The Victim

I watched this for the first time since it was new yesterday, and, no matter how many times I replay that final scene, I can't make out Eileen Heckert's last line. She says, "Mr. Chapell, let her go," then something about calling the police. I can't help but think that line is critical in determining exactly which one killed her, or if they were in it together. Does anyone know exactly what she says? I remember when the networks all had the movie of the week. I sure wish they still did. I liked the comment about the eeriness without the graphic violence, and I agree that none of that is necessary. By the way, what are some other old favorites everyone has? Maybe I'll find one I don't remember seeing!

While the setup is good, The Victim does suffer from a predictable conclusion. Once you look at the opening credits and see a star's name, but said star doesn't show up until the last 10 minutes of the movie, you have a good feeling they might be the one causing all the mayhem. It's still got a nice, creepy rain-soaked atmosphere and anything with Eileen Heckhart and Elizabeth Montgomery sharing the screen together can't be all bad.

After learning that her sister Susan is contemplating divorce, Kate decides to travel to the distraught woman's remote country home and spend some time with her. When Kate arrives, however, Susan is nowhere in sight. That's because someone has murdered her and stuffed the body in a trunk in the basement. As a storm rages outside, Kate tries to figure out where her sister could have gone and places her own life in great danger...the killer is still on the premises! In her first post-BEWITCHED vehicle, Elizabeth Montgomery gives a solid dramatic performance. Merwin Gerard's teleplay is based on a short story by McKnight Malmar. Malmar's tale was first brought to television in 1962 as an episode of Boris Karloff's THRILLER anthology series. THRILLER stuck very closely to the story, which is kind of a pity, for it could have used a little punching up. Granted Malmar wrote a moderately creepy number, but Gerard (creator of the ONE STEP BEYOND show) adds several clever ingredients that heighten the tension and suspense.

I first saw The Victim (aka Out Of Contention) well over 25 years ago when I was very young. Being a passionate fan of Bewitched since I was a child, I loved to watch anything that starred Elizabeth Montgomery. This movie was (and still is) a real treat - whether you are a fan of Miss Montgomery's work or not. Elizabeth always shines in her roles, such as her portrayal as the rape victim in A Case Of Rape and as the suspected murderess in The Legend Of Lizzie Borden. Her performance in The Victim as Kate, a terrified woman trapped in an isolated house during a storm, with a killer after her is brilliant. If you like exciting suspenseful thrillers than this is one movie that will keep you on the edge of your seat till the end. Another great performance well worth mentioning is that of Eileen Heckhart who plays the eerie and suspicious housekeeper. Unfortunately like most of Miss Montgomery's movies, The Victim is not available on DVD and I believe that although it was released on VHS some years ago, it is a rarity these days. I was lucky to have taped it when it was aired on television some ten years ago and so have a nice copy of this very good movie. A must see!

If not, why? Rather a number of them were high class suspense pictures. This is one of them.

Elizabeth Montgomery plays a lady who's going visiting her sister in an isolated upland cottage after learning that the sister is planning to divorce her husband. The sister is already murdered when Elizabeth arrives but she doesn't know that. Instead, there's a prolonged eerie cat-and-mouse sequence when she's searching for her and unexpectedly finds the half deaf old maid entering. The meeting with the maid is quite unsatisfactory and awkward. Then the sister's husband turns up and it's quite clear that he's hiding something...

Not to spoil the story, the set up is great and one wish that today's television could conceive originality of this kind.