Pursuit

The made for TV thriller "Pursuit" has some interest in not only is it based on a Michael Crichton novel (written under a pseudonym), but that Michael Crichton directed it, making his directorial debut. But there is additional interest to be found here. What will strike many modern day viewers is that despite the subject matter, the tone of the movie is significantly restrained. There isn't a swift pace or a feeling that things are going to really fall apart at any second. Though that may not sound like the right tone, it actually is convincing; we see that the government agents are well trained and professional, so they of course are conditioned not to panic. The movie also works well because of its short length (74 minutes) - there's no padding on display here, and the story moves briskly as a result. The only real flaw the movie has is that it doesn't hide the conspiracy very well - most viewers will have a reasonable guess as to what is being planned long before the government agents find out. But even though you will probably guess what is happening early on, the movie remains very effective.

How this movie doesn't get more acclaim is strange.

The prophetic and imaginative Michael Crichton ("Andromeda Strain", "Coma", "WestWorld" directs his own screenplay. Michael Crichton had a prescience in his vision and this movie is no exception. Getting hung up on setting the movie "in the future" never presented a dilemma for Crichton. He just uses contemporary settings to bring the movie closer to home. The technology may be beyond our means, but it still affects us all today.

The movie stars brilliant and eclectic Ben Gazzara ("The Killing of a Chinese Bookie", "The Big Lebowski"), Storied great E.G. Marshall ("12 Angry Men", "Creepshow"), Prolific Martin Sheen ("Apocalypse Now", "The Dead Zone") and Television guest star William Windom ("Star Trek: The Doomsday Machine", "Escape from the Planet of The Apes").

The musical score is even composed by composer-great Jerry Goldsmith. Its reminiscent of "Hawaii 5-0", "McQ" or "The French Connection" a typical, but lively, 70s-style action cop-show movie background score. I love background scores like this. Its a really good one. The sunset of actual orchestral background scores.

The story revolves around a political activist-millionaire-terrorist who steals a large supply of nerve gas and threatens to release it in San Diego, which is hosting the Republican National Convention.

Sounds simple. The movie is really thrilling for a TV Movie, the story has a familiar contemporary feel, the acting and musical score are good. The movie was filmed in early 1970s San Diego and for anybody who loves or lives in San Diego (like me), the movie is a great archive piece to record how San Diego was 40 years ago. Much more watchable than "Attack of the Killer Tomatoes".

Could the movie have been better? Sure it could. It suffered from low-budget syndrome. Michael Crichton's visionary writing shakes most of the deficiencies the move has and makes this a great TV-Special...certainly one of my top 10-made for TV Movies of all time.

Numerous people in the history of the film industry are overrated. Several ones are underrated, and then there's a small group of people that are massively, scandalously, and incomprehensibly underrated! In this last group sits writer/director Michael Crichton, although - admittedly - he would remain underrated even if he received a dozen of Oscars and a life-size statue on Hollywood Boulevard. That's how genius he was.

With "Pursuit" Crichton dropped off his calling card as a director. Two of his novels were previously adapted already, namely the stupendous "The Andromeda Strain" and the quirky "The Carey Treatment", but here Crichton decided to turn his own novel (written under a pseudonym name) into a film scenario and direct it himself. Being a modestly produced, short, and mainly dialogue-driven TV-movie, "Pursuit" was also the ideal rehearsal for Crichton's bigger and more legendary works "Westworld", "Coma", and "The First Great Train Robbery".

What anyone should admire about Michael Crichton is how his stories seem grotesque and unlikely to happen at first, but they are nevertheless brought in such a disturbingly realistic fashion that gradually the viewer gets persuaded that the top-event is inevitable from happening. The top-event can refer to robot-gunslingers in theme park turning against the human visitors, genetically engineered dinosaurs breaking out, or - in this case - one politically engaged psychopath being able to steal nerve gas from the government and conspire a large-scaled attack against the President and an entire city of innocent bystanders.

From the very first second and throughout the entire 75 minutes of running time, "Pursuit" is a tense edge-of-your-seat thriller with a stressful atmosphere and great performances of both Ben Gazzara and E. G. Marshal. Via the simple yet effective trick of occasionally showing a countdown-clock at the bottom of the screen, Crichton makes clear how urgent it's getting for CIA bulldog Steve Graves to apprehend the mysterious James Wright and figure out his terrorist scheme. A few little defaults here and there (like an ungracious exit for the lead villain) but mostly good stuff.

One of my local UHF channels showed this movie on a Saturday afternoon. Overall, it is very well done, especially for a made-for-TV movie. The movie moved along at a good pace and the acting was good all around. It is a little reminiscent of the early episodes of "Columbo". Ben Gazzara is pursuing E.G. Marshall, who he knows is planning to do something at a Democratic national convention in San Diego. The two repeatedly try to outwit each other, all the while knowing that the other guy is watching every move. This makes for some interesting plot twists and blind alleys. Crichton, as usual, pays very close attention to technological details, making the premise very realistic, unlike a lot of "caper" movies where plot hinges on an essential piece of knowledge the character could not possibly have had. I'm really surprised this hasn't been remade for the big screen, given Michael Crichton's popularity.

I read Binary, Pursuit's first title, published under the pseudonym John Lange. Crichton published under a pseudonym because he was afraid his med school instructors would doubt his dedication to medicine (at that time he still wanted to be a doctor). The title Pursuit was ordered by the studio, fearing that the public would not understand the title Binary, and the general incomprehension about biowarfare agents in 1972 help land Crichton the Director's job. First run as an ABC TV movie of the week. Pursuit is fast paced with a surprisingly high powered cast: EG Marshall, Wm Windom, Ben Gazarra, and a young Martin Sheen as what may very well be the first role as the small screen's first computer hacker. It's a good TV thriller at least thirty years ahead of its time