Il tuo vizio è una stanza chiusa e solo io ne ho la chiave

YOUR VICE IS A LOCKED ROOM AND ONLY I HAVE THE KEY is a fairly typical example of the giallo genre, directed by old hand Sergio Martino. It's certainly a watchable enough effort but lacks the kind of drive and impetus that makes the best of this type of film. Having previously watched WHAT HAVE YOU DONE TO SOLANGE? a few nights previously, that masterpiece shows up YOUR VICE by comparison.

What we have is a slow-burning potboiler for the most part, once the eye-opening orgy scene at the film's opening is disposed of. Martino's stylish direction is one of the film's strengths but the script is a little sub par, particularly in the middle section of the movie which seems to be propelled by endless sex scenes more than anything else. Things do pick up the last half hour, where it gets very good with some shocking plot twists and turns, and it's a pity the rest of the film wasn't of the same quality.

As with so many productions, the script is based on Poe's short story THE BLACK CAT, although this is only an incidental part of the narrative as these things go. There's a cast here who give fine performances, particularly the stylish and sultry Edwige Fenech who captivates the screen throughout and keeps the viewer guessing as to her character's motivations. Anita Strindberg is an arresting presence as the abused wife, while Luigi Pistilli is thoroughly horrible as her cruel husband. Genre favourite Ivan Rassimov also has a small but pivotal role.

I watched this with a few people and it was really fun to laugh along at the ridiculous plot developments. It starts off way too serious and strange... there is a spousal abuse scene that is difficult to watch. That happens in an... orgy party I guess... scene, and the movie has frequent nudity and sexuality. The Poe story seems to only influence the movie a little, but knowing the Poe story does certainly spoil the very ending. Regardless, the most enjoyable part of this was laughing my friends at how crazy the plot and characters became. The ending is typical for Giallo, and overall this movie isn't terrible and isn't great. Some fun and good moments are here, adding up to pretty middle-of-the-road fare.

Only thing I can compliment in this movie is some clever use of camera, decent, though, as usual, over the top acting and some hints of dread. What remains is, I can only guess, having seen the same director's movie "Torso", trademark style of Sergio Martino. A LOT of nudity and some gore mixed with a "Black Cat" story from E.A.P. If you are even little familiar with the story, you basically know how the movie will end few minutes in. I do not consider this to be giallo, in true meaning of that word... This is yet another thriller with very little things to be scared of, since you don't really care for any of the characters, because they are all sleazy and perverse. 6/10 and I don't really recommend it. You are not missing anything significant by not watching this movie.

Possessing what could be the second-best title in film history (after 1963's "The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies," of course), "Your Vice Is a Locked Room and Only I Have the Key" (1972) reunites director Sergio Martino and stars Edwige Fenech and Ivan Rassimov, who had previously collaborated on such wonderful films as "The Strange Vice of Mrs. Wardh" (1970) and "All the Colors of the Dark" (1972). (Indeed, this film's title was copped from a line of dialogue in "Mrs. Wardh"). This time around, though, the story mainly concerns a decadent writer, Oliviero, well played by Luigi Pistilli, who spends most of his days drinking booze and abusing his wife (giallo regular Anita Strindberg) both physically and emotionally. While a wave of murders sweeps through their small town, Oliviero's niece pays a visit, and so we finally get to see our Edwige, a full 1/2 hour into the picture. Gorgeous as always, Edwige here sports a short-haired bob for a change but looks smashing still. Anyway, truth to tell, I had no idea where this picture was going for at least the first hour. The film concludes very neatly, though, with some nifty surprises, and always keeps the viewer intrigued by combining a truly decadent atmosphere with bits of Poe's "The Black Cat," echoes of Clouzot's "Diabolique" (1955), some jolting murders, soft-core lesbianism and, typical for gialli, some red herrings. The fine folks at No Shame have come up with yet another great-looking DVD package, containing recent interviews with both Martino and Fenech. Edwige's interview suggests that the woman has made some kind of unholy pact with the devil himself; no woman could possibly look as beautiful, at 57, as she does today. Just remarkable!

