Frogs

The 1970s was the era of disco, blaxploitation, and eco-horror (aka nature's vengeance). George McCowan's "Frogs" is considered the first eco-horror flick. A young Sam Elliott (more recently known as the narrator in "The Big Lebowski") plays a photographer who visits a southern estate where the patriarch (Ray Milland) refuses to live in harmony with nature. The old man sprays chemicals all over the swamp with absolutely no regard for the plants or animals. So it only makes sense that the frogs -- in collaboration with the snakes, alligators, spiders, etc. -- are out to dispense some justice! On the plot's value alone, there's no reason to interpret "Frogs" as any kind of high-quality movie. We could interpret it as a warning about messing with the Earth (when you battle nature, you ALWAYS lose), or we could just view it as a plain old fun movie. Whatever the case, it's a pretty enjoyable flick, silly though it may be.

All in all, just be a little more respectful the next time that you meet any plant or animal, especially an amphibian of the order Anura.

The plot here is little more than: "Help! We're surrounded by hostile creatures!" Yet there's something about this movie that lodges in the memory and it's probably its heavy, humid atmosphere -- like a hot summer day where nothing's happening yet you know there must be a storm brewing just over the horizon. The eclectic cast is headed by Ray Milland but the star here is Sam Elliott who makes his first real impression in the movies. His let-me-strip-off-my-sweaty-shirt-and-display-my-hairy-chest scenes were SO impressive that they landed him the lead role in that piece of beefcake-nirvana called "Lifeguard."

(June 2009 update: Note how this movie finds echoes, seven years later, in another Sam Elliott movie: "The Legacy." In both movies Elliott plays a young man who, because of a transportation accident, winds up as a reluctant guest at a mansion located in an isolated spot in the country. The mansion is owned, in both cases, by a distinguished older gentleman who suffers from a physical disability. There are other guests at the mansion and during the course of Elliott's stay, these guests are killed off, one by one -- in a variety of bizarre fashions -- by a mysterious force. In both movies, Elliott performs "beefcake" scenes which have a gratuitous quality. In "Frogs," he appears twice without his shirt and in "The Legacy" he has a rear-view nude scene.)

The free-lance photographer Pickett Smith (Sam Elliott) is taking pictures of the pollution in a swamp in Florida for a magazine of ecology in his canoe. Out of the blue, he is hit by a motor boat piloted by Clint Crockett (Adam Roarke) and his sister Karen Crockett (Joan Van Ark) and capsizes.

Clint and Karen invite Pickett for the party in the private island of their grumpy grandfather Jason Crockett (Ray Milland), an old fashioned disabled patriarch that enjoys celebrating his birthday on the 4th July with his family.

Pickett realizes that the island is infested of frogs and reptiles and Jason has ordered his caretaker to poison his real estate to get rid of the amphibians and creepy crawlies. But soon Picket realizes that they are living the payback of nature against mankind.

The trash "Frogs" is probably one of the first movies to defend the ecology and absolutely ahead of the time. This is the first feature of Sam Elliot, who acts with the veteran Ray Milland. The story is funny and never scares but entertains. My vote is five.

Title (Brazil): "A Invasão das Rãs" ("The Frogs'Invasion")

While it's pretty obvious that this film was done on a low budget (i.e. the same shots are repeated over and over and over) this is a pretty effective horror movie and deserves a look. The death scenes are well executed (and the end is quite chilling), the music is appropriate (it's sounds almost like an "angry swamp"), and the locations are put to good use. It's definitely a b-movie and is not at all "great cinema", but it's still a minor classic and should have some kind of cult status.

Statistically, this movie was a hit. Made for $200k, it grossed over $2 mill in the US alone. This was the secret of success for American International Pictures. Keep the budgets low, and the base of horror fans will show up and you'll make a profit. 1972 was the year for horror. A large number of films catered to the horror fan, many were cheaply made. But they all made a profit. Frogs is an example of a movie poster created before the movie was filmed. Frogs don't kill anyone in the film, but they made a cool poster. So they were thrown into the mix of alligators, lizards, snapping turtles, snakes, spiders, etc. Since many of these creatures make people queazy, it must have seemed like a slam dunk to film- fearmakers. However, the animal performers are less than convincing. Especially the alligator, where producers sped up the film to make him look like he's moving quickly. The acting is as good as can be expected for this type of film. Joan Van Ark and Sam Elliot debut here (Van Ark had done a soap). Milland is good as the cranky old rich stereotype. If you're looking for a "tame" horror picture to keep the kids interested, this might be it. For adults, it's value is mainly nostalgic.