El asesino está entre los trece

This Spanish giallo from the mid-1970s still harbors many of the delights of early 70s such as fantastic goldenrod curtains and elaborate, ornate dining rooms filled with antiques but every version I have seen on streaming has the worst subtitles, they move so quickly it's distracting - this may be a flaw in the writing of an international thriller to make it so terribly wordy, but come on I think we can do better than this. And I am a fast reader.

Like its predecessor, The Killer is One of Thirteen is filled with so many twists and red herrings that it's impossible to even guess who the killer is, in true Christie fashion. However, the grand finale is a huge punch line in and of itself.

'The Killer is One of 13' is a competent yet effective Spanish giallo flick directed by Javier Aguirre with an interesting plot in a similar vein to Agatha Christie that weaves an intriguing murder-mystery element with some nice camerawork and solid visuals. But apart from these positives the movie's pacing is perhaps a little too restrained which should allow the story to build, but it never does and instead we get something that lacks tension or thrills without much pay-off.

The plot follows a widow Lisa Mandel (Patty Shephard) who invites 13 guests to stay at her rural mansion out in the country. She soon reveals to them that she suspects one of them of murdering her late husband and soon enough they are also getting killed off one by one.

While I'm not opposed to a slow-burn mystery, this flick fails to be engaging and not a lot happens until over the hour mark and then we just get a rather forgettable climax with predictable reveals and barely developed characters, I barely remembered any of them by the time the movie was over. Overall there's just not much more to say about this rather boring flick, instead that there's far better giallo's out there with a similar premise such as 'Nine Guests for a Crime' & 'The Killer Reserved Nine Seats'.

Skip this one you're not missing much.

I recently watched the Spanish giallo film The Killer is One of Thirteen (1973) on Tubi. The story revolves around a widow whose husband recently died in what's believed to be an accident. She invites 13 guests to her home and informs them that she knows one of them is the killer. Shortly after their arrival, they begin dying one by one. Was the widow right, and one of the guests is the killer, or could the widow be the killer herself?

Directed by Javier Aguirre (Count Dracula's Great Love) and starring Patty Shepard (Rest in Pieces), Simón Andreu (Die Another Day), Trini Alonso (Do It with the Pamango) and José María Prada (The Hunt).

The storyline and setup for this movie reminded me of the film "Clue" and contain the classic "whodunit" elements that were popular during this era. The movie has a slow build-up as it initially establishes the circumstances and characters, but once it gets going, it really gets going. It includes classic giallo first-person shots where you see the scene through the eyes of the killer. The killer also uses a different weapon for each kill scene. There are worthwhile strangulation and stab scenes that are particularly well done. The background music used to announce the killers had me cracking up throughout the film. The killer reveal at the end is worth the wait.

In conclusion, The Killer is One of Thirteen is another worthwhile addition to the giallo genre from Spain. I would score this a 6.5-7/10 and recommend seeing it once.

Just great couldn't have enjoyed this more perfect movie!

A recently widowed woman invites thirteen people to her secluded mansion. At dinner, she reveals that she suspects one of them murdered her husband and she intends to find out who. Before long, in grand giallo tradition, a black leather gloved assassin starts picking people off.

This film is part of the sub-bracket of films known as the Spanish giallo. Unfortunately, this one also emphasises a Agatha Christie style whodunit element over giallo mayhem. The result is a movie where there is simply too much talk and not enough action. There is a seemingly endless conversation at the dinner table where the hostess points out the underhand nature of various characters. Its hard keeping up with all of this and you do sort of wonder, even when its happening, if its honestly going to be worth the bother, as its pretty obvious that most of the guests are too obviously shady to actually be the murderer in a film like this. Pleasingly, things do definitely perk up a bit latterly when the murderer pitches up and starts knocking off a few cast members, although it is a little late in the day when this happens. Because two thirds of the runtime is chat-heavy, it does mean the pacing is pretty poor overall. The cast is half decent, with regulars from Spanish genre flicks Jack Taylor and Paul Naschy appearing in small roles and giallo regular Simón Andreu once again appearing as a smarmy playboy character. So, there are some things to enjoy in this one but its really only going to appeal to fans of the genre who are looking for obscure deep cut examples of the giallo.