IMDb रेटिंग
7.4/10
52 हज़ार
आपकी रेटिंग
एक सीरियल किलर नेकटाई से महिलाओं का गला घोंट रहा है। लंदन पुलिस को एक संदिग्ध व्यक्ति मिला है, लेकिन वह गलत आदमी है।एक सीरियल किलर नेकटाई से महिलाओं का गला घोंट रहा है। लंदन पुलिस को एक संदिग्ध व्यक्ति मिला है, लेकिन वह गलत आदमी है।एक सीरियल किलर नेकटाई से महिलाओं का गला घोंट रहा है। लंदन पुलिस को एक संदिग्ध व्यक्ति मिला है, लेकिन वह गलत आदमी है।
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 3 जीत और कुल 8 नामांकन
फ़ीचर्ड समीक्षाएं
"Frenzy" was Alfred Hitchcock's next-to-last film. And though it's not a great classic like "Psycho" and "North by Northwest", it's still a very good movie. After making mostly American movies for four decades, Hitchcock returned to his native Britain to make "Frenzy". It's about a series of murders that's devastating London. These murders have two things in common: 1) The victims are all women; and 2) they're all raped and then strangled with a neck-tie. When a marriage counselor is murdered this way, the police suspect the woman's ex-husband is the culprit. But actually the husband is innocent, and is forced to hide out from the cops. "Frenzy" has all the usual Hitchcock elements: thrills, suspense, comedy, and Hitchcock's cameo appearence. The two best scenes in the movie are the hilarious moments when the police inspector (who's heading up the investigation of the neck-tie murders) is served two gourmet dinners by his wife. These scenes are very funny. The comic moments is what gives "Frenzy" a edge over Hitchcock's previous film "Topaz". Plus, it's a more entertaining thriller.
*** (out of four)
*** (out of four)
Hitchcock did one hell of a job! I was planning on watching this movie just for about 30 minutes before going to sleep and was gonna finish watching it the next day, but instead I was so engaged that I couldn't stop watching and stayed awake the whole 2 hours. I loved the irony of the actual rapist having no clues pointing to him and the innocent man having all clues pointing to him. The scene involving the rapist in the back of the truck, rummaging through a sack of potatoes (and that's all I'll reveal) is classic suspense. I also loved how Hitchcock left the rape scenes (excluding the first one) up to the imagination. There is a great shot where one of the victims is being raped and we don't even hear any off-screen yells or screams. The camera simply tracks backwards down a staircase and out the front door, where people walk by minding their own business, ignorant to the evil that's being committed a floor above. Any amateurish director would've went for true shock value and showed all the rape scenes in explicit detail. We don't call Hitchcock the master of suspense for nothing. The scene is still quite haunting. In horror and suspense, what you don't see can be a lot more frightening than what you do see, since the imagination is a powerful thing. The last line of the movie should go down in history. It had me bawling with laughter! Just that one line gave perfect closure to this wonderful film.
My score: 8 (out of 10)
My score: 8 (out of 10)
A good return to form for the master of suspense, Alfred Hitchcock. Since The Birds in 1963 Hitchcock's movies (Marnie, Torn Curtain and Topaz) had not met with commercial success (though, personally, I think Marnie was great).
Frenzy sees Hitchcock back to doing what he does best - suspenseful murder dramas. Great, intriguing plot with the usual clever direction from Hitchcock. Some of his camera angles and exterior shots are straight from his own book of how imply something and create tension without saying a word, or using manipulative music.
The movie also has some great comedic moments. The Chief Inspector and his wife having dinner were always hilarious.
Much more edgy in terms of nudity and sex than any previous Hitchcock movies. This could be ascribed to censorship restrictions being relaxed. Also tells you what Hitchcock could have done with is movies if all the stupid, puritanical censorship wasn't there all along.
Not as tightly wound as his greats (Rear Window and Psycho especially), so not perfect as far as suspense and enthrallment goes.
Good performance by Jon Finch in the lead role. Good support from Alec McCowen, Barry Foster, Anna Massey and Barbara Leigh-Hunt.
Sadly, this was to be Hitchcock's penultimate movie. His final movie, Family Plot was released four years later, in 1976. He died in 1980.
Frenzy sees Hitchcock back to doing what he does best - suspenseful murder dramas. Great, intriguing plot with the usual clever direction from Hitchcock. Some of his camera angles and exterior shots are straight from his own book of how imply something and create tension without saying a word, or using manipulative music.
The movie also has some great comedic moments. The Chief Inspector and his wife having dinner were always hilarious.
Much more edgy in terms of nudity and sex than any previous Hitchcock movies. This could be ascribed to censorship restrictions being relaxed. Also tells you what Hitchcock could have done with is movies if all the stupid, puritanical censorship wasn't there all along.
Not as tightly wound as his greats (Rear Window and Psycho especially), so not perfect as far as suspense and enthrallment goes.
Good performance by Jon Finch in the lead role. Good support from Alec McCowen, Barry Foster, Anna Massey and Barbara Leigh-Hunt.