Once a successful writer, nowadays in mental crisis, the depraved libertine Oliviero (Luigi Pistilli) is living at his mansion near Verona, but he can't break out of a persistent pain after the death of his adored mum . Today , Oliviero being plagued by nightmares but he takes great joy in mistreating his attractive wife Irina (Anita Strinberg) who lives in terror and their black servant Brenda (Angela La Vorgna) , as he enjoys humiliating her in front of his friends as well as a prohibited love affair with an ex-student (Daniel Giordano) . But when someone slits the throat of a young girl , Oliviero becomes the prime suspect, further complicating his already fragile relationship with Irina . Along the way , the stealthy killer strikes again . Then things go wrong , as if killing wasn't enough, Oliviero's bombshell niece Floriana (Edwige Fenech) enters the triangular equation . More and more killings take place , watching all is a black cat named Satan and a silver-haired stranger observes as well . Various women are mercilessly pursued by an ominous killer wielding a knife . A blood-drenched nightmare from which you awaken too late !

An unsettling and thrilling Giallo produced and written by Luciano Martino freely adapted from the story "The Black Cat" by E. A. Poe , including habitual grisly killings. Sergio Martino's Gialli getting certain success , being compellingly shot , including well staged crimes with plenty of startling visual content and adding the mysterious series killer thematic and subsequent red herrings . The main question of the movie is find out who's behind the grisly murders and to guess what's Floriana's game and who's the observant stranger at the Oliviero's secluded, blood-spattered mansion . This is the usual Gialli with a series of murders committed around the estate of a degenerate author , it results in a complex intrigue , tension , suspense , stabbing and a weird threat shows up lurking or stalking throughout garden, building , cellar , corridors and grim interiors . The film combines atmospheric blending of thrills , chills , nudism and suspenseful final . The rather perplexing tale weavers so many red herrings when ultimately the murderer is unmasked . Being an Italian production here appears ordinary Latin actors usual in the 60s and 70s sub-genres : Poliziesco , Spaghetti Western , Giallo , Horror , Sex comedy , Euro-spy , such as : Edwige Fenech as the young, beautiful, and self-confident niece Floriana , Luigi Pistilli as the burned-out , abusive writer whose adorable dead mother goes on dominating his imagination , Anita Strindberg as the mistreated , charming wife , Ivan Rassimov as a suspect watcher , Enrica Bonaccorti as a Hooker , Daniela Giordano as a gorgeous student and very brief appearance by Dalila Di Lazzaro as a Stripper .

Nice ambiance and appropriate settings , enhanced by the well photographed Padua , carried out by good cameraman Giancarlo Ferrando . Shot on location in Montagnana, Padua, Veneto , Lazio, Italy , Villa Lugli, Bresseo, Teolo, Padova, Veneto, and Elios Studios, Rome . As well as terrifying and Giallo style musical score by Bruno Nicolai, usual collaborator to Ennio Morricone . The motion picture was professionally directed by Sergio Martino who delivers the goods with skillness and aplomb enough . Competently made by the prolific filmmaker Sergio Martino who usually uses pseudonym as Martin Dolman . Sergio began his cinematic career in his early 20s as an assistant to his writer/producer brother Luciano Martino and handled second unit director chores on Mario Bava's The Whip and the body (1963), and made his directorial debut in 1969 with the mondo documentary Mille peccati... nessuna virtù (1969). He really hit his stride in the early 1970s with several superior Giallo murder mystery thrillers that usually starred popular actress Edwige Fenech (who was married to Martino's brother Luciano at the time) : The strange vice of the Mrs Ward (1971), All the Colors of the Dark (1972) , Scorpion tail (1971) and Il tuo vizio è una stanza chiusa e solo io ne ho la chiave or Vicios prohibidos (1972) . Talented and versatile writer/director Sergio Martino has made a vast array of often solid and entertaining films in all kind of genres as horror , Giallo , comedy , Western , and science fiction in a career that spans over 40 years . He was especially expert on Pasta Western as proved in ¨Mannaja¨,¨Arizona returns¨; Giallo such as : ¨The case of scorpion's tail ¨ , ¨Torso¨ ,¨The scorpion with two tails¨ , ¨The strange vice of Mrs Ward¨; Cannibal movies as "Mountain of the Cannibal God", Italian crime thrillers as "Violent Professionals" and ¨Sci-Fi as ¨Destroyer¨ , "2019: After the Fall of New York" . Rating: 6.5/10 , acceptable and passable , this is a great Giallo in which the camera stalks in sinister style throughout a story with decent visual skills . This is a bewildering story , enjoyable as well as violent , and it will appeal to hardcore Giallo fans . A hugely chilling and entertaining flick.