The Honkers

An extremely down-to-earth, well made and acted "Rodeo" Western. No gussied up stars needed here as all cast members were regular people telling a real life story about a rodeo hustler and his entourage in the 60's and 70's West. But hats off particularly to Slim Pickens for giving what I think was his signature performance, especially given the fact that he had been a rodeo clown in real life. His role went far beyond the mere clown role as he deeply dealt with all the "ups and downs" of the hard-nosed rodeo life and the psychological devastation that so frequently surrounds such a life style. He and Mr. Coburn teamed up extremely well as partners, not only on the circuit itself, but also in the real world outside the corral. Also, check out Anne Archer as Coburn's Native American love interest in the latter part of the movie. Must have been one of her first roles.

Not as flashy, perhaps, as "Junior Bonner", but equally heart rendering and impacting in its portrayal. Thanks to the Encore Western Channel for showing this true grit of an under-rated movie from time to time.

Ebert was needlessly harsh in reference to Coburn's scene hogging, and gave the film 2 stars. He loved a few performances, and Picken's certainly played well the loyal "mascot" - a perfect term for his character. The performances are fine - and the rodeo scenes are well done and executed. Yes there are a few inserted pointless plot devices but overall, I think it a terribly underrated film. Coburn plays the "rake" well enough, and I found his character more sympathetic than most. Most of his downfall is attributable to making a stand for the sake of his wife's "honor". knowing full well he is not good enough for her. Another reason to watch would be Anne Archer. in what was her first role. She isn't much of an Indian of course, despite her head band (nice try) but oh so lovely in a De Tomaso Pantera nonetheless.

I saw the Honkers in the early 70s and loved it and remembered it. I also saw both JW.COOP & JUNIOR BONNER - both excellent. The reason I had to catch Honkers was that Mr.Inhat deeply impressed me in Madigan as Barney - an enduring psycho performance - which I can still quote verbatum. I also made a note of him in Hour of The Gun. I felt grim when he died (just after the Cannes screening?) But rest assured he, and the film, are recalled fondly. .

I was living in Sri Lanka when I saw The Honkers (in 1975, three years after its release). Great rodeo movie. Pity it's not available on DVD or VHS. It had the same real-people feel as Sam Peckinpah's Junior Bonner (a movie I saw six times when it first came out). I remember Steve Ihnat's performance in Madigan and Fuzz. Too bad he passed away so young.

James Coburn is a devilish, lady-loving rodeo-circuit rider down New Mexico way; Anne Archer is a smitten fan who bats her eyes at him; Lois Nettleton plays his wife who puts up with all his comings and goings. The early 1970s were rife with these kind of cowboy character pieces, and all of them have the same scenes: the unloading of the horses at sunrise, the sizing up of the competition, the aged cowpoke sidekick chiming in with his two cents (here it's Slim Pickens), the parade down Main Street and, that old standby, the protagonist getting caught with another man's woman (and escaping with his pants down). Co-written by Steve Ihnat, who also directed, and Stephen Lodge, the lackadaisical film probably made an inoffensive co-feature at drive-in theaters but, on its own terms, the clichéd results are pretty thin. Coburn is energetic and amiable--he's always good when cast as the wily scalawag--but the movie depressingly stacks the deck against him. The western milieu in general doesn't feel like a natural fit for Coburn, who looks like he might be more at home sitting on the Riviera plotting someone's demise. ** from ****