned cinema by watching John Ford's 'Stagecoach' before embarking on 'Citizen Kane'. Every young filmmaker should watch this amazing masterpiece again and again and again and inform their work with Malick's matchless sense of true cinema.
    9alexander-978-692186

    "If I could sing a song about the way I feel right now... it'd be a hit."

    Badlands is a dark 1970s existential road oddity through the Badlands of the midwest with fugitive Kit and his 15 crush Holly. The story, which is set in the 1950s, seems to exist in a fairytale, and this element is one of the reasons I love this film. The film is mostly spoken through the internal monologue of Holly, delivering the film as a tale or fable. She encounters a war veteran who collects garbage, a man with images of grandeur, who has nothing to live for and nothing to lose. When the two social misfits hit it off, her protective father disapproves and kills her dog, bags it and dumps it into the river as punishment; a rather drastic measure. It does go some way to explain why Holly, who we must remember is 15, seems to be benevolent to the actions of Kit when he starts to murder people who pose a threat to Holly and their survival. Both father and lover seem to resort to vicious, violent acts to protect her. He naivete does not survive the whole film though, as she tires of their time on the road, she dreams of the man she will marry, what he looks like, and where he might be right now.

    While it is important to note that the film was inspired by the real-life serial killer Charles Starkweather and his lover-or captive-Caril Fugate', one should not assume the script is a retelling of their story. Malick does not reference them in the movie, and it must be said Charles Starkweather's story was more horrific in every detail. Badlands is more a coming of age story for Holly, a fall from grace for Kit, and the fairytale they lived in the moments in between.

    I must admit that I adore the dialogue from this film, the subtle interactions, often littered with dark humour, and an air of altruism fill the film with a poetry that is complemented by the exquisite imagery of the Badlands, nature and the most incredible shot of Martin Sheen holding his rifle over this shoulder as the sun sets. The soundtrack further accents the mood of the film, bringing the entire atmosphere to one that envelopes you.
    9Lechuguilla

    Desperados Detached

    In January, 1958, nineteen-year-old Charles Starkweather and fourteen-year-old Caril Ann Fugate went on a murder spree in Nebraska and Wyoming. Eleven innocent people died. Most, though not all, of the killings were random. Starkweather and Fugate's story "inspired" several films, including this one.

    In "Badlands", the pair's names were changed to Kit Carruthers (Martin Sheen) and Holly Sargis (Sissy Spacek), and their ages were altered slightly. From what I have read, Starkweather and Fugate were emotionally detached and casual about the killings, especially Charles, once the initial murders had occurred. Both Sheen and Spacek do a good job of mimicking this nonchalant attitude. At various points throughout the film, Holly narrates the story in an emotionless, monotone voice. It's like she's reading a diary of what happened as we, the viewers, watch movie footage of the events.

    The film's title is appropriate, given that the characters' inner lives must surely have been wastelands, and given that the film's plot takes place mostly outdoors, on the lonesome High Plains, with its brooding and "stark" landscape.

    The film's color cinematography conveys a mood of desolation, especially in those scenes that contain little more than the horizon, expansive blue sky, treeless plains, and a couple of lonely desperados. At one point, the color morphs into sepia-tinted images of small town America, as the whole country, in fear, takes up arms against the fugitives, a photographic change that renders an almost documentary tone to the film.

    From time to time, classical background music accompanies the senseless violence, a cinematic contrast so "stark" as to make the film surreal. And, of course, the sequence toward the end where Kit and Holly, with car radio on, dance in the headlights as Nat King Cole sings "A Blossom Fell", is truly mournful and haunting.

    "Badlands" is incredibly understated and low-key, as detached as the characters portrayed. Director Terrence Malick conveys a simple, uninvolved story, packaged in a film that makes no effort to communicate either symbolism or thematic depth. Nor does the film render judgments about the characters or events. It's an approach that probably wouldn't work today. But it is effective, and through the years the film has gradually become more respected as an excellent character study of 1950's teen rebels without a cause.
    7osdenflux

    A very beautiful film; does it have any other purpose?

    It has been said that Badlands was in part a reaction to the romanticising of deviance and criminality in films such as Bonnie and Clyde. In that film the protagonists were played by two fabulous-looking, charismatic (not to mention talented) actors. I came away feeling that Bonnie Parker and Clyde Barrow would have been great fun to hang around with--dangerous, sexy fun.

    Badlands is not like that. Sure, no-one would really want to be like or spend time with Kit Carruthers (based directly on fifties killer Charles Starkweather). But I was troubled by several aspects of this stunningly put together film. Essentially, it is fine craftsmanship created around a very difficult subject with little exploration of the characters, their motivations or the consequences of their actions. What remains for the viewer but a kind of detached voyeurism?

