IMDb रेटिंग
5.6/10
4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA Black prostitute and a white revolutionary must form an uneasy alliance when they are busted out of prison, then pursued by guerrillas, bounty hunters and the Army.A Black prostitute and a white revolutionary must form an uneasy alliance when they are busted out of prison, then pursued by guerrillas, bounty hunters and the Army.A Black prostitute and a white revolutionary must form an uneasy alliance when they are busted out of prison, then pursued by guerrillas, bounty hunters and the Army.
Zaldy Zshornack
- Ernesto
- (as Zaldy Zschornack)
Dindo Fernando
- Rocco
- (as Dondo Fernanco)
Bruno Punzalan
- Truck Driver
- (as Bruno Punzalah)
Subas Herrero
- Luis
- (as Ricardo Herrero)
Jesus 'Og' Ramos
- Alfredo
- (as Jess Ramos)
Andres Centenera
- Leonardo
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Prostitute Lee Daniels (Pam Grier) and revolutionary Karen Brent (Margaret Markov) are prisoners who don't get along. They are chained together on a transport to maximum security when Karen's friends try to free her. The two women manage to escape while the revolutionaries battle with the police. The women dress up as nuns and bicker with different plans. Captain Cruz wants them Dead or Alive and recruits gang leader Ruben (Sid Haig).
It's blaxploitation. It's sexploitation. It's a B-movie beyond a doubt. There are lots of boobs. The girls are bad mofos and one of them is Pam freaking Grier. Their uniforms are short. There are surprisingly funny moments like the dick measuring. It's not winning any awards although it's not trying to be that. It does what it intends to do. The title is ridiculous and perfectly memorable. All in all, it is better than it has any rights to be.
It's blaxploitation. It's sexploitation. It's a B-movie beyond a doubt. There are lots of boobs. The girls are bad mofos and one of them is Pam freaking Grier. Their uniforms are short. There are surprisingly funny moments like the dick measuring. It's not winning any awards although it's not trying to be that. It does what it intends to do. The title is ridiculous and perfectly memorable. All in all, it is better than it has any rights to be.
Wow, this one just about defies description! Although the filmmakers seem to take the project a bit too seriously, our stars (Pam Grier and Margaret Markov) seem to be enjoying themselves. There's sadistic female guards, showers, a prison break, shootouts between revolutionaries and police. This film really typifies the genre.
Despite some of the dire happenings (blood flows like water) the film has a light-hearted feel. It's pure entertainment material, and doesn't pretend to be anything else. The heroines, Grier and Markov, really are the shining lights of this piece. One wonders how they could roll in the mud and catfight their way cross-country without mussing their uniforms. Talented women, they are. A funny note, at least in my opinion, is that Grier's character wears black underpants, and Markov's white.
See it, enjoy it, have a good giggle.
Despite some of the dire happenings (blood flows like water) the film has a light-hearted feel. It's pure entertainment material, and doesn't pretend to be anything else. The heroines, Grier and Markov, really are the shining lights of this piece. One wonders how they could roll in the mud and catfight their way cross-country without mussing their uniforms. Talented women, they are. A funny note, at least in my opinion, is that Grier's character wears black underpants, and Markov's white.
See it, enjoy it, have a good giggle.
When two trouble-making female prisoners (one a revolutionary, the other a former harem-girl) can't seem to get along, they are chained together and extradited for safekeeping. The women, still chained together, stumble, stab, and cat-fight their way across the wilderness, igniting a bloody shootout between gangsters and a group of revolutionaries.
From a story by pre-fame Jonathan Demme, this is partly an homage to the 1958 classic "The Defiant Ones", which structured the same type of situation for its leading characters, played by Tony Curtis and Sidney Poitier. Then we bring on director Eddie Romero, who was an actual Filipino director who worked primary in the Tagalog language. Well done, AIP, for not bringing in your own guy.
