The Man

I was interested in reading the comments on the message boards at the base of the IMDb listing for THE MAN.

This is only one of several novels written by Irving Wallace that has been transferred to "the big screen." Irving Wallace did NOT like the treatment that THE MAN received in the translation from his written words to the screen. In that I agree.

I have read ALL of his books and found each one to be a "page turner" regardless of how many times I have read them over the years. He was a superb writer and I'm only one of a legion of his fans.

I was very disappointed in the screen adaption of THE MAN. The novel was approximately 800 pages in length and the screen version covered about the first 150 pages. The other 650 pages were lost to Rod Serling's abilities. Very unusual for Serling and I find it very disappointing to say the least.

I agree, this movie should be released on DVD. It's an excellent movie even taking into consideration the "adaption" to the screen. I also happen to be a great fan of James Earl Jones and for that reason alone I think it should be released.

As a side point, every novel written by Wallace had been opted for screen or mini-series treatment. Unfortunately, he died in 1990 and I do recall him saying that as a result of ABC's treatment of THE MAN he would not allow any of his novels to be made into motion pictures unless he was in control of the process. He died - unfortunately. I was so looking forward to the CBS mini-series on his novel THE MIRACLE! If you can find any of his books I highly recommend that you buy and read them. Every one of them was a "page turner" and you won't be disappointed.

As an African-American educator, I found this movie to be an extraordinary one. I hope to find a copy to show to my students who will participate in this year's Multicultural Career Institute, which is in its 13th year on our university campus. Situated in the Midwest, only 10 percent of the university's 22,000 students are students of color. The majority of the students come from small to large farming communities where few, and far too often, no persons of color live. One of the biggest fears that white America has always harbored is the insane notion that 1) only whites can lead this country and 2) if a person of color is elected to a high-ranking position, then white America will find itself the recipient of vengeance and payback for slavery, racism, etc. This film disputes these notions and allows the viewer to understand America in its truest form.

"The Man" is dominated by a screenplay written by Rod Serling in his oh-so-earnest mode. The movie benefits from Serling's sincere convictions towards racial progress, but the film is undercut by Serling's tin ear for dialogue.

In the opening scene, a White House breakfast is in progress even though the President and the Speaker of the House are visiting a mediaeval cathedral in Europe. Suddenly news arrives that the cathedral has collapsed: the President and the Speaker are dead. White House aides inform Vice President Calvin (a good performance by Lew Ayres) that he's now the chief executive. But Calvin is old and frail, and he refuses the job. I found this contrived: if the Vice President isn't medically fit to replace the President at an instant's notice, then he isn't fit to be Vice President and shouldn't hold the office.

By an obscure but apparently genuine constitutional fluke, the Presidential succession devolves to an obscure senator named Douglass Dilman (James Earl Jones) who happens to be Negro. Yes, a black man is now President!

"The Man" raises some interesting issues. Jones gives an intelligent and dignified performance as the black President who refuses to see his job promotion as proof of racial progress. He knows he wasn't *elected* to the job, and he doesn't believe that America will elect a black President any time soon. (This was 1972.)

William Windom, who usually played sympathetic roles, gives an excellent performance as a bigoted white politician who covets the Presidency. (The posters for this movie depicted Windom speaking a racial epithet.) Charles Lampkin is excellent in a small role as a black Congressman. And, of course, now that a black man is in the Oval Office, there's a plot to assassinate him...

For some reason, comedian Jack Benny gets very large billing for a very brief scene in "The Man". He appears only in the opening teaser sequence: when the opening credits roll with Benny's name on the screen, we've already seen his entire performance and he won't show up again! Playing himself, Jack Benny performs a comedy monologue during the White House breakfast. But Benny's legendary timing is off, and he doesn't bother to conceal that he's reading his jokes off a legal pad. I'm a Jack Benny fan, but he disgraces himself here.

There are some good scenes in "The Man" but there's a lot of sermonising too, and very little action. I recommend this film with reservations, and I'll give it 5 points out of 10. I sincerely believe that the U.S.A. will eventually elect a black President ... but, sad to say, I also believe that the first African-American President will almost certainly be assassinated. I hope I'm wrong.

The premise of this film is about a man appointed to be President under unusual circumstance. The current President and Speaker of the House tour a building in Europe, which colapses and kills them both, the vice-president is ill and can't fullfill the office.

The Presidency falls to a surprizing fourth in line.

It's a great story and I don't understand why it isn't on video yet.

The only small flaw is that it is time dated with the premise of Apartied in South Africa. Everyone write to the studio and get them to put it out on video. It has appeared on TV but they cut it to ribbons and destroy the continuity. -ARBY

The President of the US is killed. So is the Speaker of the House. The Vice President is ill and cannot accept the presidency.

Enter US Senator Douglass Dillman, who is president pro tempe of the senate. He is also black. He accepts the presidency to the discontent of many cabinet officials, especially the secretary of state. He would be president if not for Dillman.

Racial feelings are revealed among several politicians as Dillman sits in the oval office, determined to overcome the bigotry of those around him and to be as good a president as he can be.

An early vehicle for James Earl Jones, who as Dillman, is brilliant. Excellent performances by the supporting cast. Hopefully, this film will one day be on DVD or VHS. It's also a good potential historical lesson to be absorbed by Americans if this situation should ever happen.