Z.P.G.

It has been years since I've seen this film and I remember enjoying the premise very much.

Like "LOGAN'S RUN", it takes a similar "What If?" scenario, and places it in a bleak, controlled society. While the film itself may not be great, the concept does prove interesting and qualifies as good science fiction.

In my opinion, Oliver Reed is always worth watching. Along with Geraldine Chaplin and the great (and often underrated) Don Gordon, Reed delivers a solid performance, giving the film it's real thrust rather than placing it in the usual special effects laden territory.

In closing, "THE BLOB" is a great film. And, anyone who may think otherwise can join a previous reviewer and soak their head.

Thank you. -NM.

ZPG played recently on the Science Fiction channel, and I found it dull. Only the fourth PLANET OF THE APES film, and THE OMEGA MAN, could compare to this lame mid-70's sci-fi (except for maybe LOGAN'S RUN). Yes, I dare to say it, all those films were pretty lame, but ZPG is the leader of the pack.

Oliver Reed is living in a society where the government controls everything, especially reproduction. He and his woman have a child, and they have to conceil it. Well, that's the plot, and it goes on and on like that. I could've cared less, honestly, because the film lacks dramatic thrust. Perhaps I didn't allow myself to become as emotionally attached to this film as some people may, but I found it thought-provoking only in the sense that I was think,'When is this going to end?'

Don't get me wrong, I respect the sentiment behind the story. And the movie is professionally mounted, the costumes and sets are wonderfully drab. But, somehow I just couldn't get into the spirit of this cynical view of what our future holds. BLADE RUNNER it isn't.

But, ZPG is not bad exactly. It is just exceptionally mediocre.

I love dark sci-fi films--particularly those that portray a dystopic future (where society is horrid and NOT the nice Star Trek sort of world). "1984", "Soylent Green" and "Brave New World" are just a few dystopias that I adored--so I really, really was hoping I'd love "ZPG". However, sadly, the great story idea was completely undone by horrid directing...and I mean horrid.

The film is set sometime in the future--and apparently in the near future. Disease has been virtually eliminated and the resulting population boom has made the planet unsustainable. Most animal life has been destroyed and the air is semi-toxic. And so, to try to stop the rapid decline of the planet and feed everyone, the governments of the Earth implement a new program--making having children illegal for the next 40 years. And, a young couple (Geraldine Chaplin and Oliver Reed) are determined to somehow have a baby and not face immediate execution. I loved this story idea--and it really was strongly reminiscent of "Soylent Green" (a great film).

So why if I loved the plot idea did I give the film only a paltry 5? Well, the director did a particularly lousy job. The film completely lacked life and emotion--and it felt as if almost everyone was half asleep during the film. You'd think there's be LOTS of emotions concerning this birth edict...but Chaplin and the rest muddle through the film in a somnambulistic state. It could have easily been renamed "ZPG--Zero Plot Growth"! And this completely sterile and muted look of the film can only be blamed on the director--especially since the film had some very talented actors (in addition to the leads, Don Gordon was quite capable). I would really love to see this film remade--as the film should have been a clear winner.

Whenever I go shopping with my baby son, I hear o's and r's quite a lot. I even have people coming up and talking to me because of my baby son. I can see why. Babies are cute, adorable and most importantly, a symbol of hope. In the future world of zpg (Zero Population Growth), they have become objects of fear.

The world is overpopulated, polluted and on the verge of a collapse from centuries of environmental abuse. The governments of the world have had to make the painful decision to ban birth for 30 years in an attempt to save the human race from extinction. Food is synthetic, and so are the robotic children. It is one fake, sterile place to live in.

The government uses all kinds of methods to quash the yearning for children with the death penalty being the ultimate deterrent. Despite this, many still decide to have children. One such couple are the Mcneils (Geraldine Chaplin and the late and great Oliver Reed). But their friends, the Bordens find out and want the baby for themselves and threaten to grass on the Mcneils if they don't let them have their baby. The Mcniels have to find a way out before time runs out.

This film very much reflects the hopes and fears of the era it was made (including the flares on the protective suit the populace have to wear outdoors). The environmental movement was in full swing with the fears that human race was destroying the planet. Zpg showed a disturbing outcome to way that the environment is treated and like in other films like 'Soylent Green' shows the affect on the quality of life. In zpg, technology had made life 'confortable'? But the populace was constantly starving because of eating only synthetic food. This very much reflected the belief that more and more things would become 'fake'. It was during this era that plastic furniture came into the home. There was also nylon clothing and the first 'ready meals' and of course, the 'Pot Noodle'.

The technology of this world offered so many distractions including the horrible robot children, but could not hide the yearning that people wanted things to be real. Including children.

The government of this world pretty much like in 1984 has a grip on the peoples minds from interfering on almost every part of daily life. Okay, there might not be a camera in every home, but one such example is an official government video that was playing while the McNiels were 'getting it on'. Such is the control that the government have, one such scene shows a baying mob surrounding a couple with their baby. The police turn up to arrest and execute the family. A women brags about spotting the baby and alerting the police. Proud of killing a baby. The awful thing is that this actually happens in China. The Mirror newspaper printed a picture of a dead newborn baby in a gutter in a street in China, with people just walking by like it was just a bit of trash. The one child, 1 family policy has caused many newborn girls to be murdered because a lot of couples want boys.

This is a good if sometimes disturbing film that should be viewed on the one chance it is shown on TV.

In the future, overpopulation has become such an issue that those in authority take some pretty drastic steps. Any couple that refuses to get with the program and stop having kids will be punished with public execution. Instead, people have to make do with dolls that prove to be highly inadequate replacement for flesh & blood children. Russ and Carol McNeil (Oliver Reed and Geraldine Chaplin) decide to defy the law and do their best to raise a child in secret. Of course, it's only a matter of time before they're found out. Their neighbours & friends the Bordens (Don Gordon and Diane Cilento) learn their secret and their desire to be a part of this childs' life only serves to permanently scar the friendship.

While obviously done on a low budget, this is dealt with fairly successfully by having the outside world in this future be overcome by smog, forcing people to often wear masks. This gives this modest, reasonably entertaining production a certain degree of atmosphere. However, the film is never quite as involving as one would like. It's a little too slow and a little too static. It does succeed at being somewhat disturbing at times: first, whenever the authorities bring around their special killing domes, and second, when Russ goes to the library to learn what he can about premature birth, raising the suspicions of those in charge and leading to his being tortured.

Filmed on location in Denmark, "Z.P.G." gets by mostly on the performances of its four principal actors. Reed is commanding with his typical whispery delivery, and Chaplin is endearing as the young woman wanting a human child more than anything. The lovely Cilento and the under-rated Gordon are equally fine as the envious friends.

There is a sombre quality to the whole thing yet by the conclusion it does create a sense of hope and peace. With a bit more style and energy, this really could have been something special. As it is, it's good, if not great, and it does have a place among genre films of the time that dealt with the idea of dystopian futures.

Six out of 10.