Moon of the Wolf

After several locals are viciously murdered, a Louisiana sheriff (David Janssen) starts to suspect he may be dealing with a werewolf.

Films like this one (as well as "Dark Night of the Scarecrow") prove that once upon a time, movies on television could actually be good. Today, that may be true, but in my opinion far less often. (The SyFy channel single-handedly lowers the bar on made-for-TV movies.)

This film introduced me to the term "loup-garou", a type of werewolf that is common in the culture of the Indian Ocean island nation of Mauritius. I do love how a plot point is that the townspeople do not know the term or even how to say it, with "loukarook" and other variations being used.

This also taught me about the fictional "Seibert's syndrome", an offshoot of blackwater fever. That fever releases hemoglobin directly into the blood vessels and into the urine, frequently leading to kidney failure. Pretty sure that the guy allegedly suffering from it in this movie does not know what he is talking about.

Sure, the werewolf (when we finally get a good glimpse) is a bit cheesy. But that is fine by me. Give me a well-crafted 1970s film over today's version of werewolves any day of the week. I would rather see a guy with a decent five o'clock shadow running amok than Taylor Lautner and his washboard abs sulking.

The setup never fails ... a murder in a small town leaves the local sheriff stumped, and he travels around investigating and finding several suspects among the townsfolk. The sheriff is your typical kind-hearted, beer-swilling Louisianan kind of guy, and the list of suspects includes the murdered girls brother (the angry redneck), the town's doctor (the local professional with a dark secret), a Mr Rodance (the wealthy, mysterious businessman who owns half the town) and his sister (the slightly unhinged female lead who becomes the Sheriff's love interest).

Yeah, it's all fairly standard, but it's also quite entertaining in a formulaic kind of way. For at least the first half of this film, there's really nothing to suggest that a werewolf is responsible (unless you're familiar with werewolf folklore and know what 'loup garou' means). This is in fact a typical small-town crime melodrama, one of many which were made for TV in the seventies, and it's shot and played out in exactly the same style as these movies. But it just so happens to have a werewolf in it.

It's an interesting idea, and executed reasonably well. The quality of acting and so forth is pretty much what you'd expect from a TV movie -- competent enough, but nothing special. It's also a fairly short movie, as at 75 minutes it's not even feature length. This is to the film's credit, and it certainly managed to keep me engaged for that length of time, which is more than I can say for many of the similarly low-budget werewolf movies I've seen. The story unfolds at a good pace, and leads to a suitably thrilling (but not too over-the-top) climax. It's all decent enough, not great, but it doesn't try to be.

All in all, this is your average werewolf B-movie which I'd recommend to werewolf enthusiasts if you happen to get a chance to see it. Hell, there are worse ways to spend an hour and fifteen minutes.

I was pretty surprised by this backwoods bayou shocker. Murders start occurring in a little Louisiana town, and the sheriff's investigation points to signs of a werewolf on the loose. If you can suspend the fact that it's pretty obvious who the wolf is, this is a fun mystery. And in addition to the werewolf plot, we've got ideas of class-consciousness, romance, unwanted pregnancies, and small-town sleaze to ponder. The performances were decent and it moves along quickly. Werewolf completists, fans of David Jansen or Bradford Dillman (he was in EVERYTHING in the 70s), and Cajun-Gothic fans can all find something here. Although I can't believe NOBODY in a bayou town knew the world loup-garou, there are worse ways to spend an afternoon than watching "Moon of the Wolf."

This film begins with an old man known simply as "Tom Sr." (Royal Dano) and his adult son "Tom Jr." (John Davis Chandler) being woken up one night in their shack on the Louisiana bayou by the barking of their dogs. Not knowing what is causing the commotion, they both grab their guns and head out with the dogs in search of the culprit. To their shock, what they find is the body of a young woman who has apparently been half eaten by wild dogs. Naturally, they immediately call the local sheriff "Aaron Whitaker" (David Janssen) who comes out to investigate. What he discovers, however, is that the young lady was murdered and that the killer was apparently left-handed. At least, that is what he initially believes--and then things take an alarming turn for the worse. Now, rather than reveal any more, I will just say that this made-for-television movie started out really well due in large part to the mysterious undertones and the relatively solid cast. Admittedly, the film seems to deflate a bit once the killer is revealed but all things considered it managed to hold my interest for the most part and I have rated it accordingly. Average.

Set in and near the bayou community of Marsh Island, Louisiana, "Moon of the Wolf" starts with the body of a young woman named Ellie being discovered by two locals. Though it appears she was mauled to death by wild dogs, the medical examiner (Beradino) soon determines that she was murdered. The sheriff (Janssen) is faced with the unfortunate task of determining which of his longtime friends or associates in this small, close-knit community are responsible for the brutal killing. His investigation soon leads him into some of the town's little known secrets.

"Moon of the Wolf" is a well shot, well acted film that seems to have been made on location in an actual swamp or wetlands. The storyline is logical and well-presented and an effort was made to employ real-life lycanthropy folklore (the loup-garou of France) rather than some contrived Hollywood creation. The makeup effects for the werewolf are not particularly high tech, but this should not be expected for a made-for-television film of this period. Viewers should expect more mystery than action, but there is a fair amount of suspense.

This film, for me, earns high marks. Fans of similar made-for-television films of the early to mid-1970s will not be disappointed. It rivals some of the best Dan Curtis productions in many ways yet is not as over-the-top as some of Curtis' material is. This is a must-see for die-hard fans of werewolf films.