Il grande duello

Horst Frank witnesses Horst Frank being shot while hiding in a box. A George Harrison lookalike leaps over an entire building while shooting bounty hunters. A pox ridden gay guy guns down dozens of innocent people. What's going on? Lee Van Cleef knows, but he isn't answering any questions…at all!

Horst is the crooked mayor of Saxon City since his father (also Horst Frank) was probably, but possibly not, gunned down by George Harrison. Horst's brother is the ultra-camp murderer cleaning up loose ends and making sure the family get all the silver that George Harrison's deceased father found in the hills. Lee Van Cleef is the has-been sheriff who is out to clear George Harrison's name, indulge in a bit of banter, be as vague as humanly possible about every question he's asked, and plug him a few bad guys into the bargain.

It's a run of the mill plot that still entertains due to a full on pace, loads of interesting characters, and of course a duel at the end. Good sets in this one too (especially the riverside tavern) which is something I don't say much as usually it's the same set you see over and over and over again. If you're quick you'll spot that ugly bastard that played the Beast in the reprehensible The Beast In Heat.

I guess there's a little influence of the gialli here as the you've got the mystery of who killed Horst Frank's father Horst Frank. I'm just glad they didn't try to turn the "Lee Van Cleef partnering up with a young guy" plot and turn it into a comedy.

Released in 1972 (1974 in the USA) and directed by Giancarlo Santi, "The Grand Duel" is a Spaghetti Western starring Lee Van Cleef as a grizzled ex-sheriff who helps a framed man (that looks like Barry Gibb from the Bee Gees) confront the politically powerful trio of brothers who want him slain.

This is an okay Euro-oater, but nothing to write home about. Van Cleef is stalwart as the grim hero, of course, and the three sibling villains are interesting, particularly the whacko effeminate one who massacres scores of settlers with a Gatling gun. The titular confrontation of the climax is akin to the gunfight at the O.K. Corral, albeit with one person against three. In the female department, Dominique Darel and Alessandra Cardini are on hand as Elisabeth and Anita respectively, both good-looking in different ways, but their presence is never capitalized on. 'Barry Gibb' is fine as the secondary protagonist. There are some curious over-the-top sequences, like a character catching a bullet with his teeth and someone else being catapulted, which seem incongruous with the generally serious-but-quirky proceedings.

The movie runs 98 minutes and was shot in Uliveto Terme, Vicopisano, Pisa, Tuscany, Italy, and Elios Studios in Rome.

GRADE: C

The post above that states that this film was shot in English is only partially correct. Each of the characters spoke their own language, and the script was available in quite a few. How do I know -- I am the deputy who goes up to the stagecoach and gets used as Lee van Cleef's coat rack. Lee and Jess did speak English, but the people in the stagecoach spoke mostly Italian. The bounty hunters spoke a multitude of languages, one even spoke Serbo Croatian. Do not know about the speaking any of the cast after the stage left Gila Bend, that was the only part I saw. I was a young Army Officer in Italy and had the opportunity (along with one of my NCOs -- Bill on the rack with the Gila Bend sign) to play the role of the deputies in the beginning of the film. It was an opportunity I will always remember. Lee was a true gentleman, Jess was a hoot, and Lee's stuntman/double, X Brand (Pahoo in the Series Yancy Derringer) was an extremely nice person. I will always remember being in this great film

This is a western vengeance with a young named Philip Wermeer (Peter O'Brian) wrongly accused of killing a patriarch and going after those whom murdered his father . He lives for one purpose to avenge his death but is also pursued by cutthroat bounty hunters and the sheriff of Jefferson named Clayton (Lee Van Cleef) . Philip is besieged and shot dead but he emerged firing his gun and made his escape . But Clayton helps him and during a series of fire-fights , Clayton contrives to help Wermeer getaway from attacks of enemies . Together form an alliance to vanquish the three Saxons brothers (Horst Frank , Klaus Grunberg). Both of whom , Wermeer and Clayton , making a dynamic duo , combining raw untamed youth and the experience only a veteran sheriff can offer . Together, the two make their way to Jefferson , where they can confront outlaws . Weermer is caught and convicted of murdering and sentenced to be hanged . At the end is revealed the amazing truth about who killed The Patriarch .

It's one of the numerous European Western (this time co-produced by Italy, France , Monaco, Germany) posterior to Sergio Leone ¨boom¨ and follows the Spaghetti Western models . Thus , there are violent confronting , harsh and brutal villains , rapid zooms , spectacular and bloody shootouts, and musical score with Ennio Morricone influence . Features appearance by stalwart Spaghetti , Lee Van Cleef , he plays his usual role , even wearing similar black clothes of former characters as Colonel Mortimer , Sentenza and Sabata . It appears known secondary actors from European films as Jess Hahn (Topkapi) and the usually baddie Horst Frank (Vengeance of Fu Manchu) . Special mention to Klaus Grunberg who plays a cruel gay killer . Atmospheric and enjoyable music by Luis Enrique Bacalov , subsequently Oscar winner for ¨The Postino and Pablo Neruda ¨. The direction by Giancarlo Santi is uninspired and predictable although gets a surprising ending . Santi was usually direction assistant to Sergio Leone . The flick will appeal to Lee Van Cleef fans and Spaghetti western buffs .

It could be said that The Grand Dual is merely a vehicle for its lead star, and whoever said it wouldn't necessarily be wrong; but while this film doesn't feature a lot of originality, it's also true that Italian cinema was based on repeating itself, and the film definitely succeeds in providing an enjoyable slice of western action. The script was penned by Giallo supremo Ernesto Gastaldi (The Strange Vice of Mrs Wardh, The Case of the Bloody Iris), and that's not surprising as there are shades of Giallo throughout, and the film works both as both as a violent action flick and an intriguing mystery film. The plot focuses on Sheriff Clayton as he becomes involved in the murder of a man so-called 'The Patriarch' through his association with the sly Philipp Wermeer. The film follows the pair as they make their way through bandits and bounty hunters and eventually end up in Saxon town, where the sons of the Patriarch live. They've fingered Wermeer as the murderer of their father, and naturally want him hanged; but there's a twist to the identity of the murderer.

Lee Van Cleef made his name with Sergio Leone and the masterpiece westerns 'For a Few Dollars More' and, of course, 'The Good, The Bad and The Ugly'. This film is nowhere near the quality of those two, but Van Cleef does well in his 'man in black role', which is a variation on the common western 'loner' theme, which was made famous by the likes of Clint Eastwood and Django. Van Cleef's presence is felt throughout, and he continually makes every scene his own. As you might expect, the rest of the cast don't live up to the central star; but even so, The Grand Dual features a good ensemble cast, and Peter O'Brien does especially well in his central role. The film features a lot of shootouts and chases on horseback, which are always good to see; but at times, The Grand Dual puts too much focus on entertainment value and this can mean that the plot suffers. Even so, the story plays out well; and the final twist is a real standout, as even though it's pretty obvious throughout - Gastaldi manages to throw in a twist just before it, which makes the final twist come as a surprise. Overall, this film isn't one of the great Spaghetti westerns - but it's a good one and comes recommended.