Love and Pain and the Whole Damn Thing

After viewing Love and Pain nearly thirty years after it's initial release, I felt that this film had certainly passed the test of time. This sometimes overlooked film is an excellent vehicle for Maggie Smith in a dramatic role; even more believable than her classic, The Prime of Miss Jean Brodie. Initially the film appears to be a very clever, dry comedy, accented by Maggie Smith's prim and proper British morals pitted against Timothy Bottom's portrayal of a rich, but socially awkward American student. From the hysterically funny camping-trailer scene to the bitter-sweet twist at the end, Love and Pain is a timeless treasure worthy of a place on your video shelf!

This heart-tugging April-August romance cannot be equaled for the lush Spanish scenery, excellent photography, haunting music, and courageous humor. A young Timothy Bottoms was fresh from his excellent performance in THE LAST PICTURE SHOW, and Maggie Smith was in fine form portraying a spinster whose rose had lost its bloom. Her role is an excellent example of how a skilled, attractive actress enters a more mature, "seasoned" stage of her career. Both characters are slight misfits, fishes out of water on a cut-rate bus tour in the Spanish back-country who begin as antagonists but gradually draw closer. This is a tried formula, but in expert hands. It is a mystery why LOVE AND PAIN has never been marketed in any video format, or posted more prominently on the resume of either of its stars.

This is a delightful film of coming of age, and coming to life. The one, a young man, suffocated by his blue-blood family, finds himself in the eyes of an older woman. And she, a not-quite-middle-aged spinster suffocated by her roles in life, is yearning for something to live for as she faces a final illness. He falls in love with her unaffected realism; and she with his boyish enthusiasm and unashamed wonder at the world. Together they struggle with what they see as a lack of tolerable options for such an odd couple; while learning more and more to depend on each other for much more than friendship. Together they discover Europe, and life, and each other, and themselves ... and bring us all a little more to life when they do.

I hear that Alan J Pakula was loved by his actors. I'm sure that's true and Love And Pain And The Whole Damn Thing made me notice, made me feel the love of Pakula for his actors. Here he has Timothy Bottoms in a performance of such beauty that I don;t understand why he vanished, specially after this film and The Last Picture Show. Maggie Smith builds, with Timothy Bottoms, a romantic crescendo more clear and tangible to us, the audience, than to them, those character walking at the verge of the abyss. Beautiful, smart and unforgettable.

I saw this film for the first time when it was coupled with "the main film"...The Dove. Fortunately this film came on first and afterwards, during the preview of The Dove, most of the audience left. They clearly had come to see Maggie Smith. This is an absolutely perfect film and I would love to share it with other people.