IMDb रेटिंग
5.9/10
2.7 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA young woman recovering from a nervous breakdown moves with her husband to a boys' school, and finds herself being terrorized by a mysterious one-armed man, but nobody believes her.A young woman recovering from a nervous breakdown moves with her husband to a boys' school, and finds herself being terrorized by a mysterious one-armed man, but nobody believes her.A young woman recovering from a nervous breakdown moves with her husband to a boys' school, and finds herself being terrorized by a mysterious one-armed man, but nobody believes her.
फ़ीचर्ड समीक्षाएं
Often effective British thriller features a tip-top cast(Joan Collins, Peter Cushing, Ralph Bates, Judy Geeson), but suffers from a lack of originality as this is, for the most part, a rehash of similar motifs explored in earlier British horror films like PARANOIAC and NIGHTMARE, which themselves derived from the brilliant French thriller DIABOLIQUE. Still, the good outweighs the bad and there are plenty of nice, genuine jolts.
Although this is certainly not one of their more famous titles, I was actually quite impressed with this Hammer movie which is an interesting variation on the famous French thriller "Diabolique" but with four main characters instead of three. Judy Geeson is a naive schoolmarm who marries a man (Ralph Bates) who she thinks is also a schoolteacher but actually turns out to be the caretaker of an abandoned boys' school and its mentally unstable former headmaster (Peter Cushing). The headmaster in turn has a shrewish, grasping wife (Joan Collins)who spends her time cruelly blasting cute bunnies with a double-barreled shotgun. Without giving too much of the plot away, two of the characters are having an affair and scheme to drive another of the characters insane so he/she will kill the fourth character. But as usually happens, the plan goes horribly awry for almost everyone involved.
This is one of the more interesting 70's Hammer films because it actually tries to do something new rather than just mining the old Gothic formulas and monsters that served them so well in the 60's. Hammer had of course done psychological thrillers like this as early as "Scream of Fear" in 1961, but this is one kind of film that they actually refined and perfected in the 1970's (rather than beat like dead horse)with entries like this, "Straight on Until Morning", and the Gothic/psycho-thriller "Demons of the Mind". It was definitely better than Jimmy Sangster's first directorial effort "Lust for a Vampire", even though the latter was much more famous (probably owing to Yutte Stensgaard pulling her two Danishes out every five minutes). It will probably never be regarded as a Hammer classic, but is interesting film at least, which is more than can be said of a lot of their 70's product
This is one of the more interesting 70's Hammer films because it actually tries to do something new rather than just mining the old Gothic formulas and monsters that served them so well in the 60's. Hammer had of course done psychological thrillers like this as early as "Scream of Fear" in 1961, but this is one kind of film that they actually refined and perfected in the 1970's (rather than beat like dead horse)with entries like this, "Straight on Until Morning", and the Gothic/psycho-thriller "Demons of the Mind". It was definitely better than Jimmy Sangster's first directorial effort "Lust for a Vampire", even though the latter was much more famous (probably owing to Yutte Stensgaard pulling her two Danishes out every five minutes). It will probably never be regarded as a Hammer classic, but is interesting film at least, which is more than can be said of a lot of their 70's product
It took Peggy Heller a long time to recover from the trauma of a brutal physical assault, suffered in her youth. When she married Robert, he provided her with the love and reassurance she craved for and the two settled down in a pretty house in the grounds of the public school where Robert was a master. But the headmaster of the school is not what he seems and Penny is convinced he means to harm her - is her fear a figment of her tortured imagination or are there forces at work that intend to manipulate her anxieties with fatal consequences?
Fear in the night, a suspense thriller with sinister undertones, benefits greatly from Judy Geeson who is mesmerising as a woman who had suffered a nervous breakdown, and is quite mentally fragile. The plot is pleasingly twisted and the climax suitably dramatic. It's a bit drawn out in the end, but it's an efficient thriller that is about uncertainty around what is real and what is imaginary. There are good performances from Peter Cushing and Joan Collins. It's well-handled by Freddie Francis, the prowling camerawork is effective, and the tension is well constructed till the end.
Fear in the night, a suspense thriller with sinister undertones, benefits greatly from Judy Geeson who is mesmerising as a woman who had suffered a nervous breakdown, and is quite mentally fragile. The plot is pleasingly twisted and the climax suitably dramatic. It's a bit drawn out in the end, but it's an efficient thriller that is about uncertainty around what is real and what is imaginary. There are good performances from Peter Cushing and Joan Collins. It's well-handled by Freddie Francis, the prowling camerawork is effective, and the tension is well constructed till the end.
