1776

Well, most comments here have already mentioned the great things about this movie (its music, acting, accuracy), so I just want to put in a word for something I *haven't* seen mentioned yet: the dialogue of the film. Nearly all the dialogue is directly taken from letters/speeches by the actual Founding Fathers, and whatever isn't direct quotes (such as the songs) is paraphrased. This is especially true for John Adams' dream sequences with his wife Abigail (one of the greatest love stories in history) The writers wanted to present Adams, Jefferson, Franklin, and the others as truthfully as possible -- and they succeeded!

A side comment: the film isn't just made for Americans. I recommended it to some of my friends in India, and they loved it. You don't even need to know anything about American history or the Declaration of Independence to "get" the movie -- it stands on its own!

Another amazing thing about this movie is its drama. You know from the beginning what's going to happen, but you're still caught up in the drama of the film.

1776 is a masterful representation of the emotion, logic and debate, leading to the critical creation and signing of the Declaration of Independence. It captures, beautifully and subtly, the moment the colonies crossed the line, one by one, to leave England's rule.

The writing is superb, and the direction is perfection itself. The music and lyrics add a bold exclamation point, for they range from funny to serious, simple to complex, in the richness of sound and appropriateness of placement.

Leading the charge is the cantankerous character of John Adams (William Daniels). It is nothing less than a remarkable and brilliant portrayal, probably one of the most difficult, and yet one of the best ever played. Daniels walks a very fine line, depicting the essence of a man who grates on his friends and foes, yet quickly pulls the audience to his side. You can't help but feel the desperation, frustration and passion of Adams, as he tries to persuade and pull reluctant and loyalist colonial representatives to his cause.

Frank Da Silva's Ben Franklin is equal to the challenge of the quality performance given by Daniels. Franklin is certainly the more popular figure among the characters, but nevertheless has many complexities, expertly brought out by the quality writing and Da Silva's fine skill as an actor of high caliber.

It is hard to write a review of such a fine film, without mentioning all the magnificent performances by a remarkably talented cast. It is far easier, and much more pleasurable, to simply view the film. Pay attention to the lighting and choreography. Watch the meeting room transform from a rather plain space, to one of intensity, as the room goes from static and flat, to lively and dramatic. It follows the mood of the film, as the issue of independence is moved from a side issue, to weave its way to the forefront. The oversized calendar reminds one of the ticking of a clock, as the days move inevitably to July 4th. And while we know the outcome of the events, it is too easy to be drawn into the process, and become captured by the suspense of those last six weeks leading to the formation of a new nation. The tally board, which records the votes of the colonies, also looms large on the wall. The movement from left to right, for and against independence, also adds to the suspense and drama of the film.

There are lighthearted moments, and witty banter, among the characters, as one would expect. But there are surprises too. And the viewer gets to see an amazing transformation of the irritable Adams to a much softer person, when he corresponds with Abigail. Please add 1776, with confidence, to your list of must-see movies. I think it is as fresh today as it was 30-years ago. It is time for a film re-release, or at least a revival on Broadway, but since such things rarely happen, do yourself a favor and rent or buy the movie. Personally, I think it was the finest of its kind. Can one rate it higher than a ten? Would that I could, for it deserves it. Kudos to the writer, director, and amazing cast. It was, for many, their very best performances, both behind the scenes and in front of the camera.

1776 is the 1972 film version of the groundbreaking Broadway musical that chronicles the people and events that led to the writing and signing of the Declaration of Independence. The musical centers on soon to be second President, John Adams, who according to this musical was a tireless but obnoxious advocate for the thirteen colonies independence from Great Britain and it was his zeal for this cause that led him to being central to the creation of the Declaration of Independence. William Daniels brilliantly recreates his Tony-winning Broadway role as John Adams, the restless and ever-vocal spokesperson for Independence who would not be silenced. He receives solid support from Howard da Silva, who does a scene stealing turn as Benjamin Franklin, Ken Howard as Thomas Jefferson, John Cullum as Edmund Rutledge, and the lovely Blythe Danner as Martha Jefferson. Virginia Vestoff also recreates her Broadway role as Abigail Adams, John's wife who is presented as communicating with John through letters brought to life. The heart-pumping musical score features highlights such as "Sit Down, John", "He Plays the Violin", "Yours, Yours, Yours", "But Mr. Adams", "The Egg", "The Lees of Old Virginia", and the haunting "Molasses to Rum" (brilliantly performed by Cullum). One number, "Cool Considerate Men" was cut during the film's original release but has been restored to some prints. If you're a musical comedy fan with an open mind willing to experience something a little different, give this treasure a try.

I don't usually like musicals but I absolutely loved this. The songs were entertaining, the dialogue very witty and the acting was of an extremely high calibre - a cut above most films in my opinion. I'm a big history buff and I studied early US history in college last year so I found the storyline, particularly the debates over the Declaration of Independence, fascinating.

William Daniels as John Adams stole the show. He was the best actor in a very strong cast and I was captivated from the very first scene. He has such a cool voice. (But no matter what he's done in his career, he's always be Mr. Feeny to me!) I've always admired the real John Adams to boot so he made an engaging protagonist. Howard de Silva as Benjamin Franklin was another definite highlight acting wise.

Sherman Edwards was a modest teacher of history when he got the idea of creating a musical telling of the tale of the birth of the United States. As it turned out, even though the story of the Declaration of Independence was one most every American schoolchild knew, there was a lot more to it than the signing of a paper and the ringing of a bell.

The Broadway version of "1776" became a sensation with audiences and went on to win the Tony Award for Best Musical of 1969.

During this era of film-making, the musical was still considered to be a draw for audiences, so it was natural to take this show and bring it to the big screen. And best of all, John Warner brought the bulk of the cast from the show to the film. William Daniels IS John Adams to a lot of people, and his portrayal of the feisty proponent for independence is one of the great performances of any "real life" character. Daniels is equaled by his fellow Congressional cohorts, Ken Howard as the author of the document, Thomas Jefferson, and the amazing Howard Da Silva as the good doctor, Benjamin Franklin.

To me, the most remarkable element is the facts of the story are pretty much accurate, the timing of the events, measured with a wall calendar, keeps the tension going as we count down to that particular date... July 1st, 2nd, 3rd...

But it's more than just the story of the founding of the country, it's a love story, or really two, with the Jeffersons Martha, played by Blythe Danner and the Adams pair, with the incredible Virginia Vestoff as John's Abigail who interacts with her husband only in his mind.

For a musical, it is something of a "warts and all" examination of the process, as the south refuses to sign a declaration that freed their slaves, as Jefferson had intended in the original draft. John Cullum brilliantly voices this discussion as the genteel South Carolinian, Edward Rutledge, in the hypnotic and haunting "Molasses to Rum." In fact, every song in the score is well thought out, clever, truthful and very entertaining!

Maybe this isn't *exactly* how the USA began, but, at least once a year, let's say it is.