अपनी भाषा में प्लॉट जोड़ेंIn order to collect inheritance money, a slacker tries to induce a heart attack in his invalid grandmother by convincing her that she's become the target of youth supremacists who want to en... सभी पढ़ेंIn order to collect inheritance money, a slacker tries to induce a heart attack in his invalid grandmother by convincing her that she's become the target of youth supremacists who want to enact a genocide on the elderly.In order to collect inheritance money, a slacker tries to induce a heart attack in his invalid grandmother by convincing her that she's become the target of youth supremacists who want to enact a genocide on the elderly.
फ़ीचर्ड समीक्षाएं
This is an entertaining movie while Washburn is in it, but the other two characters are so disagreeable that it's hard to care much about them after she exits, and the young couple are also too one-dimensional to really relish them getting their eventual just desserts either. This isn't really the fault of the actors though. Vanessa "Girly" Howard is especially good(even if her failure to take off her clothes is pretty regrettable).
This movie was also probably a little too tame for 1972, even for the famously violence-adverse British, and this too might have led to it's failure and current obscurity. Still it isn't a bad movie, and deserves at least a minor footnote in the history of the British psycho thriller.
A 20-something loser who lives with his grandmother schemes to get rid of her so he can inherit the house and the big pile of money she's sitting on. With the help of his cold-as-ice girlfriend, he convinces poor Granny that a rising group of British youth are violently getting rid of all old people, making her last days as torturous as possible. That is basically the plot. There is no supernatural twist as I was expecting from an Amicus production. While the film does manage to generate sympathy for Granny, it doesn't do much else.
We've all seen this type of story play out many, many times before - Amicus themselves did a much better version in one of the stories in "Tales From The Crypt" with Peter Cushing, but with the plot-enhancing supernatural twist. Don't go out of your way to find this one guys, there is a reason why this is one hasn't been re-released yet.
The movie had a couple of moments of being a little bit interesting but kept falling flat after the "moments" each time. It's slow, boring mainly and the two youths are irritating as all hell. Let's just say I was unimpressed with the film for the most part.
2/10
क्या आपको पता है
- ट्रिवियाFinanced by Amicus pictures in 1970 as "Romeo and Juliet '71" in an attempt to capture the ever-growing grindhouse/exploitation market. The experiment worked too well, as the final product proved to be too nihilistic for Amicus executives, who were still used to the more benign, supernatural films they had produced in the 1960s. Amicus shelved the film for two years until it was picked up for distribution by 20th Century Fox, who successfully marketed the film on the American grindhouse circuit.
- भाव
Johnnie Tallent: Well here's how they figure it, Gran. The Middle-aged are like customers in a swank restaurant sitting over a slap-up meal, see? Everything's rosy so why worry about tomorrow? But the young, well they're like hungry people standing in a queue outside, noses pressed up against the glass, waiting for a table.
Gran Alice Tallent: And the old? What do they say about the old?
Johnnie Tallent: Ah, the old. Well, they've finished their scoff, Gran. But they just sit on and on and on; just don't know when to get up and go.
- कनेक्शनReferenced in The Killing of America (1981)
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- En busca de la muerte
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