While recovering from a nervous breakdown, Peggy Heller (Judy Geeson) is stalked and attacked by a one-armed man. Not surprisingly, due to Peggy's mental state, no one believes her.
After moving back in with her husband at a boy's school, Peggy meets the headmaster (Peter Cushing), who happens to have a very familiar disability! It's not long before Peggy is attacked again.
FEAR IN THE NIGHT is a wicked little mystery-thriller from Hammer Studios that keeps the viewer guessing. Ms. Geeson is believable in her tormented role. Cushing is brilliant as usual. Joan Collins co-stars in one of the best roles she's ever played!...
After moving back in with her husband at a boy's school, Peggy meets the headmaster (Peter Cushing), who happens to have a very familiar disability! It's not long before Peggy is attacked again.
FEAR IN THE NIGHT is a wicked little mystery-thriller from Hammer Studios that keeps the viewer guessing. Ms. Geeson is believable in her tormented role. Cushing is brilliant as usual. Joan Collins co-stars in one of the best roles she's ever played!...
A great story and cast! A suspenseful horror-thriller! Worth watching if you like the classics! The casting in this movie is wonderful - everyone was great in this movie. Judy Geeson plays Peggy Heller so wonderfully... I felt so sorry for her. Ralph Bates plays Robert Heller a man who seemly is in-love with his young wife Peggy. Joan Collins plays Molly Carmichael - snooty rich woman. Peter Cushing is The Headmaster Michael Carmichael - a strange gentleman.
The movie does build an amount of suspense and it does have it's thrilling moments. It makes a wonderful late-at-night film. Not overly scary but definitely suspenseful and thrilling!
8.5/10
The movie does build an amount of suspense and it does have it's thrilling moments. It makes a wonderful late-at-night film. Not overly scary but definitely suspenseful and thrilling!
8.5/10
क्या आपको पता है
- ट्रिवियाThe house used by Ralph Bates & Judy Geeson previously appeared as: 1. the house where most of the film is set The Traitor [1957]; 2. the hotel used by the lovers in The Rough & The Smooth [1959]; 3. the tennis club in School For Scoundrels [24/3/60]; 4. Jane's house in "The Nudist Story" [5/60]; 5. Rod Taylor's training ground in The Liquidator [1965]; 6. the Eatons' house in The Devil Rides Out [1968]; 7. "The Elizabethan Hotel" in The Avengers S7 Episode 20 "Wish You Were Here" [12/2/69]; 8. Paul Kirstner's house in Randall & Hopkirk (Deceased) Episode 7 "Murder Ain't What It Used To Be" [2/11/69]; 9. "Merstham Manor" in Randall & Hopkirk (Deceased) Episode 9 "The House on Haunted Hill" [16/11/69]; 10. garden for croquet in Department S 2/8 The Perfect Operation [26/11/69] and 11. Mrs Howe's house in Randall & Hopkirk (Deceased) Episode 14 "Who Killed Cock Robin?" [21/12/69] 12. the house named "Marling Dale" Byrom Blain is chauffeured to at the start of the episode in Department S 2/14 "The Bones of Byrom Blain" [28/1/70]; 13. the house used as base by Carter and Drieker in Department S 2/19 "A Ticket to Nowhere" [11/3/70]; and would appear again as: 14. the restaurant visited by Strand in Special Branch S4 Episode 12 "Diversion" [2/5/74]; 15. Green's house in The Professionals 2/5 In The Public Interest [4/11/78] and 16. the honeymoon hotel in Hammer House of Mystery & Suspense episode 1 Mark of The Devil [5/9/84].
- गूफ़सभी एंट्री में स्पॉइलर हैं
- भाव
Peggy Heller: Bob, I was attacked, I was! You don't believe me, do you?
Robert Heller: I believe you think you were attacked.
- कनेक्शनFeatured in Peter Cushing: A One-Way Ticket to Hollywood (1989)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Fear in the Night?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Dynasty of Fear
- फ़िल्माने की जगहें
- Haberdashers' Aske's Boys' School, Butterfly Lane, Elstree, Hertfordshire, इंग्लैंड, यूनाइटेड किंगडम(School playing fields/pitches)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि
- 1 घं 34 मि(94 min)
- रंग
- पक्ष अनुपात
- 1.85 : 1
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