Black Mama White Mama

Wow, this one just about defies description! Although the filmmakers seem to take the project a bit too seriously, our stars (Pam Grier and Margaret Markov) seem to be enjoying themselves. There's sadistic female guards, showers, a prison break, shootouts between revolutionaries and police. This film really typifies the genre.

Despite some of the dire happenings (blood flows like water) the film has a light-hearted feel. It's pure entertainment material, and doesn't pretend to be anything else. The heroines, Grier and Markov, really are the shining lights of this piece. One wonders how they could roll in the mud and catfight their way cross-country without mussing their uniforms. Talented women, they are. A funny note, at least in my opinion, is that Grier's character wears black underpants, and Markov's white.

See it, enjoy it, have a good giggle.

Eddie Romero's "Black Mama, White Mama" aka "Chained Women" of 1972 is a stylish and funny 'Women in Prison' exploitation flick full of the usual ingredients like violence, catfights and shower- and lesbian scenes. The movie's highlight is, of course, the great Pam Grier.

Locked up in a brutal prison camp on a tropical island, blonde revolutionary Karen Brent(Margaret Markov) and former black prostitute Lee Daniels (Pam Grier) are constantly having beef with each other. Chained together by the sadistic lesbian prison wardens, the two escape from a con transport. Chased by henchmen of the drug-lord who used to have Lee locked up as a harem-girl, gangsters and the police, the two fugitives have different destinations. While Karen has to find her guerrilla friends, Lee must reach a boat with a case full of cash. On the run, the two have quite some fights, but since they are chained together, they have to get along.

"Black Mama, White Mama" is pretty violent and a typical exploitation flick, lots of shootouts, occasional torture, many catfights and naked breasts. The acting in this movie differs. Pam Grier is great as always, and so is sexy Margaret Markov as Karen. Sid Haig's performance as Ruben, a slightly insane gangster in a cowboy outfit, is another highlight in "Black Mama, White Mama" and makes the movie a lot funnier. The rest of the acting is nothing special, typical B-movie performances, some better some worse. A fan of Pam Grier and lover of blaxploitation classics like "Coffy" as well as films like "Jackie Brown", I found "Black Mama, White Mama" very entertaining. Not one of Pam Grier's best movies, but better than most 'Women's prison' flicks, this is a violent and fun film and definitely worth watching.

When two trouble-making female prisoners (one a revolutionary, the other a former harem-girl) can't seem to get along, they are chained together and extradited for safekeeping. The women, still chained together, stumble, stab, and cat-fight their way across the wilderness, igniting a bloody shootout between gangsters and a group of revolutionaries.

From a story by pre-fame Jonathan Demme, this is partly an homage to the 1958 classic "The Defiant Ones", which structured the same type of situation for its leading characters, played by Tony Curtis and Sidney Poitier. Then we bring on director Eddie Romero, who was an actual Filipino director who worked primary in the Tagalog language. Well done, AIP, for not bringing in your own guy.

There were a number of jungle revolutionary films in the early 1970s, starting with Jack Hill's "Big Doll House" (1971), also starring Pam Grier. Actually, Grier was the queen of 1970s Filipino jungle women-in-prison films, also appearing in Hill's "The Big Bird Cage" (1972), plus Gerardo de León's "Women in Cages" (1971). Grier really made her name in these type of films before transitioning to "Foxy Brown".

Grier's co-star Margaret Markov also appeared in "The Hot Box" (again written by Jonathan Demme). She starred opposite Pam Grier again in "The Arena" (1974). She never quite reached the level of Grier because during the making of the latter she started dating producer Mark Damon (who had risen to fame through Roger Corman); the two later married and Markov retired.

The Arrow Video disc features an audio commentary with filmmaker Andrew Leavold, director of "The Search for Weng Weng". He loves to recommend the documentary "Machete Maidens Unleashed", and I would second that if you want to see how "Black Mama" fits into the whole Filipino action film cycle.

We also have new interviews with stars Margaret Markov and Sid Haig. Markov covers the entire breadth of her career, even spending time discussing Rock Hudson and Gene Roddenberry on "Pretty Maids All in a Row" (1971). Haig had many films in Philippines, so he has a few tales to tale. We are treated to a previously unseen archive interview with director Eddie Romero. (Exactly why an interview would have been filmed and not used, I don't know.) What is missing? An interview or commentary from David Sheldon, as on the disc for "Sheba Baby". Sheldon has contributed by far the best audio commentary in years, and we really need more of those from him.

***

Kudos to Pam Grier, the only woman with her own genre. Where else can you find a woman't prison, 3 race shower scene, Philippino gangsters, revolutionaries, and chase scenes reminiscent of the recent "Run." Not her best, but right up there, a definite recommendation for all you Pam Grier fans.

Hellcats/The Hot Box duo Viola and Demme next paired the winning combination of Pam Grier and Sid Haig in yet another prison film, Women In Chains/Black Mama White Mama. Blonde revolutionary Margaret Markov and sworn enemy Grier, who thinks Markov's revolution is "jive-ass", bust out of prison chained together in a 70s gender reversal of The Defiant Ones. They continue to bitch and scratch each other as they head across the countryside (at one point dressed as nuns!) to meet up with Markov's bandit buddies. Sid Haig is the comedy relief in a cowboy hat as the lead bandit, and in one scene has two naked women riding him like a horse. Haig continued to work with Pam in Coffy and Foxy Brown, and was much later cast by Tarantino in a fitting touch as the sympathetic judge across from Grier in Jackie Brown.