Sadly, this was to be Hitchcock's penultimate movie. His final movie, Family Plot was released four years later, in 1976. He died in 1980.
On the surface, Alfred Hitchcock's FRENZY seems to be a compelling thriller about a serial killer stalking young London girls. It almost is a horror film about film. Jon Finch is a London Bartender caught stealing DRINKS, and is fired. His best pal, Rusk (where are you, Barry Foster?) a GREEN-GROCER, offers him FOOD and encouragment. Meanwhile Scotland Yard is seeking a serial killer who rapes and strangles his victims. The head detective on the case has to endure his wife's HIDEOUS GOURMET COOKING while tracing clues such as a body found in a POTATO SACK, or the half eaten APPLE at a murder site. Also the food refernces abound in the dialog "Don't squeeze the goods till they are yours" the killer tells his victim, or the cop saying "We have to catch him before his appetite is wetted again."
All this makes FRENZY a rich, creepy classic thriller. The food refrences aren't overdone. They are cooked just perfect. Delicious!
All this makes FRENZY a rich, creepy classic thriller. The food refrences aren't overdone. They are cooked just perfect. Delicious!
After 30 years in the USA and after the disappointments of "Torn Curtain" (1966) and "Topaz" (1969), Alfred Hitchcock came back to his native Britain for this film -written by Anthony Shaffer from a novel by Arthur La Bern.
"Frenzy" is his penultimate movie, certainly the best one of his last period. The way the Master films is very classic -deliberately old fashioned; at the same time all the charachters are very modern -they belong to a more and more decadent and neurotic London.
Almost from the beginning we know who the criminal is, and Hitchcock enjoys himself in showing how the man tries to escape and how he betrays people. Director's trademarks are also back in force: suspense (a lot!) and humour -more sarcastic and sharper than ever.
For "Frenzy" the Master doesn't get movie stars, instead he chooses local stage actors. In my opinion he does this because, first, he wants the film to be very English. Furthermore, he wants this time more ordinary faces for making the story more shocking (with famous actors in the main roles, the plot -in a certain way- could be identified mostly with them and loose strength, instead Hitchcock avoids that "paradox"...).
Maybe "Frenzy" is not an unforgettable masterpiece like "Psycho", "Vertigo", "Birds" or many other works. But it is a great movie indeed.
"Frenzy" is his penultimate movie, certainly the best one of his last period. The way the Master films is very classic -deliberately old fashioned; at the same time all the charachters are very modern -they belong to a more and more decadent and neurotic London.
Almost from the beginning we know who the criminal is, and Hitchcock enjoys himself in showing how the man tries to escape and how he betrays people. Director's trademarks are also back in force: suspense (a lot!) and humour -more sarcastic and sharper than ever.
For "Frenzy" the Master doesn't get movie stars, instead he chooses local stage actors. In my opinion he does this because, first, he wants the film to be very English. Furthermore, he wants this time more ordinary faces for making the story more shocking (with famous actors in the main roles, the plot -in a certain way- could be identified mostly with them and loose strength, instead Hitchcock avoids that "paradox"...).
Maybe "Frenzy" is not an unforgettable masterpiece like "Psycho", "Vertigo", "Birds" or many other works. But it is a great movie indeed.
क्या आपको पता है
- ट्रिवियाAlfred Hitchcock originally planned to do his cameo as the body floating in the river. A dummy was even constructed to do the shot. The plans were changed and a female body, a victim of the Necktie Murderer, was used instead. Hitchcock instead became one of the members of the crowd who are listening to the speaker on the river bank. The dummy of Hitchcock was used in the typically humorous trailer hosted by Hitchcock.
- गूफ़When examining the murder scene at the marriage bureau, a police officer brings the victim's handbag out to Inspector Oxford, who correctly holds it with a handkerchief to keep his fingerprints from contaminating the evidence. He then he sticks his ungloved hand inside and feels around, thus contaminating it with his own fingerprints.
- भाव
[last lines]
Chief Inspector Oxford: Mr. Rusk, you're not wearing your tie.
[Robert Rusk is speechless for a moment]
Robert Rusk: I...
[he drops the trunk that he has just dragged into the room]
- क्रेज़ी क्रेडिटThe Universal Pictures logo does not appear on this film.
- इसके अलावा अन्य वर्जनThe original UK cinema and initial 1989 CIC video releases were cut by 19 secs by the BBFC to remove shots of underwear removal and closeups of neck strangling from the murder scene. The cuts were restored in all later Universal video and DVD releases.
- कनेक्शनFeatured in The Dick Cavett Show: Alfred Hitchcock (1972)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Frenzy?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Frenesí
- फ़िल्माने की जगहें
- The Globe pub, Bow Street, Covent Garden, लंदन, इंग्लैंड, यूनाइटेड किंगडम(pub where Blaney, Babs and Forsythe work)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $20,00,000(अनुमानित)
- दुनिया भर में सकल
- $4,940
- चलने की अवधि
- 1 घं 56 मि(116 min)
- पक्ष अनुपात
- 1.85 : 1
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