    Cruel and cowardly, Charlie Starkweather was full of self-loathing, believed himself a failure and felt his life was doomed to misery. Murder is a simple act that even the sub-intelligent can commit, but it has staggering consequences. Having killed, Starkweather changed; in a way he grew. He felt himself to have achieved something. It completed the sad story that was his life.

    Kit Carruthers, on the other hand, slouches, mumbles and poses throughout Badlands. We know almost nothing of his past. Of course, the narrative follows Holly's point of view, but since she appears to be in a dream and virtually clueless throughout the whole affair, how useful is this narrative method? At the end Kit is pretty much his same inscrutable self as at the beginning, except now he is famous. He's kinda cool and he knows it. When he kills it's as if he has met some unpleasant but important obligation that only he is qualified for. The murders themselves are sterilised, just a bang and the victim quietly lies down. The sets and locations are picturesque, the actors are picturesque, the murders are picturesque...

    The 1957 film In Cold Blood is a gripping example of what can be achieved when something of the nature of spree/serial killers is explored, when the consequences of their actions is stark and real, and when the people inside them are glimpsed. (And there are people inside, badly damaged and loathsome, but fascinating.)
    thomandybish

    cool, disinterested study of amoral pair

    BADLANDS is an intelligent little film. We're given characters and situations and left to make our own conclusions. Based on an actual young couple who went on a killing spree across the southwest in the late 1950s, the story has two young people doing their own thing with precious little in the way of ethics to guide them. It's interesting to note that both these kids substitute their own fantasies for any sense of order or responsibility that society may have to offer. The turning point comes when Kit and Holly decide to shuck their semblances of normal life for whatever their fantasies provide which, unfortunately, can't sustain them. Sheen's Kit is full of swagger and bravado; it's almost easy for someone to see him committing robberies and serial murders. Spacek's Holly is more intriguing: a soft, vanilla, invisible girl from a respectable, emotionally detached home, she seemingly possesses little in the way of what one would associate with a violent criminal. Yet, she accompanies Kit, with nothing in the way of reservations or regret. The chance to fulfill her vapid, movie magazine fantasies, if only by hiding out in the woods and applying makeup, seem infinitely more palatable than her dull existence twirling batons in her yard(it's interesting to note that one of the few things she takes away from her home is a highly romanticized, Maxfield Parrish print). These misguided illusions, along with her adolescent love for Kit, keep her going to the end. A worthwhile exploration of the bland, vacant American sensibility that values appearances or passive, benign behavior over real ethics and personal morality. And definitely more relevant as the years have passed.

    इस तरह के और

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    9.9
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    8.4
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    9.7
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    7.4
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    8.0
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    6.8
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    7.3
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    7.1
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    The New World
    6.7
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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The actor originally cast as the architect who rings at the rich man's door did not show up, so Terrence Malick played the part himself. Malick later wanted to re-shoot the scene with another actor, but Martin Sheen refused to re-do the sequence with anyone else.
    • गूफ़
      The passenger train that passes Kit and Holly on the trestle is pulling Amtrak cars. Amtrak was not established until 1971, and this film takes place in 1959.
    • भाव

      Holly Sargis: One day, while taking a look at some vistas in Dad's stereopticon, it hit me that I was just this little girl, born in Texas, whose father was a sign painter, who only had just so many years to live. It sent a chill down my spine and I thought where would I be this very moment, if Kit had never met me? Or killed anybody... this very moment... if my mom had never met my dad... if she had never died. And what's the man I'll marry gonna look like? What's he doing right this minute? Is he thinking about me now, by some coincidence, even though he doesn't know me? Does it show on his face? For days afterwards I lived in dread. Sometimes I wished I could fall asleep and be taken off to some magical land, and this never happened.

    • कनेक्शन
      Edited into Gone with the Wind: The Remarkable Rise and Tragic Fall of Lynyrd Skynyrd (2015)
    • साउंडट्रैक
      Musica Poetica
      Written byCarl Orff and Gunild Keetman

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल24

    • How long is Badlands?Alexa द्वारा संचालित
    • What is "Badlands" about?
    • Is "Badlands" based on a book?
    • Did the couple who were forced into the bunker die?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 5 जनवरी 1974 (ब्राज़ील)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषाएं
      • अंग्रेज़ी
      • स्पेनिश
    • इस रूप में भी जाना जाता है
      • Mundos bajos
    • फ़िल्माने की जगहें
      • Rocky Ford, कालोराडो, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनियां
      • Pressman-Williams
      • Badlands Company
      • Warner Bros.
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $4,50,000(अनुमानित)
    • दुनिया भर में सकल
      • $54,396
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 34 मिनट
    • रंग
      • Color
    • पक्ष अनुपात
      • 1.85 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Badlands (1973)
    टॉप गैप
    What is the streaming release date of Badlands (1973) in Canada?
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