Bless This House

From what I have seen of the TV series, it is a very enjoyable one that is funny and relaxing to watch. This spin off movie is not too bad, but it is nothing exceptional.

The good things: It is nicely filmed, the cinematography is very nice and the scenery lush, and the music is beautiful, it has a nice whimsical feel to it. The costumes are also nice to look at, by today's standards perhaps the fashion may be outdated and perhaps naff but in a glorious way. The best thing though is the casting. Sidney James, who I have loved since the Carry On franchise(which I admit I still enjoy), is incomparable as Sid. He just has a warm and fun presence whenever he is on screen as the grouchy father, and it is this presence that saves the film. The remainder of the cast are good too, Sally Geeson is rather so-so in the acting department, though it was nice to see her in a bikini, but Peter Butterworth, Wendy Richard, Diana Coupland and June Whitfield are great value.

The not so good things: The film does feel a little too short, at only 85 or so minutes. If it was made 5 minutes longer, some scenes could have been expanded on. The script does have some funny exchanges such as "Has his steering gone?" "I don't know whether it is his steering, or him!", but some of the material doesn't quite make the most of the running time. The humour here is amusing but nothing quotable or side-splittingly funny, and there were times when the slapstick was a little too much.

Overall, not bad, but unexceptional. 7/10 Bethany Cox

1970's British light comedy based on a popular TV series.

It's soft, warming, harmless wallpaper. There's a lack of imagination about the whole thing - but it's gentle and inoffensive. The cast, including the minor roles, such as the waitress played by Wendy Richards, are familiar British situation comedy actors. It's that cosy familiarity that is the making or breaking of the piece. Making a film based on a TV series is rarely a good idea. What may be a pleasant half-hour spent at home while chatting to friends and family, can become stretched and dull over three times that length. There are plenty of better ways of passing the time than watching this damp squid.

Ostensibly "Bless This House" is a cinema spin-off from a hit television sitcom, and a rapid one at that. But it can also be treated as a continuation of the "Carry On" film series, by far the most successful comedies in British screen history.

That cycle, already over 20 years old, was near exhaustion: too many of its repertory company were looking and feeling their years to remain funny in saucily physical capers. "Bless This House" guides them into middle aged domesticity without forfeiting all the "Carry On" spirit of mischief and misrule.

Behind the camera, the producer, director and composer were "Carry On" veterans too, though screenplay duties passed from the incomparably lewd Talbot Rothwell to Dave Freeman. The TV concept is intact: Sid James, too long in the tooth to chase girls, is now a modestly prosperous semi-detached suburban salesman. His taste for football and booze is constrained by his duties to a wife who wants more independence, a disheveled art student son and a naive schoolgirl daughter. The arrival of a stuffy next-door neighbour gives Sid more headaches, but after mild pratfalls and back chat, all ends well at the altar. "Animal House" it isn't.

James, now pipe smoking and cardigan, retains the most suggestive laugh on screen. Diana Coupland, a band singer turned actress, is a nicely supportive, sometimes indignant foil. As the simian son, Robin Askwith gives his buttocks less of a rhythmical workout than in the contemporary "Confessions" films. Sally Geeson, sister of Judy, squeaks and flaps as the idealistic daughter.

A ripe selection of character comedians surrounds the family, led by Terry Scott and June Whitfield as the new neighbors. They almost make the production a spin-off of their long-running marital sitcom as well, albeit Scott's film character is more pompous.

Allusions to hippiedom, Women's Lib and ecological doom-mongering (Geeson devours an Ehrlich-like tract called "Mankind is Doomed" and leads the Junior Anti-Pollution League) place the film firmly in the glamrock Seventies, but its core is pretty timeless domestic humour. Sid looks weary and too much under the cosh of domesticity at times, but his timing and delivery are crisp as ever. The move from TV allows more expansive slapstick and quicker storytelling; the spirit of the original, which ran till James's death four years later, is preserved.

Like the "Carry Ons", these sitcom spin-offs were critically derided when released. They look far better now. "Porridge" and "Dad's Army" are the cream; as on television, "Bless This House" is not in their league, but it remains a mildly funny and endearing time killer 30 years on, like "On the Buses" and "For the Love of Ada". It seemed this domestic kind of sitcom had been banished for ever by the pseudo-sophisticates and neophilias who run British television, but the success of BBC1's "My Family" (created by an American abroad) echoes the Abbotts in their tree-lined ITV avenue.

The British TV Sitcoms of the seventies almost all had one thing in common: an inability to forecast changes in fashion and youth culture, and an instantly dated quality that created instant classics. Advice to all non-British surfers - catch this movie, it will give a better insight into life in the UK in the seventies than any more reputable source. Along with On The Buses, Porrige, and others, this movie stands out for great performances by Sid James (catch any Carry On.... movie he's in) , Diana Coupland, Sally Geeson and Robin Askwith as the disfunctional family that started it all!

I came to this film as somebody who'd never watched an episode of the television series of which it's a spin off and I went away having enjoyed it. It's no classic, for sure, but it does prove to be a pacey, gag-packed and charming way to spend an hour and a half.

The film is, in essence, a time capsule of the early 1960s, with all the outrageous fashions you could wish for. Sid James plays himself as an irascible family man, forever at the mercy of his nagging wife, cute daughter Sally (sister of Judy) Geeson and cheeky son Robin Askwith (CONFESSIONS OF A WINDOW CLEANER).

The loose plot sees popular comedy tag-team, Terry Scott and June Whitfield, moving in next door at which point all manner of over-the-garden-fence hijinks occur. There aren't really any stand-out gags to mention, but most of the cast are quite charming and there's plenty of mileage in the illegal-distillery antics in the garden shed.

With Gerald Thomas directing and Peter Rogers producing (not to mention Sid James starring) this feels very much like a late CARRY ON film, and it has an easygoing edge over some of the lacklustre entries in that series. Enjoyment also comes from nostalgia of the era, and in the excellent supporting cast (including Bill Maynard, Peter Butterworth, Patsy Rowlands, Marianne Stone and Frank Thornton).