There were a number of jungle revolutionary films in the early 1970s, starting with Jack Hill's "Big Doll House" (1971), also starring Pam Grier. Actually, Grier was the queen of 1970s Filipino jungle women-in-prison films, also appearing in Hill's "The Big Bird Cage" (1972), plus Gerardo de León's "Women in Cages" (1971). Grier really made her name in these type of films before transitioning to "Foxy Brown".
Grier's co-star Margaret Markov also appeared in "The Hot Box" (again written by Jonathan Demme). She starred opposite Pam Grier again in "The Arena" (1974). She never quite reached the level of Grier because during the making of the latter she started dating producer Mark Damon (who had risen to fame through Roger Corman); the two later married and Markov retired.
The Arrow Video disc features an audio commentary with filmmaker Andrew Leavold, director of "The Search for Weng Weng". He loves to recommend the documentary "Machete Maidens Unleashed", and I would second that if you want to see how "Black Mama" fits into the whole Filipino action film cycle.
We also have new interviews with stars Margaret Markov and Sid Haig. Markov covers the entire breadth of her career, even spending time discussing Rock Hudson and Gene Roddenberry on "Pretty Maids All in a Row" (1971). Haig had many films in Philippines, so he has a few tales to tale. We are treated to a previously unseen archive interview with director Eddie Romero. (Exactly why an interview would have been filmed and not used, I don't know.) What is missing? An interview or commentary from David Sheldon, as on the disc for "Sheba Baby". Sheldon has contributed by far the best audio commentary in years, and we really need more of those from him.
***
From a story by pre-fame Jonathan Demme, this is partly an homage to the 1958 classic "The Defiant Ones", which structured the same type of situation for its leading characters, played by Tony Curtis and Sidney Poitier. Then we bring on director Eddie Romero, who was an actual Filipino director who worked primary in the Tagalog language. Well done, AIP, for not bringing in your own guy.
There were a number of jungle revolutionary films in the early 1970s, starting with Jack Hill's "Big Doll House" (1971), also starring Pam Grier. Actually, Grier was the queen of 1970s Filipino jungle women-in-prison films, also appearing in Hill's "The Big Bird Cage" (1972), plus Gerardo de León's "Women in Cages" (1971). Grier really made her name in these type of films before transitioning to "Foxy Brown".
Grier's co-star Margaret Markov also appeared in "The Hot Box" (again written by Jonathan Demme). She starred opposite Pam Grier again in "The Arena" (1974). She never quite reached the level of Grier because during the making of the latter she started dating producer Mark Damon (who had risen to fame through Roger Corman); the two later married and Markov retired.
The Arrow Video disc features an audio commentary with filmmaker Andrew Leavold, director of "The Search for Weng Weng". He loves to recommend the documentary "Machete Maidens Unleashed", and I would second that if you want to see how "Black Mama" fits into the whole Filipino action film cycle.
We also have new interviews with stars Margaret Markov and Sid Haig. Markov covers the entire breadth of her career, even spending time discussing Rock Hudson and Gene Roddenberry on "Pretty Maids All in a Row" (1971). Haig had many films in Philippines, so he has a few tales to tale. We are treated to a previously unseen archive interview with director Eddie Romero. (Exactly why an interview would have been filmed and not used, I don't know.) What is missing? An interview or commentary from David Sheldon, as on the disc for "Sheba Baby". Sheldon has contributed by far the best audio commentary in years, and we really need more of those from him.
***
Eddie Romero's "Black Mama, White Mama" aka "Chained Women" of 1972 is a stylish and funny 'Women in Prison' exploitation flick full of the usual ingredients like violence, catfights and shower- and lesbian scenes. The movie's highlight is, of course, the great Pam Grier.
