The Unholy Rollers

Respectfully disagree with the previous reviewer, pmtelefon, who says this film "runs out of gas" in the last half hour. Sorry, but in my opinion it never runs into gas. Scenes that should have an impact...the conflict between Karen and Mickey, Karen's troubled relationship with a male skater, her visit to her mom, her best friend choosing not to live with her, and the final denouement where she cracks up...fail to deliver on any emotional level due to the general lack of acting, writing, and directorial ability. So what we're left with is Claudia Jennings' bod, which is sexy as hell, a well depicted atmosphere of working class raunchiness that is as essential to roller derby as the smell of hot dogs are to baseball and a few laughs. Give it a C.

ROLLERBALL was too pretentious and KANSAS CITY BOMBER was too lightweight. This is the real deal! If you love the lowbrow sport of roller derby or are just a fan of Minnesota-born Claudia Jennings (in her first starring role) then this film is a must-see! Raunchy and violent just like the women-in-prison films that Roger Corman was also pumping out at the time (in fact many of the supporting cast were also appearing in those WIP films). Sure this film has the novelty value of having Martin Scorsese's name in the credits but there's much to enjoy in the film besides looking for his editorial hand with an anarchic non-ending that just seemed perfect.

"A locker room look at the toughest broads in the world!" That's the poster tag line for "The Unholy Rollers" and it pretty much sums up what the makers of this film were aiming for, a leering behind-the-scenes action/comedy about roller derby. Claudia Jennings ("Death Sport" "Gator Bait") gets fed up with her job at a cannery after brazen 1970s sexual harassment and decides to join the roller derby. This results in comedy, romance, and ladies in various states of undresss, as you might expect from a Roger Corman produced film of this era. Corman's New World Pictures were having great success with their cycle of women-in-prison films and their nurse and co-ed films, so why not branch out into sports comedy films? And believe it or not, this wasn't the first roller derby film of the time. "Derby" came out the year before and Raquel Well appeared in "Kansas City Bomber" the same year. Roller derby even found it's way into the plot of of Disney's "The Shaggy D.A." so derby was HOT during this time. As for this film, it's a typical Corman raunchy sex comedy and the quality is about what you'd expect, which is it's not terrible, but nothing all that great either. Still, I will say I was entertained and I did enjoy seeing an oddly young Victor Argo as the team trainer. FUN FACT! Martin Scorsese was a supervising editor on this film, the year before "Mean Streets" was released.

Unholy Rollers is AIP cinema verite, a true American film classic that peels the facade away from the cult of sports celebrity. Claudia Jennings is outstanding as the roller queen whose place on the pedestal is about to be taken by the next one in line. She plays the role with utter conviction, and the film's low budget limitations lend added authenticity to its depiction of this seedy American pastime.

This was an attempt by American-International Pictures to cash in on the publicity for the highly publicized KANSAS CITY BOMBER, also released in 1972. Actually, it's more like Roger Corman's attempt to do so, because while A.I.P. footed the bill, it was a Corman show all the way (even though he had already started his own movie company/distribution outfit, New World Pictures, two years earlier.) In fact, it has the same look and sparse production values as New World movies of the earlier '70s, making you wonder if A.I.P. gave Corman little to spend, or if Corman pocketed a lot of the budget.

Whatever the case, the end result is pretty boring to sit though, despite the showcased sport (roller derby) and the presence of B movie queen Claudia Jennings. The first few minutes aren't bad, promising an energetic and wacky look at the behind-the-scenes of roller derby, but then the movie suddenly takes a turn to the deadly serious. Sure, there are catfights, nudity, and clobberings on the roller ring, but there's no feeling of fun to it all. Actually, much of the movie focuses on boring bickering and chattering between the characters. To make matters worse, the print of the movie currently playing on cable eliminates the original music score and substitutes bland muzak that results in the viewing experience becoming more of a slog to get through.