Lo scopone scientifico

Fairy tales are usually dark but very rarely are this human or that funny for that matter. Bette Davis plays a wealthy American with an addiction to card playing and to winning. She has become an expert on the local card games of different countries around the world where she owns houses. Bound to a wheel chair, the card games are her only close connection with the world of the living. In Rome, the card game is called "scopone" and she summons a married couple to be her adversaries. The couple, a magnificent Alberto Sordi and an unrecognizable Silvana Mangano, are the poorest of the poor, with a family of five children. As soon as Bette arrives to Rome, she calls them and gives them one million lire to play with. Sistematically, every year she will win the million back. Sordi and Mangano spend the rest of the year practicing, dreaming that one day they will win. The building up to the climax is one of the most painfully funny things I've ever seen. Pathetic and uplifting at the same time. Bette Davis is superb as the capitalist torturer/benefactor with a great Alberto Sordi at her side. Try not to miss it.

nice, sad, predictable. gray, salted, seductive. a great cast. an ordinary story. crumbs from Visit of Old lady. and scene for extraordinary performance. a film about laws of poverty and people as toys. about power, cruelty and different worlds. about a game as root of so many feelings, emotions, hopes. and about the cold death of dreams. it can be a parable. or slice from reality. in fact, it is itself. a picture of a place. few characters. Bette Davis , Silvana Mangano , Joseph Cotten and irresistible Alberto Sordi around a table, playing cards. so, a meeting. a rite. shadow of life ashes. and strange image about your world. because it can be, in many senses, a manifesto. not about sins or fall, but about borders of gestures. cold, nice, seductive, bitter. a source of reflection. and testimony about a way without end.

This is another film resulting from the long and fruitful professional relationship between actor Alberto Sordi and writer Rodolfo Sonego, the most notable of which is probably Risi's 'la Vita Difficile'. Sordi and director Luigi Comencini were no strangers to each other either, having made, amongst others, the marvellous 'Tutti a casa'.

In common with so many films of the genre referred to as Commedia all'Italiana this has an underlying pathos and bitterness which stems from the constant struggle between 'the haves' and the 'have nots'.

The card game of the title, the rules of which are a mystery to me, played by junk-man Peppino and his wife against the millionairess and her companion epitomises this struggle. Never has the phrase 'money comes to money' seemed so apt.

This is an excellent film with a marvellous cast. Sordi of course never misses a beat whilst Silvana Mangano expresses so much by doing so little. They both won a David di Donatello award for this. The casting of Bette Davis is quite frankly a masterstroke. She is superb, her voice being seamlessly dubbed by Lia Zoppelli and Joseph Cotten makes the best of a pretty thankless part in this his third film with Miss Davis. The looks that pass between the players during the games are wonderfully directed by Comencini.

The game spreads from the confines of the magnificent villa to include all the inhabitants of the shanty town who are warned by the priest of the dangers of too much dreaming and of believing that money makes miracles, to no avail alas. Meanwhile back at the villa the tension becomes almost unbearable as the underdogs hit a lucky streak and are sitting on life-changing wealth but will Peppino play the right or the wrong of just two cards.....?

This film is all about money; what people without will do to get it and those with will do to keep it. That reminds me, I must do the Lottery this week. Well, I can dream, can't I?

A masterpiece from Luigi Comencini. Another masterpiece of an unrestrained cinema that was (for a very long time) inspired and remarkable; Full, alike life... alike a work of art. Luigi Comencini's 'Lo Scopone Scientifico' is entertaining, funny, touching but also sharp, intelligent and intensely sad; it reflects the conditions of many of us: defeat, ignorance and inequality. It's a radiography on how persistent poverty creates a self-perpetuating cycle within the impoverished classes. It speaks of today's democratic societies! Check it out! You'll be amazed how much (today!) you can read out of this movie...Do you know what happens at this very exact time in our history? I'll say it again, check it out, watch this film, you'll know it. Wake up Folks!

Rome, 1970s. While a few benefit from the wealth of the modern world, many live in misery. Peppino, his wife Antonia and their five children live in a shanty town, populated by all sorts of tramps, pimps and prostitutes, plus a "professor" in disgrace who lectures everyone on the importance of reading and the beauty of Marxism. Every year a millionairess turns up to play cards with Peppino and Antonia, and every year they hope to win enough money to change their lives, not that they would need much, as they have nothing! The villa in which the old woman (la vecchia) lives is stunning, surrounded by the most beautiful roman trees, in stark contradiction with the grey poverty surrounding Peppino's family. The underlying theme of the film is class struggle and how the rich keep teasing the poor with the promise of a better future which never comes. But Comencini is not as bitter as his contemporaries (Monicelli, Petri etc): he celebrates love and humanity, something the old millionaire will never own. Needless to say, the performances are formidable.