Play It Again, Sam

Easily my favorite movie with Woody that he did not direct, 'Play it Again, Sam' is a hysterically funny homage to Bogart, divorce, adultery, dating, an overactive imagination, meeting women in museums, and calling your office with all the telephone numbers you can be reached at..this is some great stuff and Woody's social awkwardness and pratfalls and neuroses will have you laughing throughout.

One of my favorite scenes is Woody trying to meet an attractive woman at a museum. She turns out to be a little more unhappy than he is but is also very funny in her darkness.

The very best is Woody getting set up on a blind date with Jennifer Salt. His nervousness will stay in your mind long after the movie is over.

This is one if my favorite movies of all time. It is best seen right after Casablanca; I like to watch the two back-to-back to get the full effect. I laugh out loud throughout the movie, as I see myself portrayed so well in Allen's character. The movie is a must for any slightly-geeky single man or anyone who enjoyed Casablanca. I think of this as the story of a lovelorn geek on a quest for love, guided by his faith in Bogart. The cast is astounding; along with Allen's performance, Diane Keaton added a good amount of reality, sensitivity, and humor. Her character is quite believable. Tony Roberts is hilarious; his deadpan delivery of all the phone number lines prevents the joke from getting old even on multiple viewings.

Directed by Herbert Ross, "Play It Again, Sam" (1972) is Woody Allen's film from the beginning to the final credits. Allen wrote the screenplay based on his Broadway play and he starred as Allan, a neurotic movie buff who writes the film reviews (what else?). Allan not just loves movies; he lives in the movies' world and constantly takes advices on how to get the girls from the legendary hero of his all time favorite movie "Casablanca", Humphrey Bogart's Rick. I am not a fan of "Casablanca" at all but if my favorite Artist is so much in love with it, maybe I should give it another try.

When Allan's wife Nancy leaves him, his best friend Dick (Tony Roberts) and his lovely wife Linda (Diane Keaton) try to fix him up with several eligible pretty young ladies. Very typically for Woody's characters, he is a total failure with them. The only woman he feels comfortable with, he shares the same insecurities and neuroses, the one whose Birthday he remembers and who he desperately wants is Linda, his best friend's wife. "Play It Again, Sam" is a remarkable movie for several reasons and one of them - it was the beginning of a wonderful working (and not only) relationship between Allen and Keaton that would result in the movies "Bananas" (1971), "Sleeper" (1973), "Love and Death" (1975), "Annie Hall" (1977), "Interiors" (1978), "Manhattan" (1979), "Radio Days" (1987), and "Manhattan Murder Mystery" (1993) and will bring them both well deserved fame and Oscars. Made 34 years ago, "Play It Again, Sam" holds up very well and I would call it my favorite earlier Woody's film and the best Woody's film that he has not directed.

8/10

Perhaps Woody's best effort in his 'neurotic schlep' persona. The script is a comic whirlwind, with too many brilliant scenes to enumerate (I can't resist mentioning the blind date's arrival - the desperate preparations and the pathetic introduction are funny but painful, in that we have all been in that position; his demonstration of authentic Chinese rice-eating technique is another classic). The device of the imaginary Bogart alter ego works well, especially in the climactic scene with Diane Keaton. In my book this ranks with Sleeper, Manhattan, and Annie Hall as Woody's best films.

My first and foremost thought about this movie is that you MUST see "Casablanca" (1942) first, for two reasons:

First, "Play it Again, Sam" contains not only archival footage from the 1942 classic, but numerous dialogic and other references which would be lost on someone who hasn't seen "Casablanca."

Second, and more important, is that the surprise ending of "Casablanca" is revealed in the *very first scene* of "Play it again, Sam."

Beyond that, "Play it again, Sam" is probably second only to "Annie Hall" among the Woody Allen / Diane Keaton films. Woody fans will enjoy the neurotic, psychosexual ramblings of the central character, which are typical of his movies, as well as the numerous elements of physical comedy, which are not as common in Woody Allen films. And watch for the scene in the art gallery -- it's a classic!