Dr Jekyll & Sister Hyde

Dr. Jekyll (Ralph Bates) is a scientist researching the cure of many diseases. He is a very reserved and shy man, and spends most of his time working on his laboratory. One day, his friend Professor Robertson (Gerald Sim) visits him and advises that he would probably die before the conclusion of his studies. Dr. Jekyll decides to research an elixir of life, based on feminine hormones, to extend his life and consequently end his work. He uses female corpses to get the hormones. The effect of the elixir releases his '"feminine repressed side" and he becomes an aggressive and beautiful woman, Ms. Hyde (Martine Beswick). When the bodies finish in the city morgue, Dr. Jekyll starts killing women to proceed with his research.

"Dr. Jekyll & Sister Hyde" is another charming movie by Hammer and a great entertainment. The theatrical style uses few locations and the gore and killing are not graphic. Fans of Hammer Film Productions will certainly enjoy this different version of the classic story Dr. Jekyll and Mr. Hyde. My vote is seven.

Title (Brazil): "O Médico & Irmã Monstro" ("The Doctor and Sister Monster")

The stiff upper lip and jaw of Ralph Bates finally come into their own in this nice variation of Jekyll and Hyde, which also mixes in good quantities of Jack the Ripper myth and the famous 17th century grave robbers Burke and Hare. Considerably less stiff is Martine Beswick as the doctor's female alter ego. She is absolutely too loose in her ways, but I am certainly not complaining! Both are just the right persons for their clashing roles and superbly so. The actual physical change between the two supreme parts in one person is shown in subtle manners and without great special effects, which not only was cheaper to do, but also leaves a lot for a viewer to imagine and so makes it in a way easier to accept. A wise decision from the makers.

The plot idea of unifying the two main story lines of such classic origins is nothing short of brilliant. The invention of elixir of human life using female hormones and how to get it by "uncanny goings in late hours" really does the trick. So does the fascinating and at the same time foul results of the experiment, the mixing of selves and struggle for dominance. Of course much more could have been built in and deepened in the script making the story more intriguing and disturbing. Some needed romantic and freshening humor aspect comes from the continuously snooping neighbors with their funnily pretentious "it doesn't concern us" attitude.

In all, this is once again a fun and stylish horror movie from Hammer studios. The bolder style of company's early seventies film is very much present with some slight gore and nudity added in the proceedings. So, now everyone hurry up and see it.

Not to be confused with "Dr. Jekyll and Ms. Hyde" ('95) or "Daughter of Dr. Jekyll ('57), "Dr. Jekyll and Sister Hyde" ('71) is a wonderful entertainment that was written and coproduced by Brian Clemens. Clemens, perhaps best known for his work on TV's cult series "The Avengers," as well as for writing and directing "Captain Kronos: Vampire Hunter" (his only other film for Hammer Studios, in '74), also wrote a song for "DJASH"; needless to say, he is a man of many talents. In this film, he not only conflates the Whitechapel murders of Jack the Ripper in 1888, the notorious body snatcher/serial killers Burke and Hare (who both died many years before that, but no matter), and R.L. Stevenson's oft-told Jekyll and Hyde story, but gives it all a novel spin by having Jekyll transform into a woman. Also interesting is the fact that Jekyll, well played by Ralph Bates, is almost as monstrous as the Hyde creaturette that he becomes: Jekyll is willing to murder street trollops in order to obtain the female hormones needed for his experiments. Martine Beswick, it must be said, is perfect as Bates' "feminine side." She really does look like his female counterpart, and manages to appear both beautiful and scary looking at the same time. The film is very nice to look at, too; almost like an episode of "Masterpiece Theatre," but with more blood and mayhem. All in all, this is still another winner from the House of Hammer...with loads of fine extras on this DVD, too!

London. We see first how Jack the Ripper kills one whore. Then we see that Ripper actually is Dr. Jekyll. Jekyll has killed womens to produced he's "elixir of life". But when he drinks it he becomes a sexy and evil femme fatale Hyde.

Sounds like a bad film? It is not.

This is one of few interesting horror films from Hammer at 70's. Director Roy Ward Baker(Vampyre Lowers) has made a film that really takes you at the late of 19's century. Ralph Bates(Horror of Frankenstein) is good as "the Ripper" Jekyll. In this version Jekyll has to do evil before he drinks the elixir. That make story more interesting. Jekyll first robs the graves with criminals called Burke and Hare(famous real life body snatchers from Edinburgh). Then he has to kill to do good. And when he finally takes a drink things are rally getting on. Martine Beswick(One million years B.C.) is beautiful, sexy and wicked as sister Hyde.

It is a good film. But still... I think that(as a fan of Robert Louis Stevenson's story)this could work better if writer/producer Brian Clemens would have made two films. One of Jekyll & Hyde, another of Jack the Ripper. But after all this, it is worth to see.

But do not watch that comedy Dr. Jekyll and ms. Hyde. That sucked so much!!!

Hammer Films produced a number of classics and an even larger number of very good, entertaining films and a few misses. While Dr Jekyll and Sister Hyde is not a classic, it is one of their better later films, and much better than Hammer's other Jekyll and Hyde re-imagining The Two Faces of Dr Jekyll.

Dr Jekyll and Sister Hyde looks incredibly good, no surprise seeing as Hammer's films always looked good no matter the quality of the rest of the film. The sets and lighting recreate the Victorian London era with lovingly and evocatively and they look sumptuous and splendidly Gothic. One also has to love the rich colours and the beautiful and atmospheric photography. It is not just that the production values look great that is really well done, but also how much it contributes towards the feel and atmosphere of the film, here the atmosphere is wonderfully moody and has a real sense of fear throughout, which were not always there as effectively in other later Hammer films.

The film also has a chillingly haunting, with also some touches of lush romanticism, score with an at times Rachmaninov sound to it, the dark richness of the orchestration adding so much. It also has the advantage of being well placed and used effectively, excepting some overblown moments in a couple of the transformation scenes. Dr Jekyll and Sister Hyde is very intelligently scripted, with some witty and thought-provoking dialogue, while the story(with one of Hammer's most innovative and pretty ingenious premises) is incredibly clever and enormous fun, the suspenseful and often very creepy atmosphere staying consistent all the time and the chills and scares come off tastefully and unsettlingly. Loved the use of the Jack the Ripper mystery, which really did give off a sense of dread, and the nod to Sweeney Todd. The transformation scenes are beautifully shot and boast good effects work and a real edge-of-your-seat tension. The film is strongly directed, the characters carry the narrative very well and the acting is solid; with Ralph Bates giving by far his best performance in a Hammer film and Martine Beswick- youthful beauty at its best- even better in a menacing but never over-the-top performance.

It's not perfect however, but comes close. There are a few pacing longueurs, where a few scenes towards the start dragged just a little. And while the film is incredibly entertaining, rich in atmosphere and does a great job with the majority of its ideas, others did come off rather clumsily, especially the anachronistic and out of place inclusion of Burke and Hare, leaving one wonder why they were included in the first place(a nod to Stevenson's story The Body Snatcher perhaps?).

Overall, while not without flaws and not one of the Hammer classics, it's one of their better later films and never fails to entertain, chill and engage, making the most out of a great premise. 8/10 Bethany Cox