The Valachi Papers

I truly think if this film had come out earlier it would today be thought of as a better film. After all, it's FAR better than its current rating of 6.8. That's because 1972 was the same year that "The Godfather" debuted and the utter greatness of "The Godfather" probably overwhelmed "The Valachi Papers"---as both touch on very similar subject matter. The main difference is that "The Godfather" was based fictionalized characters and had a true elegance about the film. "The Valachi Papers" in contrast was a much more straight forward story based on real mob figures--and it's a dandy film.

The film begins in the early 1960s. Mobster Joseph Valachi is in prison and multiple attempts are made on his life. It seems that someone in the organization has talked--and the mob of bosses, Genovese (Lino Ventura) believes it was Valachi. And, not surprisingly, a contract has been placed on Valachi's head. This has the unintended consequence of forcing Valachi to to authorities. Almost all the rest of the film consists Valachi giving his story to the government agent. What follows is a very long story about Valachi's earliest days in the mob (about 1930) up to the arrest that brought him to prison--and a bit beyond.

The story is helped a lot by the films's length--a little over two hours. You'd need at least this much to tell such a long and complicated story. It also helps that Charles Bronson is given some excellent support. Among the many wonderful actors, one really surprised me--Lino Ventura. I've seen him in many French films (mostly Pierre Melville productions) and have LOVED his acting--he plays a great mobster--cold and tough. I never realized that he spoke English so well--everything I've seen him in up until now has been in French. Here, he very credibly plays an Italian-American! The script also was quite good. While not quite as human and interesting as "The Godfather", it sure was good...very, very good.

There's almost nothing negative I could say about the film other than very minor things. Bronson was too old for this role. When the film began he was supposed to be 27--but looked about twice that. Also, a few times anachronistic elements somehow made their way in--such as cars that were from the wrong time period. But, as I said, this is all very minor.Aside from this, a top quality production that deserves more recognition. Gritty, exciting and fascinating as well.

By the way, although IMDb lists the movie as being rated PG, the version I saw was way too bloody and filled with nudity to have been rated PG. The lesbian scene along would have merited a rating of R. Perhaps this was a director's cut or perhaps it was not rated PG or perhaps there were just multiple versions.

Charles Bronson starts to break out of spaghetti westerns and good character roles and becomes a leading man around the time The Valachi Papers came out. It was a big milestone in his career, playing the most famous gangster stoolie of all.

It's not quite true that all Valachi's testimony managed to do was get a lot of high television ratings for some re-election hungry Senators. Not that they didn't get it and didn't appreciate the side benefits of those famous televised hearings, but eventually what came out of the Valachi hearings was the RICO law which has in fact put quite a dent into organized crime.

The Valachi Papers has Charles Bronson telling FBI man Gerald S. O'Loughlin about his life and times in organized crime with La Cosa Nostra from the days of the Marranzano-Masseria wars until the present which would have been 1962. He doesn't really tell anything new to them, basically he confirms what had been gangster legend about the circumstances of many a demise. But with some hard documentation now, new laws are created to meet the problem.

Bronson does his best with Valachi, but the story has him pretty one dimensional. It's far from The Godfather where you really get inside the characters of the fictional Corleone family. Bronson sure has no conscience about what he did and I'm sure the real Valachi didn't either. In fact the only reason he turns informer is that Vito Genovese already mistakenly has him down as one.

Fans of the gangster genre and Charles Bronson should give this one a look. Others should see The Godfather all three parts.

This is an unfairly underrated crime film directed by Terence Young for whom it is also one of his best, a movie where he put all his "guts", if I may say. Charles Bronson and Lino Ventura, two heavies of the US and French cinema playing together, only missed Marcel Bozzuffi and Leo Gordon....yes, it is an accurate and detailed document about actual events, without excessive useless, gratuitous violence as we often saw in Italian polizziotescos of this period, the seventies. But it remains brutal, bloody in a factual violence, factual and not gratuitous. No clichés nor good guys vs evil ones scheme either. I am sure that many French Lino Ventura buffs don't know this film. Such a shame.

The following year Charles Bronson would team up with director Michael Winner as a cop on the trail of the mafia, but the year before in "The Valachi Papers" he would find himself smack in the middle of it all as former mobster Joe Valachi serving 15 years in prison with a target on his head of twenty thousand dollars by mafia capo Vito Genovese. When he learns of it with there being no way of getting out of it when receives the kiss of death. Joe decides to spill his guts on the inner workings (extortion, vengeance and murder) of LaCosa Nostra for some sort of protection for him and his family. This would be the third European film of the trot between Charles Bronson and director Terence Young with the gritty crime flick "Cold Sweat (1970)" and buddy western "Red Sun (1971)" being the two before it. Coming out the same year as the similar in vein, but masterful classic "The Godfather". "The Valachi Papers" probably came and went with little notice. While not as stylish, it managed to have scope in its tough, trim and grippingly told narration splitting between past recounting and present situations. The plot was adapted off Peter Maas' novel of the same name that covers this true account of the mafia underworld and organised crime. A steadfast Bronson perfectly nailed down the lead with excellently respectable support by the likes of Lino Ventura, Joseph Wiseman, Walter Chiari, Gerald S. O'Loughlin, Angelo Infanti and Amedeo Nazzari. Director Young does a steadily routine job, but it's well done for such a minimal and straight looking production. For a running time of just over two hours, never does it feel it or seem to drag. The workmanlike execution gives the air a brutal (one raw act of violence would have any male squirming) and hardboiled touch, crafting well etched period (through the 1930s) location details and a having profound power in its escalating dramatics. A violent, tough-talking gangster feature with fine cast associated.

America has always been a land of opportunity. For the Italians, none more so than giving rise to an American icon, the Gangster. For many years, the U.S. government denied the existence of Organized crime. Even the top U.S. law enforcement officer and head of the famed Federal Bureau of Investigation, J.Edgar Hoover, denied such an organization existed. His apathy was due in part to his own shadowy complicity with the Giancana crime family. That's pretty much how it stayed until the advent of the McClellen commission. The movie " The Valachi Papers " is the direct result of that investigation and brought to the forefront of public awareness the vast network of the underworld's crime bosses and their families. The wellspring of that knowledge was none other than the most famous gangster since Al Capone, one, Joseph Valachi. His testimony, created a healthy respect and awe for the Mafia or as Valachi termed it, La Cosa Nostra. (Our thing) This movie is a compilation of his criminal life, dastardly deeds and the revelation of some of the nation's most notable names. Men like Vito Genovese, Anastasia, 'Lucky Luciano' Don Masseria and Marazano. The film is honest when it deals with its legendary brutality and bodies are left throughout the story including its most graphic moments. The end result is perhaps the best Mafia movie since the Godfather. ****