Locked up in a brutal prison camp on a tropical island, blonde revolutionary Karen Brent(Margaret Markov) and former black prostitute Lee Daniels (Pam Grier) are constantly having beef with each other. Chained together by the sadistic lesbian prison wardens, the two escape from a con transport. Chased by henchmen of the drug-lord who used to have Lee locked up as a harem-girl, gangsters and the police, the two fugitives have different destinations. While Karen has to find her guerrilla friends, Lee must reach a boat with a case full of cash. On the run, the two have quite some fights, but since they are chained together, they have to get along.
"Black Mama, White Mama" is pretty violent and a typical exploitation flick, lots of shootouts, occasional torture, many catfights and naked breasts. The acting in this movie differs. Pam Grier is great as always, and so is sexy Margaret Markov as Karen. Sid Haig's performance as Ruben, a slightly insane gangster in a cowboy outfit, is another highlight in "Black Mama, White Mama" and makes the movie a lot funnier. The rest of the acting is nothing special, typical B-movie performances, some better some worse. A fan of Pam Grier and lover of blaxploitation classics like "Coffy" as well as films like "Jackie Brown", I found "Black Mama, White Mama" very entertaining. Not one of Pam Grier's best movies, but better than most 'Women's prison' flicks, this is a violent and fun film and definitely worth watching.
Locked up in a brutal prison camp on a tropical island, blonde revolutionary Karen Brent(Margaret Markov) and former black prostitute Lee Daniels (Pam Grier) are constantly having beef with each other. Chained together by the sadistic lesbian prison wardens, the two escape from a con transport. Chased by henchmen of the drug-lord who used to have Lee locked up as a harem-girl, gangsters and the police, the two fugitives have different destinations. While Karen has to find her guerrilla friends, Lee must reach a boat with a case full of cash. On the run, the two have quite some fights, but since they are chained together, they have to get along.
"Black Mama, White Mama" is pretty violent and a typical exploitation flick, lots of shootouts, occasional torture, many catfights and naked breasts. The acting in this movie differs. Pam Grier is great as always, and so is sexy Margaret Markov as Karen. Sid Haig's performance as Ruben, a slightly insane gangster in a cowboy outfit, is another highlight in "Black Mama, White Mama" and makes the movie a lot funnier. The rest of the acting is nothing special, typical B-movie performances, some better some worse. A fan of Pam Grier and lover of blaxploitation classics like "Coffy" as well as films like "Jackie Brown", I found "Black Mama, White Mama" very entertaining. Not one of Pam Grier's best movies, but better than most 'Women's prison' flicks, this is a violent and fun film and definitely worth watching.
Dig it! You've got your black mama. You've got your white mama. You've got your lesbian prison guards. You've got your female prison shower scene. (That lasts about 5 minutes). You've got your tough Filipino gangsters. You've got your corrupt police man. You've got a Che Guevara like revolutionary leader. Put this together and what do you get? Pure cinematic goodness. This isn't a great movie. But hell, its a lot of fun. Pam Grier is great as usual as one of the mama's.(I'll let you guess which one.) Plenty of violence and nudity to spare. Don't go looking for this in the family section of your video store. Oh yeah, the story was written by Jonathan Demme. (Seriously!)
क्या आपको पता है
- गूफ़The short yellow dresses worn by the leading actresses become dirty due to fights, explosions, climate; but they magically become clean again in immediately following scenes.
- भाव
Warden Logan: Keep it up and you could go blind.
Matron Densmore: Piss off!
- इसके अलावा अन्य वर्जनThe film was heavily cut for its original UK theatrical release (as "Hot, Hard and Mean"). Video releases used the original "Black Mama, White Mama" title and were cut by 53 secs with edits to the rape of Brent and the torture scene. These cuts were fully waived for the 2003 MGM DVD.
- साउंडट्रैकBlack Mama White Mama (Main Title) - Bus Ride
Written and Produced by Harry Betts
Performed by Harry Betts And His Orchestra
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Black Mama White Mama?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $2,00,000(अनुमानित)
- चलने की अवधि1 घंटा 27 मिनट
- रंग
- पक्ष अनुपात
- 1.85 : 1
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