The Wrath of God

What a splendid mix this film has. It uses Robert Mitchum in some ways better than any of his later vehicles ever attempted to. He plays "Father" Van Horne who on the surface is a Catholic missionary but in actuality is an accomplished bank robber cutting a swath through Central America with a prayer book in one hand and a Thompson machine gun in the other. He encounters Victor Buono as an English gun runner named Jenning and Ken Hutchinson as an IRA assassin named Emmett Keogh. Together the 3 men comprise Col Santilla Unholy Trinity charged with the liquidation of his nemesis, one Tomas De Laplata(Frank Langella) who has a murderous antipathy toward any and all clergy. With a setup like this you go along for the ride. Believe me you won't be bored.

To some extent Ralph Nelson's "The Wrath of God" spoofs westerns, but like Nelson's "Lilies of the Field," under the comedy is, I think, a deeply felt belief in divine grace. Both movies focus on unlikely human materials having a vocation they fail to recognize and consciously resist. Herein, Robert Mitchum plays a con man masquerading as a priest and a Catholic martyr in the tradition of Thomas à Becket or Thomas More mistaken by many as a hedonist.

In her last screen performance Rita Hayworth has preternaturally red hair (fire-engine red, not a color of any natural human hair), few lines, and is required to look devout (which she manages to do). As her flamboyantly traumatized and traumatizing son, Frank Langella gets to chew up the scenery, which he does with great relish (before "Dracula," after his memorable film debut in "Diary of a Mad Housewife" and Mel Brooks's adaptation of "The Twelve Chairs"). Ken Hutchinson does fine as the token normal guy who is embroiled in others' plots, including the romantic subplot that involves him with a mute Indian maiden (Paula Pritchett). In a Sidney Greenstreet-kind of role as a corpulent and corrupt gun-runner Victor Buono is suitably droll. Still, it is Mitchum's movie, and he is as compelling when he takes his priestly role seriously as when he plays the usual disengaged but competent existentialist who expects nothin' from nobody. <bt><br> A motley gang of foreign mercenaries getting involved in the confusions of the long-running Mexican revolution and taking a side against their financial interest recurred in a number of late-1960s and early-70s movies, including "The Wild Bunch", "The Professionals", and "A Fistful of Dynamite." The latter two use considerable humor within the genre of expatriates taking sides (which in Mexican settings of different eras includes "Vera Cruz", "Old Gringo", and "Bring Me the Head, of Alfredo García").

It's been my experience that many times,reviewers of this strange gem have been puzzled or turned off by the strange plot and readings that the players have provided.This is NOT just a standard western,with rebels trying to overthrow a tyrant.This is a parody of every flm cliche of that particular vintage.Mitchum is doing a burlesque of Bogart or any other reluctant hero fighting a tyrany.Langella is doing Jay Robinson's psychotic Caligula from "The Robe"or"demetrius and the Gladiators".Hayworth is every suffering mother,Colicos is every sly villain,and buono is having the time of his life and career as a virtuoso impersonator of Sydney Greenstreet.Get this film,make lots of popcorn,plenty of beverages,and enjoy.

This is a Zapata western set early XX century on the overlong Mexican civil when happened the confrontation executed by Pancho Villa and Emiliano Zapata against Porfirio Diaz , and , later on , against Carránza and Obregón . A misfit group formed by a bandit priest (Robert Mitchum) , an IRA Irish young man (Ken Hutchinson) and a gunrunner (Victor Buono) , all of them are hired by a Mexican colonel (John Colicos) to kill De la Plata (Frank Langella) , a Mexican tyrant .

The picture displays lots of action , battles , tongue-in-cheek , shootouts and a little bit of violence like the brutal killing a little boy . The casting is frankly well , Robert Mitchum (¨Night of the hunter¨ , ¨5 card stud¨ , ¨Bandido¨) is excellent in his usual facade of indifference and lazily acting as a greedy priest and wielding a Thomson machine-gun . Mitchum chewing up scenery in this peculiar role . The newcomer Ken Hutchinson provides added depth as an Irish terrorist with a bitter past ; however , this one being his most important role , as he went back England and only acting in TV movies . Frank Langella (¨Drácula¨) plays an elegant psycho killer who bears a deep hatred to Catholic Church . The famed secondary Victor Buono (¨What ever happened to Baby Jane¨ , ¨Hush , hush..sweet Charlotte¨) plays convincingly an avaricious gunrunner . Enjoyable performance by Rita Hayworth in his last completed film (her previous movies during her downfall were the Italian ones : ¨The bastards¨ and ¨The rover¨) , despite Alzheimer disease . In fact , she had difficulty remembering her lines and the crew believed it was because of alcohol abuse , but only later did they realize they were seeing the early stages of her Alzheimer's condition . Besides , there appears habitual secondaries who usually work in American productions shot in Mexico , such as : Gregory Sierra , Enrique Lucero and Chano Urueta . The motion picture was rightly directed by Ralph Nelson who made other good Westerns as ¨Soldier Blue¨ and ¨Duel at Diablo¨ . This offbeat Western will appeal to Robert Mitchum fans.

I saw The Wrath of God as a sneak preview in 1972 when I was 14. I saw it with my dad at the now long gone Sunny Isle Theater in North Miami, Florida. I recall the film was action packed and concerned a South American Revolution around the early to mid 1900s. These type of films were popular in the 1960s and early 1970s: 100 Rifles, The Wild Bunch, The Professionals, Villa Rides, and the Wrath of God. Rita Hayworth looking surprising young and attractive. I believe she was 52, but looked about 40. Her part was small, and she looked extremely unhappy. Turned out to be her last film. Nothing really great here. Only fair, but lots of action. Only stands out as Rita Hayworth's final curtain call.