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Aguirre: The Wrath of God

ओरिजिनल टाइटल: Aguirre, der Zorn Gottes
  • 1972
  • Not Rated
  • 1 घं 35 मि
IMDb रेटिंग
7.8/10
66 हज़ार
आपकी रेटिंग
लोकप्रियता
4,347
713
Klaus Kinski in Aguirre: The Wrath of God (1972)
Trailer for Aguirre: The Wrath of God
trailer प्ले करें1:37
3 वीडियो
99+ फ़ोटो
Questएडवेंचर एपिकजंगल एडवेंचरट्रेजेडीमनोवैज्ञानिक ड्रामाइतिहासएक्शनएडवेंचरजीवनीड्रामा

अपनी भाषा में प्लॉट जोड़ेंIn the 16th century, the ruthless and insane Don Lope de Aguirre leads a Spanish expedition in search of El Dorado.In the 16th century, the ruthless and insane Don Lope de Aguirre leads a Spanish expedition in search of El Dorado.In the 16th century, the ruthless and insane Don Lope de Aguirre leads a Spanish expedition in search of El Dorado.

  • निर्देशक
    • Werner Herzog
  • लेखक
    • Werner Herzog
  • स्टार
    • Klaus Kinski
    • Ruy Guerra
    • Helena Rojo
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.8/10
    66 हज़ार
    आपकी रेटिंग
    लोकप्रियता
    4,347
    713
    • निर्देशक
      • Werner Herzog
    • लेखक
      • Werner Herzog
    • स्टार
      • Klaus Kinski
      • Ruy Guerra
      • Helena Rojo
    • 287यूज़र समीक्षाएं
    • 124आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 4 जीत और कुल 3 नामांकन

    वीडियो3

    Aguirre: The Wrath of God
    Trailer 1:37
    Aguirre: The Wrath of God
    Aguirre: The Wrath Of God: Get Out Of My Way!
    Clip 3:20
    Aguirre: The Wrath Of God: Get Out Of My Way!
    Aguirre: The Wrath Of God: Get Out Of My Way!
    Clip 3:20
    Aguirre: The Wrath Of God: Get Out Of My Way!
    Aguirre: The Wrath Of God: Who Else Is With Me?
    Clip 3:20
    Aguirre: The Wrath Of God: Who Else Is With Me?

    फ़ोटो122

    पोस्टर देखें
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    + 114
    पोस्टर देखें

    टॉप कलाकार28

    बदलाव करें
    Klaus Kinski
    Klaus Kinski
    • Don Lope de Aguirre
    Ruy Guerra
    Ruy Guerra
    • Don Pedro de Ursúa
    Helena Rojo
    Helena Rojo
    • Inez de Atienza
    Del Negro
    • Brother Gaspar de Carvajal
    Peter Berling
    Peter Berling
    • Don Fernando de Guzmán
    Cecilia Rivera
    Cecilia Rivera
    • Flores
    Daniel Ades
    • Perucho
    Edward Roland
    • Okello
    Alexandra Cheves
      Armando Polanah
      • Armando
      Daniel Farfán
      Julio E. Martínez
        Alejandro Repullés
        • Gonzalo Pizarro
        Indianern der Kooperative Lauramarca
        Claus Biederstaedt
        Claus Biederstaedt
        • Brother Gaspar de Carvajal
        • (वॉइस)
        • (बिना क्रेडिट के)
        Lothar Blumhagen
        • Don Pedro de Ursua
        • (वॉइस)
        • (बिना क्रेडिट के)
        Heinz Theo Branding
        Heinz Theo Branding
        • Don Fernando de Guzman
        • (वॉइस)
        • (बिना क्रेडिट के)
        Christian Brückner
        • Balthasar
        • (वॉइस)
        • (बिना क्रेडिट के)
        • निर्देशक
          • Werner Herzog
        • लेखक
          • Werner Herzog
        • सभी कास्ट और क्रू
        • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

        उपयोगकर्ता समीक्षाएं287

        7.865.9K
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        फ़ीचर्ड समीक्षाएं

        cinemadaz

        Herzog's masterpiece

        AGUIRRE: THE WRATH OF GOD (1972) Spaniards in search of El Dorado descend down an intense mountain peak with barely a path on it. Men slosh through a wet jungle forest with cannibals, dragging horses, cannons and women on thrones with them. Rafts try to navigate harsh rapids with no end in sight, sending one of them into a whirlpool. This is the first ten minutes. And it is probably easier than what it took to make the film.

