Baba Yaga

Apparently inspired by a comic book, "Baba Yaga" is an unusually compelling, surreal nightmare of movie that also is vibrant with the essence of the late 1960s. The story follows pretty young fashion photographer Valentina (Isabelle De Funes) who runs afoul of seductive sorceress Baba Yaga (Carroll Baker) who proceeds to meddle in her life via a tiny doll in an S&M getup. Baba is not one to take rejection lightly, and subjects Valentina to physical and psychological torments. Well-made, hard-to-pigeonhole film, director Corrado Farina succeeds in creating moody atmosphere and a warped logic in which anything can and will happen. Funes in particular does a superb job of convincing the audience of the vacuum that's engulfing her; a young George Eastman ("Anthropophagous") fares well in the role of her disbelieving commercial-director boyfriend. The direction, which intercuts comic-book imagery with hallucinogenic dream sequences (which all seem to possess a Nazi angle), is skillful and unpretentious.

I saw it last night for the first time and thought it was spectacular! Filled with style and inventive camera work that could leave Argento in shame, the movie had a bizarre, interesting story. The pace was slow and lethargic (similar to Franco's Succubus and Vampyros Lesbos); the music was excellent, including a melancholic jazz tune and a stylish rock score; and the acting was above average: Carroll Baker, as opposite of what many reviewers said, shines in the role of the evil witch (and looks very attractive also), and Isabelle de Funes was a nice revelation. Cult favorite George Eastman is also good in is supporting role. For the sleazy guys, there was also some mild S&M and some T&A, but nothing worth mention . Too bad the director only made this film, as he looked very talented. A 8/10 from me.

If you answered "Yes" you should not bother seeing this movie. However, if you can view a haunted house dark ride style movie as a satisfying cinematic viewing experience, then strap yourself in and enjoy the view as creepy weird unexplained visions flash in front of you. Pouty-lipped Valentina is smack-dab in the middle of the art house European revolution crowd of the time - photographing nude woman by day and walking the lonely city streets at night alone, which is how she meets up with "Baba Yaga" a mysterious woman who dresses in black (played by the always lovely Carroll Baker). She instantly weaves a spell over Valentina haunting her thoughts, her dreams and her camera. She also does a pretty decent job of weaving her magic spell over the viewer. "Baba Yaga" takes Gothic Horror, stylish pop art, comic books and bondage sex, whirls them in a blender and spews the concoction forth. Although very often defined as a "Giallo" film this certainly belongs more to the "Art Horror" genre. Those who are fans of the trippy stylish body-baring Giallo/Horror output from Italy circa 1970 should put "Baba Yaga" on their "must-watch" list.

Guido Crepax erotic comic 'Valentina' was the basis for this movie. The comics themselves were not very plot-driven so the screenplay here was more inspired by them rather than being a straight adaption. Perhaps because of this, plot is not a strong point in this one. A fashion photographer called Valentina encounters a mysterious witch called Baba Yaga. The latter puts a hex on Valentina's camera meaning that anyone she photographs experiences some trauma. It's a fairly basic narrative but it has been used as a framework here for all manner of stylish madness.

Isabelle De Funès plays Valentina and she looks suitably chic in the part, regular Italian genre actress Carroll Baker is the enigmatic Baba Yaga, while George Eastman gets to appear in a role that unusually does not call for him to be a psychopath but instead is a romantic lead of sorts who works as a director of commercials (his effort for a soap powder advert really has to be seen to be believed!). The director here is Corrado Farina who had previously helmed another strange art-horror film called They Have Changed Their Faces (1971). While both films are in the horror bracket, it would be fair to say that their arty leanings are at least as strong as any horror angle. Baba Yaga is very dreamlike in tone with a deliberate pace. It is highly stylish in its visual approach with its sensibilities being divided between pop art and surrealism. Of the latter there are several dream sequences involving Nazis. Odd moments happen in the dead of night such as Valentina discovering a puppy lying within a circle of candles. There are strange items such as an S&M doll which has the power to transform into a woman. So, there is a great deal of oddness to this one, resulting in a film with a strange tone. Farina executes this kind of stuff with a bold visual style which is the movie's main strength. Particularly nice were the sequences in which the action suddenly becomes visually formatted like one of the fumetti comics from which it was inspired. Piero Umiliani provides a pretty varied musical score which splits itself into three styles - upbeat easy-pop for the fashion shoot scenes, slower orchestral stuff for scenes involving Baba Yaga and jazzy compositions to accompany the more surreal episodes.

On the whole, this is quite a strange movie which will not have widespread appeal. It's quite restrained as a horror movie and is not visceral in any way. While it does have some erotic elements, they aren't very exploitative. This is very much an art-house/horror hybrid in a lot of ways. It's not necessarily entirely successful in execution but it definitely does a lot of things very well and has some admirable ambition. It's one that is mainly aimed at those who have an affinity with style-heavy early 70's Italian movies. A very intriguing oddity that's for sure.

During the late '60s and early '70s, Carroll Baker expatriated from the United States and made some horror flicks in Italy. Among these giallo movies was "Baba Yaga". It portrays a fashion photographer (Isabelle De Funes) getting involved with an otherworldly older woman (Baker). The title identifies who she is, but people unfamiliar with Slavic mythology may not know who that is. Baba Yaga is a witch in Slavic, especially Russian, folklore. Depending on which story, she can be good or evil, but they usually portray her living in a house standing on chicken legs. We in the west usually mispronounce the second part of her name: we say YAH-gah, but it's actually yah-GAH.

But let's not get off topic. I liked this movie. It was sort of half horror, half look at the mod culture in early 1970s Italy (although it seems like all the giallo movies back then showed it). And of course, there's plenty of eroticism to go around; as far as I'm concerned, Carroll Baker embodies (pun intended) eroticism. Quite cool.

Also starring George Eastman.