Pulp

Great film that doesn't take itself too seriously. For me, the parts played by Dennis Price and Lionel Stander kind of steal the show. Narrated in the first person throughout, if I remember rightly, I guess it could also have been called "An Innocent Abroad" or something similar, as Micheal Caine finds himself "up against it" and completely out of his depth in comfortable surroundings he feels uncomfortable in as violence hovers just beneath the surface. So, for those reasons it's a bit like "Get Carter", only this time around there's no personal crusade he's on; he's just a writer of pulp fiction out for what he can get from an ageing Hollywood actor (played by Mickey Rooney) who wants him to ghost-write his autobiography. I suppose this film is a bit like "Chinatown" in some respects as it deals with the futility of attempting to tackle corruption on a grand scale - only unlike the Polanski movie, it never won any awards because it never really took itself too seriously. How can one take Caine as a tough, gritty Londoner, when he swans around Malta in a white suite and sunglasses - smoking through a cigarette holder like a Cockney Noel Coward?

Mike Hodges' GET CARTER (1971) is, supposedly, a realistic gangster flick about a hit man, played by Michael Caine, who murders without demur and, indiscriminately, screws every bird in sight; yet, wells up at the thought that - is it his niece? - has been snatched up by a porno-movie ring. He systematically knocks off mob kingpins and we are invited to watch him do it - with cold-blooded relish.

PULP is gangster related too, but pure Lewis Carroll in narrative plausibility; nevertheless, Caine's Mickey King is amusingly credible in the manner in which he drinks in the dream world that happens to him.

PULP pulls off something that few films (including SUNSET BLVD., with the marvelous William Holden) are able to do. It makes an author its central character and you believe, from start to finish, that he is, in fact, a man of curiosity and invention, who makes his living by the employment of words.

Among Hodges' other films, CROUPIER (1998) is closer to PULP than GET CARTER is because its protagonist's literary pretensions resemble King's habit of describing a shady milieu which operates in moral twilight. Both pictures suffer from direction too tightly melded to intriguing fictional conceits. However, the phlegmatic understatement of Caine's voice-over commentary (written by Hodges) is maintained impressively, the Malta locations and surprising russet colors - not to mention the freak-show supporting cast of Mickey Rooney, Lionel Stander, Lizabeth Scott, Dennis Price, Nadia Cassini's mile-long legs and, Bogart look-a-like, Robert Sacchi make it a must for connoisseurs of the truly offbeat.

Was this comment useful to you?

PULP re-teamed Actor Michael Caine and Director Mike Hodges just a year after their Box-Office hit and Modern Classic GET CARTER (1971)

Anyone hoping for a Film that is up there with GET CARTER will be sorely disappointed as PULP fails to match the success and quality of the former.

PULP has Michael Caine playing Mickey King a rather seedy Author of trashy Pulp Fiction who is hired by a reclusive and quirky former Actor Preston Gilbert (played with huge enthusiasm by Mickey Rooney) to ghostwrite his Autobiography.

PULP was a big flop on its original release back in '72 and to a large extent I can understand why, very little actually happens in the Film and Caine's sarcastically witty narration - although funny - has to carry the entire Film - and it ends very suddenly which makes you think 'Oh, that's it then?' which is never a good sign.

Filmed on the beautiful surroundings of Malta and Co-starring Lionel Stander and 40/50's star Lizabeth Scott with a rather pointless role played by Dennis Price (in one of his last roles) - PULP is worth watching, but it's never as good as it probably should have been and isn't a patch on GET CARTER.

I was an extra in this film.. We had an hilarious time in Malta and the whole cast was great fun.. (I'm the blonde girl - tallest of them all - in the scene when they check in at the hotel..

The whole film team was living at a hotel called the PRELUNA in Malta - fantastic place still. and someone managed to use a euro-plug in the British style sockets and short-circuited the whole hotel.. Everyone pretended not to know who!!

The plot is weak but Rooney was great and Michael Caine is and will always be just Michael Caine.. He is good.. It's a pity you can't see this film on TV any more.. I have a real OLD video copy,.,,

One reviewer suggested that "Pulp" never became a box-office hit because it can't be easily classified into a genre. That's certainly a legitimate way of explaining it. Another explanation could be that it's just not a very good movie. It wants to be a mystery, but the plot never grips you like it should; it wants to be a comedy, but the laughs are not as frequent as they should be (one great line, though: after trying to watch a film that is projected upside down, a guy says "This would be a big hit in Australia!"); it wants to "say something" about the thin line separating reality from fiction, but that "something" doesn't come through very clearly. Michael Caine gives a sly performance, full of his typical cool bemusement, and he just about manages to get you through the film (with some help from the pleasant Malta locations and Nadia Cassini's long legs). Near the end, there is a scene on a deserted beach that may remind you of the finale of "Get Carter". That's not a good thing, however, as you may find yourself wishing you were (re-)watching that film instead of this one. (**)