        Werner Herzog's masterpiece follows Klaus Kinski as a conquistador leading a group of men through his personal madness in Peru, searching for the mythical city of gold. Kinski wasn't an actor, he was a time-traveller, and his performances for Herzog are his best. My favorite scene of all his work is in this film early-on: as the huge group of slaves struggle and burn their souls carrying a woman on a throne-chair against the unforgiving jungle mud and trees, Kinski suddenly appears in the middle to offer a helping hand. He writhes and morphs, grabbing the slaves and shoving them, screaming at the top of his lungs, "Fools!!! The sedan chair is stuck!"

        AGUIRRE is what got Herzog noticed around the world as part of a new group of German filmmakers along with Fassbinder and Wenders. His previous film was EVEN DWARVES STARTED SMALL, which resulted in Kinski calling him, "A mere dwarf director." The battles between he and Kinski should be legendary by now. The final result in Herzog stating he will grab his gun and kill both himself and Kinski as the actor was threatening to leave the production. Kinski was convinced and finished the film.

        This story and more is part of the excellent analog track by Herzog, covering all of the hardcore production that overwhelms the more famous Coppola problems making Apocalypse Now. Herzog didn't have millions of dollars, rather 300 grand, had to live on the rafts for months and deal with the jungle and Kinski. But he never bitches - you do what you have to do, and the film is never compromised, from the costumes, the beautiful real locations and the boat hanging in the tree to the eerie group of small monkeys at the end (which Herzog had to steal, even though he paid for them). The analog track is constant (many now seem to take pauses to watch the film) with background on the idea, actors, filming and philosophies. Yes, that is a real mummy in the cannibal camp, for which Herzog's brother had to buy a passenger ticket for the plane ride over.

        The DVD is another fantastic release giving the nice treatment to a title that can't be making them millionaires. The image looks great and is not letterboxed, so I assume that that is how Herzog prefers it. The three trailers didn't add much to the presentation, but that's a minor point. When they are finished with the entire Herzog collection, it will be one of the most fascinating career studies on DVD.
        futures-1

        Director Herzog is not a cheerleader for humans.

        "Aguirre, the Wrath of God": Werner Herzog is one of my all-time favorite film makers, and this is one of my favorite films by him. Actually taken from the diary of the priest who accompanied Pizarro's expedition in 1560, Herzog recreates the pretentious and self-deluded search for the "Lost City of Gold - Eldorado".

        Herzog likes true stories...ones that are bizarre in their own right, but with his direction and personal vision, they become profound (and never optimistic). The camera work is always interesting (he single-handedly "patented" camera shots that don't sweep - they ("you") stare and stare - and stare - at a thing or person or place until it becomes abstract, intense, beautiful, threatening, profound), the scoring is always appropriate yet never expected, and his casting, often using the unique talents of the late Klaus Kinski, guarantee nothing less than an intense experience...even in a film like "Aguirre", which SLOWLY claws and slogs it's way along each and every slippery, dangerous, foreign mile of jungle.

        It is clear Herzog 'focuses' on the ridiculously high beliefs humans create for and hold of themselves - that they could actually "own" anything, "conquer" anything, outwit that which they do not understand, and by sheer Will cause anything they deem important, to exist. Herzog is NOT a cheerleader for the history of humans, but he is a ponderer... and we are fortunate he does it on film.
        bob the moo

        A fascinating and engaging descent into madness

        A Spanish expedition is sent out to travel deep into the jungle and find the legendary city of El Dorado and recover its gold for the throne of Spain. Quickly the expedition gets into trouble and leader Don Pedro de Ursua decides that they must turn back. However to do this is not an option to Don Lope de Aguirre, who leads a violent rebellion, culling those loyal to Ursua and officially breaking off ties with Spain. The group continue down the river in search of their goal but conditions are hard and it is only the increasingly unrealistic aims of Aguirre that drives them onwards.

        In both the film and the making of the film this is best sold as a medieval Apocalypse Now as it has a great collection of stories behind it while also being an interesting journey into the mouth of madness. The "making of" is told better other places than I can do here so I shan't bother, but suffice to say that at times the film feels like Herzog is just watching his cast to see what happens and not just following his characters. The plot sees them gradually fall from the pomp and civility that they start the film with and this is no surprise, but the manner in which it happens is still interesting and engaging. Some viewers may find it going where they expect it to, but this should not surprise anyone and it shouldn't stop the majority of people enjoying the journey.

        Herzog's direction is strong throughout. He does well with what was a very difficult shoot and he gets plenty of strong shots out of it – all of which still stand up as being impressive by today's standards. His direction of actors may not have been quite as good but the performances are still very good. Kinski is very strong in the lead role and, whether acting or not, he is totally convincing as he loses touch with reality. The support are all good, although Kinski is obviously where the picture is.

