Garden of the Dead

A group of convicts in a corruptly administered work camp get a cheap high by huffing from a tin drum of formaldehyde. They are later killed during an escape attempt, only to rise from their graves and set about doing all the terrible things we've come to expect of zombies.

This is a fairly starch example of skinflint 70s horror, although it does deserve the small-beans honor of being, most likely, the first film to represent zombies as cognitive and dexterous in speech and movement(as opposed to the fish-eyed, lumbering customary type). It would stand to reason that these enhanced capacities should result in more formidable and frightening zombies...unfortunately, they come off as awkward and occasionally laughable.

A slight film of no real importance, GARDEN OF THE DEAD is, at best, sufficient fodder for independent TV station "Tweaking Til Dawn" type shows. Meh.

4/10

Convicts on a chain gang sniff experimental formaldehyde fumes to get high. They attempt a prison break and are shot down by the guards. Buried in the prison garden, they rise from the dead, killing all in their path with shovels and hoes who get in their way for their quest to get high once more off the formaldehyde.

Kinda funny premise, no? Starts off pretty good actually. Hayes, made a bunch of offbeat exploitation films but was also nominated for an academy award one time!

They used dry ice for the formaldehyde and of course nobody notices the prisoners sniffing it, and I guess we're not supposed to see the prisoner who laffs when the smoke goes in his face. Must be a minimum security prison cuz the place is surrounded by a wooden-wire fence that would easily be compromised. But escape they do anyway.

My big criticism is this -- it takes half the movie for the zombies to emerge. And let's not forget this movie is less than an hour long! When we see them they have joker like makeup and you can see their chest flesh where the make up ends!

But there IS something about this movie that is different and enjoyable. In a super low budget kind of way. Interesting statement on addiction, anyway.

Looking round for Horror titles at my local DVD store,I stumbled on what appeared to be a obscure flick. Taking a gamble and putting the rare film on eBay,I was surprised to find it selling right away, which led to me deciding that before I send it off,I should take a look at the garden.

View on the film:

Planted for a hour (wise move) and filmed in 10 days, director John Hayes & cinematographer Paul Hipp pull up a deep-fried Drive-In atmosphere of shoddy zombie make up and poorly lit "daylight" scenes. Breathing in the zombies by making a chain gang a bit too keen to have a sniff of toxic formaldehyde fumes, the screenplay by Jack Matcha and Daniel Cady bring out a slight charm that slots into the cheap Drive-In mood,via the cops stumbling over themselves to plant the zombies back into the garden of the dead.

A group of prisoners hooked on formaldehyde return from the dead after they are killed while trying to escape. A low-budget horror in both senses of the word. Its Grindhouse director was clearly influenced by Romero but possessed not one ounce of his talent. The zombies look convincing enough, but the scenes in which they attack are so poorly handled that the movie actually grows more boring after they emerge from their graves.

1972's "Garden of the Dead" served as second feature to topliner "Grave of the Vampire," both titles directed by John Hayes (Christopher Lee's "End of the World"), and shows how the zombie subgenre was still evolving after George Romero's flesh eating ghouls arrived on the scene in 1968. Little more than a threadbare outline as a failed breakout attempt leaves all the convicts dead, only to be revived by their addiction to formaldehyde, gathering up weapons to punish the living. Joe Blasco was a dependable makeup man for such low budget outings, a pasty faced crew with dark rings around the eyes, moving swiftly to kill without warning, and occasionally growling their lines. Among the mostly no name cast is pretty Suzanne Charny, soon to be immortalized by her silent depiction of a snarling vampire in a memorable episode of KOLCHAK: THE NIGHT STALKER ("The Vampire"). Roughly ten years later, both films would see rerelease and be promptly reviewed as 'Dog of the Week' by Gene Siskel and Roger Ebert on SNEAK PREVIEWS.