        Overall an impressive film that is more worthwhile watching because of the stories behind it. The narrative may be simple and obvious enough but it is still very engaging as a journey or rather descent. Is maybe praised a little bit too highly by some but is a fascinating film regardless.
        8Xstal

        Conkers Conqueror Goes Even More Bonkers...

        ... in his pursuit of the gold of El Dorado while exhibiting incestuous thoughts towards his daughter and a belief he is god - with a supporting cast of treason, mutiny, murder, slavery, cannibalism and monkeys: you consider yourself fortunate not to have been part of the Spanish, or indeed any countries ruthless empire building in the past.

        You are however grateful, for the vision and inspirational insight brought to you by Werner Herzog, leaving you transfixed by the pioneers plight, surroundings (visual and audible), naivety and ignorance in their futile quest for immortality and riches. When you couple all this with the challenges of the films gestation, the time of its inception and the instability and unpredictable nature of Klaus Kinski; that it was ever birthed in the first instance turns it into a treasure worth discovering, or rediscovering if you've mislaid your ability to explore new cinematic horizons.
        9kyle_c

        **** out of ****

        Stunning, dreamlike film documents (in a somewhat documentary style), the story of Don Lope de Aguirre (Klaus Kinski), who leads a group of Spanish conquistadors into the depths of the jungle in search for El Dorado, the mythical city of gold. Beautiful cinematography and locations place the viewer into the heart of the jungle, where they witness firsthand Aguirre's descent into madness. Continually interesting and exciting, it features some of the greatest images ever committed to film, most notably the opening and closing shots of the movie.

        इस तरह के और

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        Angst essen Seele auf
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        ड्रामा

        कहानी

        बदलाव करें

        क्या आपको पता है

        बदलाव करें
        • ट्रिविया
          During a particularly rowdy night of production, Klaus Kinski, irritated by the noise from a hut where cast and crew were playing cards, repeatedly fired with a Winchester rifle into it. One of the bullets took the tip of an unnamed extra's finger off. Werner Herzog immediately confiscated the weapon and it remains his property to this day.
        • गूफ़
          The indigenous Peruvians wear clothes that were imported by Europeans in the 19th century.
        • भाव

          Don Lope de Aguirre: That man is a head taller than me. That may change.

        • इसके अलावा अन्य वर्जन
          The early 2000's DVD release is missing the opening shot (after the text scroll) of the clouds parting to reveal the mountains. It simply opens on the shot following the line of people descending the narrow mountain trail. It also is missing the title credits over the river water. Earlier U.S. video versions were missing these titles as well, but kept the footage so that the film had several seemingly unmotivated long shots of the flowing water.
        • कनेक्शन
          Edited into Spisok korabley (2008)
        • साउंडट्रैक
          Aguirre, Der Zorn Gottes (Lacrime Di Re)
          Written by Florian Fricke

          Performed by Popol Vuh

          Published by Edition Intro Meisel

          Courtesy of Gammarock Music

        टॉप पसंद

        रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
        साइन इन करें

        अक्सर पूछे जाने वाला सवाल19

        • How long is Aguirre, the Wrath of God?Alexa द्वारा संचालित
        • Where was the opening scene filmed where the caravan is walking down the mountain?

        विवरण

        बदलाव करें
        • रिलीज़ की तारीख़
          • 29 दिसंबर 1972 (पश्चिम जर्मनी)
        • कंट्री ऑफ़ ओरिजिन
          • पश्चिम जर्मनी
          • मैक्सिको
          • पेरू
        • भाषाएं
          • जर्मन
          • केचुआ
          • स्पेनिश
        • इस रूप में भी जाना जाता है
          • Aguirre, the Wrath of God
        • फ़िल्माने की जगहें
          • Huayna Picchu, Peru(mountain with stone stairway in the opening scene)
        • उत्पादन कंपनियां
          • Werner Herzog Filmproduktion
          • Hessischer Rundfunk (HR)
          • Estudios Churubusco Azteca S.A.
        • IMDbPro पर और कंपनी क्रेडिट देखें

        बॉक्स ऑफ़िस

        बदलाव करें
        • बजट
          • $3,70,000(अनुमानित)
        • दुनिया भर में सकल
          • $37,794
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        तकनीकी विशेषताएं

        बदलाव करें
        • चलने की अवधि
          • 1 घं 35 मि(95 min)
        • रंग
          • Color
        • ध्वनि मिश्रण
          • Mono
        • पक्ष अनुपात
          • 1.37 : 1

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